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Laura Hubbard

Biographic Data

ID6460911
NAMELaura Hubbard
GIVEN NAMESLaura
FAMILY NAMEHubbard
SIGNATUREHUBBARD L
AFFILIATIONSNewcastle University
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS5
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2004
H-INDEX1
  • Surviving American empire in Africa

    Open Access•Laura Hubbard, Kathryn Mathers•ARTICLE•International Journal of Cultural…•2004•Cited by: 5•References: 26

    Getting real with Survivor Africa is a means to examine not only how ‘Africa’ and the ‘United States’ are performed, staged and constituted in the present but also how ‘Americans’ should relate to the world and themselves. Survivor echoes in fundamental ways the equivalent popular culture form of the 19th century - travel writing. It posits a story told with nostalgic colonial flair with critical plots that turn on notions of a future of constant…

  • The co-responsibility levy — a misnomer

    Open Access•Laura Hubbard, L J Hubbard•ARTICLE•Food Policy•1986

  • Surviving American empire in Africa

    Open Access•Laura Hubbard, Kathryn Mathers•ARTICLE•International Journal of Cultural…•2004•Cited by: 5•References: 26

    Getting real with Survivor Africa is a means to examine not only how ‘Africa’ and the ‘United States’ are performed, staged and constituted in the present but also how ‘Americans’ should relate to the world and themselves. Survivor echoes in fundamental ways the equivalent popular culture form of the 19th century - travel writing. It posits a story told with nostalgic colonial flair with critical plots that turn on notions of a future of constant…

  • The co-responsibility levy — a misnomer

    Open Access•Laura Hubbard, L J Hubbard•ARTICLE•Food Policy•1986

  • Surviving American empire in Africa

    Open Access•Laura Hubbard, Kathryn Mathers•ARTICLE•International Journal of Cultural…•2004•Cited by: 5•References: 26

    Getting real with Survivor Africa is a means to examine not only how ‘Africa’ and the ‘United States’ are performed, staged and constituted in the present but also how ‘Americans’ should relate to the world and themselves. Survivor echoes in fundamental ways the equivalent popular culture form of the 19th century - travel writing. It posits a story told with nostalgic colonial flair with critical plots that turn on notions of a future of constant…

Aesthetics (1 work) · Agricultural Economics and Policy (1 work) · Ancient history (1 work) · Anthropological Studies and Insights (1 work) · Art (1 work) · Business (1 work) · Caribbean history, culture, and politics (1 work) · Colonialism (1 work) · Diaspora, migration, transnational identity (1 work) · Economics (1 work)

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