Ana López‐Montes
Biographic Data
| ID | 6452898 |
|---|---|
| NAME | Ana López‐Montes |
| GIVEN NAMES | Ana |
| FAMILY NAME | López‐Montes |
| SIGNATURE | MONTES A L |
| AFFILIATIONS | Universidad de Granada |
| ORCID | 0000-0002-2538-7972 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 14 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
Semantic-driven assisted selection of measurement points for non-invasive analysis of artworks
Semantic-augmented analysis of spectral data of artworks
Interpreting that data from artworks is traditionally a laborious manual process. • A novel workflow based on the semantic segmentation of images is introduced. • Assigning labels transforms spatial segments into meaningful categories for the expert. • Tools augmented with semantic segmentation facilitate the interpretation of the data. • The programs are free and open source
Material Vulnerability: Analytical Approaches to the Identification and Characterization of Alterations and Deterioration Processes in Translucent Paper
Research in the field of cultural heritage has grown due to the need to preserve cultural assets that serve as witnesses to history and culture. In conservation and restoration, research on traditional papers is extensive, but translucent papers have received less attention. These documents, of proteinaceous, cellulosic, or synthetic origin, achieve transparency through processes that modify their structure, which makes them more vulnerable to ag…
Non-Invasive Study of the Pigments of a Painting on Copper with the Inscription “Boceto di Pablo Veronese” on the Back
The palette used on a small painting on copper support, with the inscription “Boceto di Pablo Veronese” on the back, was characterized. Non-invasive techniques such as X-ray diffraction (XRD) and hand-held X-ray fluorescence (XRF) were proven to be highly effective for this. The objectives of the proposed work were twofold. On the one hand, the objective was the study, in situ, of the pigments of a painting on a copper support. On the other hand,…
Unmixing and pigment identification using visible and short-wavelength infrared: Reflectance vs logarithm reflectance hyperspaces
Hyperspectral imaging has recently consolidated as a useful technique for pigment mapping and identification, although it is commonly supported by additional non-invasive analytical methods. Since it is relatively rare to find pure pigments in aged paintings, spectral unmixing can be helpful in facilitating pigment identification if suitable mixing models and endmember extraction procedures are chosen. In this study, a subtractive mixing model is…
Analysis of a royal 15th century illuminated parchment using a portable XRF–XRD system and micro-invasive techniques
Microscopic and spectroscopic techniques for the study of paper supports and textile used in the binding of hispano-arabic manuscripts from Al-Andalus: A transition model in the 15th century
Analysis of a royal 15th century illuminated parchment using a portable XRF–XRD system and micro-invasive techniques
Unmixing and pigment identification using visible and short-wavelength infrared: Reflectance vs logarithm reflectance hyperspaces
Hyperspectral imaging has recently consolidated as a useful technique for pigment mapping and identification, although it is commonly supported by additional non-invasive analytical methods. Since it is relatively rare to find pure pigments in aged paintings, spectral unmixing can be helpful in facilitating pigment identification if suitable mixing models and endmember extraction procedures are chosen. In this study, a subtractive mixing model is…
Microscopic and spectroscopic techniques for the study of paper supports and textile used in the binding of hispano-arabic manuscripts from Al-Andalus: A transition model in the 15th century
Microscopic and spectroscopic techniques for the study of paper supports and textile used in the binding of hispano-arabic manuscripts from Al-Andalus: A transition model in the 15th century
Analysis of a royal 15th century illuminated parchment using a portable XRF–XRD system and micro-invasive techniques
Non-Invasive Study of the Pigments of a Painting on Copper with the Inscription “Boceto di Pablo Veronese” on the Back
The palette used on a small painting on copper support, with the inscription “Boceto di Pablo Veronese” on the back, was characterized. Non-invasive techniques such as X-ray diffraction (XRD) and hand-held X-ray fluorescence (XRF) were proven to be highly effective for this. The objectives of the proposed work were twofold. On the one hand, the objective was the study, in situ, of the pigments of a painting on a copper support. On the other hand,…
Unmixing and pigment identification using visible and short-wavelength infrared: Reflectance vs logarithm reflectance hyperspaces
Hyperspectral imaging has recently consolidated as a useful technique for pigment mapping and identification, although it is commonly supported by additional non-invasive analytical methods. Since it is relatively rare to find pure pigments in aged paintings, spectral unmixing can be helpful in facilitating pigment identification if suitable mixing models and endmember extraction procedures are chosen. In this study, a subtractive mixing model is…
Material Vulnerability: Analytical Approaches to the Identification and Characterization of Alterations and Deterioration Processes in Translucent Paper
Research in the field of cultural heritage has grown due to the need to preserve cultural assets that serve as witnesses to history and culture. In conservation and restoration, research on traditional papers is extensive, but translucent papers have received less attention. These documents, of proteinaceous, cellulosic, or synthetic origin, achieve transparency through processes that modify their structure, which makes them more vulnerable to ag…
Semantic-driven assisted selection of measurement points for non-invasive analysis of artworks
Semantic-augmented analysis of spectral data of artworks
Interpreting that data from artworks is traditionally a laborious manual process. • A novel workflow based on the semantic segmentation of images is introduced. • Assigning labels transforms spatial segments into meaningful categories for the expert. • Tools augmented with semantic segmentation facilitate the interpretation of the data. • The programs are free and open source
Cultural Heritage Materials Analysis (5 works) · Materials Science (4 works) · Archaeology (3 works) · Building materials and conservation (3 works) · Chemistry (3 works) · Optics (3 works) · Physics (3 works) · Aesthetic Perception and Analysis (2 works) · Art (2 works) · Conservation Techniques and Studies (2 works)