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Penelope A Mountjoy

Biographic Data

ID6451885
NAMEPenelope A Mountjoy
GIVEN NAMESPenelope A
FAMILY NAMEMountjoy
SIGNATUREMOUNTJOY P A
AFFILIATIONSBritish School at Athens
VERIFIEDNo
TOTAL WORKS23
TOTAL CITATIONS54
AUTHOR COUNT23
EDITOR COUNT0
FIRST PUBLICATION YEAR1974
LATEST PUBLICATION YEAR2018
H-INDEX4
  • Neutron activation analysis of Aegean-style IIIC pottery from the Goldman excavations at Tarsus-Gözlükule

    Open Access•Penelope A Mountjoy, Hans Mommsen et al.•ARTICLE•Anatolian Studies•2018•References: 22

    The appearance of Aegean-style IIIC pottery at Tarsus occured at a time of unrest and of movement of peoples resulting in part from the collapse of the Mycenaean palaces on the Greek mainland. Mycenaean Late Helladic IIIB pottery exports from mainland Greece to Cyprus and the Levant disappeared and were gradually replaced by local imitations. Eventually Aegean-style IIIC pottery appeared in the East Aegean-West Anatolian Interface, in Cyprus and …

  • Imported Cypriot Pottery in Twelfth-Century B.C. Ashkelon

    Daniel M Master, Penelope A Mountjoy et al.•ARTICLE•Bulletin of the American Schools…•2015

    It has been suggested that the collapse of the Late Bronze Age trading networks severed connections between Cyprus and the Philistine cities of the southern Levant. However, the excavators of the Leon Levy Expedition to Ashkelon have uncovered two examples of vessels made in Cyprus and then imported to Philistia during the mid-12th century b.c. These vessels are characterized below, and the consequences of their discovery are briefly addressed

  • Provenance Determination of Mycenaean Iiic Vessels From the 1934–1939 Excavations at Tarsus‐gözlükule by Neutron Activation Analysis

    Open Access•Hans Mommsen, P MOUNTJOY et al.•ARTICLE•Archaeometry•2011•Cited by: 8•References: 14

    Neutron Activation Analysis (NAA) has been carried out in order to determine the provenance of a selected set of 30 sherds of Mycenaean style excavated at Tarsus‐Gözlükule. The provenance could be established or made feasible in 80% of the samples. The results confirm the current status of research, namely that in the LH IIIC phase trade patterns changed and Mycenaean wares, which used to be exported to the Near East, were now produced locally. A…

  • A Bronze Age Ship from Ashkelon with Particular Reference to the Bronze Age Ship from Bademgediği Tepe

    Penelope A Mountjoy•ARTICLE•American Journal of Archaeology•2011•Cited by: 2•References: 1

    Reexamination of a well-known pictorial sherd from Ashkelon demonstrates that it is almost a century older than originally thought; it is in fact a 13th-century import from Mycenaean Greece rather than a local 12th-century Philistine product. The type of vessel to which the sherd belongs is discussed and a possible date is offered. The scene that might have been depicted is examined with reference to other representations of ships on ceramic vess…

  • A Note on the Mixed Origins of Some Philistine Pottery

    Penelope A Mountjoy•ARTICLE•Bulletin of the American Schools…•2010

    Some aspects of Iron Age I Philistine pottery from Ekron Stratum VII and Ashkelon Phase 20 are examined. A small group of kraters isolated from Ekron exhibits both Philistine and non-Philistine characteristics. The latter include local Levantine features, such as rim types, and the use of a motif from the east Aegean. Another motif has a possible Cypriot origin. A local Levantine style is suggested at Ashkelon as a result of a recent in situ find…

  • A provenance study of Mycenaean pottery from Northern Israel

    Open Access•Sharon Zuckerman, David Ben-Shlomo et al.•ARTICLE•Journal of Archaeological Science•2009•Cited by: 12•References: 3

  • The Late Minoan II–III and Mycenaean Pottery from the 1911 Excavations at Phylakopi on Melos

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•2009•References: 4

    This article presents the Late Minoan II–III B and the Late Helladic I–III C pottery from the 1911 excavations of J. Dawkins and J. Droop at Phylakopi on Melos. The material from the 1911 excavations fills gaps in the corpus of pottery provided by the 1896–9 excavations and the 1974–7 excavations. It fills out our knowledge of the LH III A2 pottery and adds a considerable amount of LH III A1 and LH III C material. A small group of vessels caught …

  • A Mycenaean Vase from Megiddo

    Penelope A Mountjoy•ARTICLE•Bulletin of the American Schools…•2008

    An imported Mycenaean vase found as sherd material in Tomb 1101A Upper at Megiddo is examined as to its context and parallels in order to establish its date and possible place of origin. The significance of its suggested date for the controversy over the dating of Megiddo Level VIIA and Bethshan Level VI is discussed

  • The end of the Bronze Age at Enkomi, Cyprus

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•2005•Cited by: 1•References: 1

    The stratigraphy and the Mycenaean III C pottery of Enkomi Level III B (Dikaios's excavations) is examined on the basis of a new study of the pottery in the Larnaka and Nicosia Museum storerooms. The assignation of the Pleonastic Style (Dikaios's ‘Close Style’) and the Wavy Line Style to different phases of Level III B is clarified. The presence of pottery of Proto-White Painted Ware amongst the Level III B material allows correlations to be draw…

  • Miletos

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•2004•Cited by: 1•References: 2

    The date of the final destruction of Late Bronze Age Miletos is examined in the light of new evidence from Ugarit, which has allowed the date of the destruction at that site to be more accurately assessed. A comparison of the pottery in the destruction layer at Miletos with that in the destruction layer at Ugarit suggests that Miletos might have been destroyed at an earlier date than usually thought

  • Mycenaean pottery from Qantir-Piramesse, Egypt

    Open Access•Penelope A Mountjoy, Hans Mommsen•ARTICLE•The Annual of the British School…•2001•Cited by: 6•References: 3

    LH IIIB pottery from Qantir-Piramesse is presented. Although fragmentary, the material is an important addition to the corpus, as pottery dating to this phase is not common in Egypt. NAA chemical analysis suggests that most of it is imported from the Argolid, but that there are some imports from Cyprus and Palestine. Some local production in Egypt is also indicated

  • The Minoan thalassocracy reconsidered

    Open Access•Penelope A Mountjoy, Matthew Ponting et al.•ARTICLE•The Annual of the British School…•2000•Cited by: 2•References: 4

    Chemical analysis by ICP at the Fitch Laboratory (British School at Athens) is used to see if the imported LB II pottery at Phylakopi on Melos is Minoan or Mycenaean. The possibility of a Minoan thalassocracy and of Minoan colonies in the Cyclades is reconsidered in the light of this new evidence, trade routes to the Cyclades are examined, the nature of the Mycenaean presence in the Cyclades is briefly discussed and the evidence for a LM I B hori…

  • The East Aegean-West Anatolian Interface in the Late Bronze Age

    Open Access•Penelope A Mountjoy•ARTICLE•Anatolian Studies•1998•Cited by: 15•References: 10

    The Mycenaean culture of the east Aegean islands should not be considered in relation to that of the Greek Mainland, as has generally been done up until now, but rather in terms of the East Aegean — West Anatolian Interface (fig 1), an area which forms an entity between the Mycenaean islands of the central Aegean and the Anatolian hinterland with Troy at its northern extremity and Rhodes at its southern one

  • The Destruction of the Palace at Pylos Reconsidered

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•1997

    The date of the destruction of the palace at Pylos is re-examined in the light of our increased knowledge of regional Mycenaean pottery, and a fresh phase of LH III pottery defined

  • Thorikos Mine no. 3

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•1995•Cited by: 1

    The Transitional LH III B2/C early pottery from Thorikos mine No. 3 is of particular importance for the definition of this as yet little-known phase. It is also of interest for its context. The assemblage is unusual; its nature implies a specific function rather than the debris of normal settlement. It is suggested that it may have resulted from mining activity

  • Regional Mycenaean Pottery

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•1990•References: 2

    A few points are illustrated concerning regional Mycenaean pottery from the Greek mainland dating from LHIIA to LHIIIC Late. It has been suggested that the use of certain motifs on certain closed shapes was perhaps as a label for the contents of the vase. Early Mycenaean regional styles in peripheral areas, such as Thessaly and Phocis, are discussed and regional preferences during the LHIIIA2–IIIB koine are mentioned. The influence of Crete on My…

  • The Marine Style Pottery of LMIB/LHIIA

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•1984•Cited by: 2•References: 1

    This article presents a corpus of all the published marine style material known to the author, and references to a proportion of material known but not yet published. It is arranged by site, and within each site by shape in the same order of motifs. A descriptive analysis of shapes is presented

  • The Ephyraean Goblet Reviewed

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•1983

    The type and decoration of the Ephyraean goblet and the length of its duration is discussed in the light of recent excavations. Its chronological range is defined as LH IIA–IIB/LM IB to before the end of LH IIB

  • Some Early and Middle Helladic Pottery from Boeotia

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•1980•References: 1

    The pottery illustrated below was found by the author in Thebes Museum boxed together with the material from Dramesi-Hyria, with that from Scimatari and with a large amount of post-Mycenaean material. It was brought from Scimatari Museum to Thebes in the early part of the decade for restoration. A search for its provenance has been fruitless, although it is probable that the MH III-LH I material belongs to the Dramesi-Hyria deposit: Blegen illust…

  • Provenance Studies of the LMIB/LHIIA Marine style

    Open Access•P-A Mountjoy, Penelope A Mountjoy et al.•ARTICLE•The Annual of the British School…•1978•Cited by: 1•References: 2

    The provenance of vessels of the Marine Style of LMIB from Crete and LHIIA from the Mainland remains an important unsolved problem. This article describes an attempt to discriminate between selected Mainland and Cretan specimens by multivariate analysis of the compositions of their fabrics determined by optical emission spectroscopy with the aim of determining whether the Mainland Marine Style pieces were indeed made on the Mainland, perhaps loca…

  • Late Helladic Iiib 1 Pottery dating the Construction of the South House at Mycenae

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•1976•Cited by: 3

    The pottery which forms the main subject of this article was found during the 1964 and 1968 Citadel House excavations beneath the floor of two rooms that were designated Rooms 21 and 22. All the pottery from Room 22 has been kept, including the unpainted sherds, so that the group can be analysed numerically and compared with other groups of LH IIIB pottery from the Argolid. It contains a small quantity of painted wares and a large group of undeco…

  • A Note on the LM IB Marine Style at Knossos

    Open Access•P-A Mountjoy, Penelope A Mountjoy•ARTICLE•The Annual of the British School…•1974

    The published corpus of LM IB Marine Style pottery from Knossos is small. It includes: 1. A jar from the Royal Road, AR (1961–2) 28 fig. 36. 2. A jar from the South-west Corner of the Palace, PM iv 280 fig. 215. 3. A ewer from the House of the Sanctuary, ibid, iv 215 fig. 165. 4. A tall alabastron from the Tomb of the Double Axes, TDoAx. 87. 5. A bridge-spouted jar from a chamber tomb near the Temple Tomb, PM iv 279 fig. 214. 6. A fragment from a…

  • A Later Development in the Late Minoan IB Marine Style

    Open Access•P-A Mountjoy, Penelope A Mountjoy•ARTICLE•The Annual of the British School…•1974

    A Survey of the Marine Style shows that we may categorize octopods and argonauts into Types A and B, according to the drawing of the suckers in their tentacles. Type A suckers enclose a dot; Type B have no dot. All the instances of Type A and Type B are displayed against a crowded Marine background. We may further distinguish a third class (Type C) of octopods and argonauts; small compact creatures whose suckers are reduced to knobs, while the ar…

  • The East Aegean-West Anatolian Interface in the Late Bronze Age

    Open Access•Penelope A Mountjoy•ARTICLE•Anatolian Studies•1998•Cited by: 15•References: 10

    The Mycenaean culture of the east Aegean islands should not be considered in relation to that of the Greek Mainland, as has generally been done up until now, but rather in terms of the East Aegean — West Anatolian Interface (fig 1), an area which forms an entity between the Mycenaean islands of the central Aegean and the Anatolian hinterland with Troy at its northern extremity and Rhodes at its southern one

  • A provenance study of Mycenaean pottery from Northern Israel

    Open Access•Sharon Zuckerman, David Ben-Shlomo et al.•ARTICLE•Journal of Archaeological Science•2009•Cited by: 12•References: 3

  • Provenance Determination of Mycenaean Iiic Vessels From the 1934–1939 Excavations at Tarsus‐gözlükule by Neutron Activation Analysis

    Open Access•Hans Mommsen, P MOUNTJOY et al.•ARTICLE•Archaeometry•2011•Cited by: 8•References: 14

    Neutron Activation Analysis (NAA) has been carried out in order to determine the provenance of a selected set of 30 sherds of Mycenaean style excavated at Tarsus‐Gözlükule. The provenance could be established or made feasible in 80% of the samples. The results confirm the current status of research, namely that in the LH IIIC phase trade patterns changed and Mycenaean wares, which used to be exported to the Near East, were now produced locally. A…

  • Mycenaean pottery from Qantir-Piramesse, Egypt

    Open Access•Penelope A Mountjoy, Hans Mommsen•ARTICLE•The Annual of the British School…•2001•Cited by: 6•References: 3

    LH IIIB pottery from Qantir-Piramesse is presented. Although fragmentary, the material is an important addition to the corpus, as pottery dating to this phase is not common in Egypt. NAA chemical analysis suggests that most of it is imported from the Argolid, but that there are some imports from Cyprus and Palestine. Some local production in Egypt is also indicated

  • Late Helladic Iiib 1 Pottery dating the Construction of the South House at Mycenae

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•1976•Cited by: 3

    The pottery which forms the main subject of this article was found during the 1964 and 1968 Citadel House excavations beneath the floor of two rooms that were designated Rooms 21 and 22. All the pottery from Room 22 has been kept, including the unpainted sherds, so that the group can be analysed numerically and compared with other groups of LH IIIB pottery from the Argolid. It contains a small quantity of painted wares and a large group of undeco…

  • A Bronze Age Ship from Ashkelon with Particular Reference to the Bronze Age Ship from Bademgediği Tepe

    Penelope A Mountjoy•ARTICLE•American Journal of Archaeology•2011•Cited by: 2•References: 1

    Reexamination of a well-known pictorial sherd from Ashkelon demonstrates that it is almost a century older than originally thought; it is in fact a 13th-century import from Mycenaean Greece rather than a local 12th-century Philistine product. The type of vessel to which the sherd belongs is discussed and a possible date is offered. The scene that might have been depicted is examined with reference to other representations of ships on ceramic vess…

  • The Minoan thalassocracy reconsidered

    Open Access•Penelope A Mountjoy, Matthew Ponting et al.•ARTICLE•The Annual of the British School…•2000•Cited by: 2•References: 4

    Chemical analysis by ICP at the Fitch Laboratory (British School at Athens) is used to see if the imported LB II pottery at Phylakopi on Melos is Minoan or Mycenaean. The possibility of a Minoan thalassocracy and of Minoan colonies in the Cyclades is reconsidered in the light of this new evidence, trade routes to the Cyclades are examined, the nature of the Mycenaean presence in the Cyclades is briefly discussed and the evidence for a LM I B hori…

  • The Marine Style Pottery of LMIB/LHIIA

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•1984•Cited by: 2•References: 1

    This article presents a corpus of all the published marine style material known to the author, and references to a proportion of material known but not yet published. It is arranged by site, and within each site by shape in the same order of motifs. A descriptive analysis of shapes is presented

  • The end of the Bronze Age at Enkomi, Cyprus

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•2005•Cited by: 1•References: 1

    The stratigraphy and the Mycenaean III C pottery of Enkomi Level III B (Dikaios's excavations) is examined on the basis of a new study of the pottery in the Larnaka and Nicosia Museum storerooms. The assignation of the Pleonastic Style (Dikaios's ‘Close Style’) and the Wavy Line Style to different phases of Level III B is clarified. The presence of pottery of Proto-White Painted Ware amongst the Level III B material allows correlations to be draw…

  • Miletos

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•2004•Cited by: 1•References: 2

    The date of the final destruction of Late Bronze Age Miletos is examined in the light of new evidence from Ugarit, which has allowed the date of the destruction at that site to be more accurately assessed. A comparison of the pottery in the destruction layer at Miletos with that in the destruction layer at Ugarit suggests that Miletos might have been destroyed at an earlier date than usually thought

  • Thorikos Mine no. 3

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•1995•Cited by: 1

    The Transitional LH III B2/C early pottery from Thorikos mine No. 3 is of particular importance for the definition of this as yet little-known phase. It is also of interest for its context. The assemblage is unusual; its nature implies a specific function rather than the debris of normal settlement. It is suggested that it may have resulted from mining activity

  • Provenance Studies of the LMIB/LHIIA Marine style

    Open Access•P-A Mountjoy, Penelope A Mountjoy et al.•ARTICLE•The Annual of the British School…•1978•Cited by: 1•References: 2

    The provenance of vessels of the Marine Style of LMIB from Crete and LHIIA from the Mainland remains an important unsolved problem. This article describes an attempt to discriminate between selected Mainland and Cretan specimens by multivariate analysis of the compositions of their fabrics determined by optical emission spectroscopy with the aim of determining whether the Mainland Marine Style pieces were indeed made on the Mainland, perhaps loca…

  • A Note on the LM IB Marine Style at Knossos

    Open Access•P-A Mountjoy, Penelope A Mountjoy•ARTICLE•The Annual of the British School…•1974

    The published corpus of LM IB Marine Style pottery from Knossos is small. It includes: 1. A jar from the Royal Road, AR (1961–2) 28 fig. 36. 2. A jar from the South-west Corner of the Palace, PM iv 280 fig. 215. 3. A ewer from the House of the Sanctuary, ibid, iv 215 fig. 165. 4. A tall alabastron from the Tomb of the Double Axes, TDoAx. 87. 5. A bridge-spouted jar from a chamber tomb near the Temple Tomb, PM iv 279 fig. 214. 6. A fragment from a…

  • A Later Development in the Late Minoan IB Marine Style

    Open Access•P-A Mountjoy, Penelope A Mountjoy•ARTICLE•The Annual of the British School…•1974

    A Survey of the Marine Style shows that we may categorize octopods and argonauts into Types A and B, according to the drawing of the suckers in their tentacles. Type A suckers enclose a dot; Type B have no dot. All the instances of Type A and Type B are displayed against a crowded Marine background. We may further distinguish a third class (Type C) of octopods and argonauts; small compact creatures whose suckers are reduced to knobs, while the ar…

  • Late Helladic Iiib 1 Pottery dating the Construction of the South House at Mycenae

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•1976•Cited by: 3

    The pottery which forms the main subject of this article was found during the 1964 and 1968 Citadel House excavations beneath the floor of two rooms that were designated Rooms 21 and 22. All the pottery from Room 22 has been kept, including the unpainted sherds, so that the group can be analysed numerically and compared with other groups of LH IIIB pottery from the Argolid. It contains a small quantity of painted wares and a large group of undeco…

  • Provenance Studies of the LMIB/LHIIA Marine style

    Open Access•P-A Mountjoy, Penelope A Mountjoy et al.•ARTICLE•The Annual of the British School…•1978•Cited by: 1•References: 2

    The provenance of vessels of the Marine Style of LMIB from Crete and LHIIA from the Mainland remains an important unsolved problem. This article describes an attempt to discriminate between selected Mainland and Cretan specimens by multivariate analysis of the compositions of their fabrics determined by optical emission spectroscopy with the aim of determining whether the Mainland Marine Style pieces were indeed made on the Mainland, perhaps loca…

  • Some Early and Middle Helladic Pottery from Boeotia

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•1980•References: 1

    The pottery illustrated below was found by the author in Thebes Museum boxed together with the material from Dramesi-Hyria, with that from Scimatari and with a large amount of post-Mycenaean material. It was brought from Scimatari Museum to Thebes in the early part of the decade for restoration. A search for its provenance has been fruitless, although it is probable that the MH III-LH I material belongs to the Dramesi-Hyria deposit: Blegen illust…

  • The Ephyraean Goblet Reviewed

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•1983

    The type and decoration of the Ephyraean goblet and the length of its duration is discussed in the light of recent excavations. Its chronological range is defined as LH IIA–IIB/LM IB to before the end of LH IIB

  • The Marine Style Pottery of LMIB/LHIIA

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•1984•Cited by: 2•References: 1

    This article presents a corpus of all the published marine style material known to the author, and references to a proportion of material known but not yet published. It is arranged by site, and within each site by shape in the same order of motifs. A descriptive analysis of shapes is presented

  • Regional Mycenaean Pottery

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•1990•References: 2

    A few points are illustrated concerning regional Mycenaean pottery from the Greek mainland dating from LHIIA to LHIIIC Late. It has been suggested that the use of certain motifs on certain closed shapes was perhaps as a label for the contents of the vase. Early Mycenaean regional styles in peripheral areas, such as Thessaly and Phocis, are discussed and regional preferences during the LHIIIA2–IIIB koine are mentioned. The influence of Crete on My…

  • Thorikos Mine no. 3

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•1995•Cited by: 1

    The Transitional LH III B2/C early pottery from Thorikos mine No. 3 is of particular importance for the definition of this as yet little-known phase. It is also of interest for its context. The assemblage is unusual; its nature implies a specific function rather than the debris of normal settlement. It is suggested that it may have resulted from mining activity

  • The Destruction of the Palace at Pylos Reconsidered

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•1997

    The date of the destruction of the palace at Pylos is re-examined in the light of our increased knowledge of regional Mycenaean pottery, and a fresh phase of LH III pottery defined

  • The East Aegean-West Anatolian Interface in the Late Bronze Age

    Open Access•Penelope A Mountjoy•ARTICLE•Anatolian Studies•1998•Cited by: 15•References: 10

    The Mycenaean culture of the east Aegean islands should not be considered in relation to that of the Greek Mainland, as has generally been done up until now, but rather in terms of the East Aegean — West Anatolian Interface (fig 1), an area which forms an entity between the Mycenaean islands of the central Aegean and the Anatolian hinterland with Troy at its northern extremity and Rhodes at its southern one

  • The Minoan thalassocracy reconsidered

    Open Access•Penelope A Mountjoy, Matthew Ponting et al.•ARTICLE•The Annual of the British School…•2000•Cited by: 2•References: 4

    Chemical analysis by ICP at the Fitch Laboratory (British School at Athens) is used to see if the imported LB II pottery at Phylakopi on Melos is Minoan or Mycenaean. The possibility of a Minoan thalassocracy and of Minoan colonies in the Cyclades is reconsidered in the light of this new evidence, trade routes to the Cyclades are examined, the nature of the Mycenaean presence in the Cyclades is briefly discussed and the evidence for a LM I B hori…

  • Mycenaean pottery from Qantir-Piramesse, Egypt

    Open Access•Penelope A Mountjoy, Hans Mommsen•ARTICLE•The Annual of the British School…•2001•Cited by: 6•References: 3

    LH IIIB pottery from Qantir-Piramesse is presented. Although fragmentary, the material is an important addition to the corpus, as pottery dating to this phase is not common in Egypt. NAA chemical analysis suggests that most of it is imported from the Argolid, but that there are some imports from Cyprus and Palestine. Some local production in Egypt is also indicated

  • Miletos

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•2004•Cited by: 1•References: 2

    The date of the final destruction of Late Bronze Age Miletos is examined in the light of new evidence from Ugarit, which has allowed the date of the destruction at that site to be more accurately assessed. A comparison of the pottery in the destruction layer at Miletos with that in the destruction layer at Ugarit suggests that Miletos might have been destroyed at an earlier date than usually thought

  • The end of the Bronze Age at Enkomi, Cyprus

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•2005•Cited by: 1•References: 1

    The stratigraphy and the Mycenaean III C pottery of Enkomi Level III B (Dikaios's excavations) is examined on the basis of a new study of the pottery in the Larnaka and Nicosia Museum storerooms. The assignation of the Pleonastic Style (Dikaios's ‘Close Style’) and the Wavy Line Style to different phases of Level III B is clarified. The presence of pottery of Proto-White Painted Ware amongst the Level III B material allows correlations to be draw…

  • A Mycenaean Vase from Megiddo

    Penelope A Mountjoy•ARTICLE•Bulletin of the American Schools…•2008

    An imported Mycenaean vase found as sherd material in Tomb 1101A Upper at Megiddo is examined as to its context and parallels in order to establish its date and possible place of origin. The significance of its suggested date for the controversy over the dating of Megiddo Level VIIA and Bethshan Level VI is discussed

  • A provenance study of Mycenaean pottery from Northern Israel

    Open Access•Sharon Zuckerman, David Ben-Shlomo et al.•ARTICLE•Journal of Archaeological Science•2009•Cited by: 12•References: 3

  • The Late Minoan II–III and Mycenaean Pottery from the 1911 Excavations at Phylakopi on Melos

    Open Access•Penelope A Mountjoy•ARTICLE•The Annual of the British School…•2009•References: 4

    This article presents the Late Minoan II–III B and the Late Helladic I–III C pottery from the 1911 excavations of J. Dawkins and J. Droop at Phylakopi on Melos. The material from the 1911 excavations fills gaps in the corpus of pottery provided by the 1896–9 excavations and the 1974–7 excavations. It fills out our knowledge of the LH III A2 pottery and adds a considerable amount of LH III A1 and LH III C material. A small group of vessels caught …

  • A Note on the Mixed Origins of Some Philistine Pottery

    Penelope A Mountjoy•ARTICLE•Bulletin of the American Schools…•2010

    Some aspects of Iron Age I Philistine pottery from Ekron Stratum VII and Ashkelon Phase 20 are examined. A small group of kraters isolated from Ekron exhibits both Philistine and non-Philistine characteristics. The latter include local Levantine features, such as rim types, and the use of a motif from the east Aegean. Another motif has a possible Cypriot origin. A local Levantine style is suggested at Ashkelon as a result of a recent in situ find…

  • Provenance Determination of Mycenaean Iiic Vessels From the 1934–1939 Excavations at Tarsus‐gözlükule by Neutron Activation Analysis

    Open Access•Hans Mommsen, P MOUNTJOY et al.•ARTICLE•Archaeometry•2011•Cited by: 8•References: 14

    Neutron Activation Analysis (NAA) has been carried out in order to determine the provenance of a selected set of 30 sherds of Mycenaean style excavated at Tarsus‐Gözlükule. The provenance could be established or made feasible in 80% of the samples. The results confirm the current status of research, namely that in the LH IIIC phase trade patterns changed and Mycenaean wares, which used to be exported to the Near East, were now produced locally. A…

  • A Bronze Age Ship from Ashkelon with Particular Reference to the Bronze Age Ship from Bademgediği Tepe

    Penelope A Mountjoy•ARTICLE•American Journal of Archaeology•2011•Cited by: 2•References: 1

    Reexamination of a well-known pictorial sherd from Ashkelon demonstrates that it is almost a century older than originally thought; it is in fact a 13th-century import from Mycenaean Greece rather than a local 12th-century Philistine product. The type of vessel to which the sherd belongs is discussed and a possible date is offered. The scene that might have been depicted is examined with reference to other representations of ships on ceramic vess…

  • Imported Cypriot Pottery in Twelfth-Century B.C. Ashkelon

    Daniel M Master, Penelope A Mountjoy et al.•ARTICLE•Bulletin of the American Schools…•2015

    It has been suggested that the collapse of the Late Bronze Age trading networks severed connections between Cyprus and the Philistine cities of the southern Levant. However, the excavators of the Leon Levy Expedition to Ashkelon have uncovered two examples of vessels made in Cyprus and then imported to Philistia during the mid-12th century b.c. These vessels are characterized below, and the consequences of their discovery are briefly addressed

  • Neutron activation analysis of Aegean-style IIIC pottery from the Goldman excavations at Tarsus-Gözlükule

    Open Access•Penelope A Mountjoy, Hans Mommsen et al.•ARTICLE•Anatolian Studies•2018•References: 22

    The appearance of Aegean-style IIIC pottery at Tarsus occured at a time of unrest and of movement of peoples resulting in part from the collapse of the Mycenaean palaces on the Greek mainland. Mycenaean Late Helladic IIIB pottery exports from mainland Greece to Cyprus and the Levant disappeared and were gradually replaced by local imitations. Eventually Aegean-style IIIC pottery appeared in the East Aegean-West Anatolian Interface, in Cyprus and …

Archaeology (22 works) · History (19 works) · Ancient history (17 works) · History (17 works) · Pottery (16 works) · Art (14 works) · Maritime and Coastal Archaeology (14 works) · Ancient Mediterranean Archaeology and History (12 works) · Law, logistics, and international trade (12 works) · Geography (10 works)

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