Elizabeth Kutesko
Biographic Data
| ID | 6461846 |
|---|---|
| NAME | Elizabeth Kutesko |
| GIVEN NAMES | Elizabeth |
| FAMILY NAME | Kutesko |
| SIGNATURE | KUTESKO E |
| ORCID | 0000-0002-3274-0658 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Moda na Fronteira
Em 1910, no auge do ciclo da borracha na América do Sul, o fotógrafo nova-iorquino Dana Bertran Merrill foi contratado para documentar a construção transnacional da ferrovia Madeira-Mamoré, construída nas profundezas da Amazônia brasileira. A sua câmera atuou tanto como testemunha quanto cúmplice deste projeto imperialista de expansão capitalista americana e exploração da América do Sul. Merrill não foi contratado com o intuito de documentar a cu…
Fashion on the Frontier
In 1910, on the cusp of the rubber fever that gripped South America, New York photographer Dana Bertran Merrill was hired to document the transnational construction of the Madeira-Mamoré railroad, built deep in the Brazilian Amazon. His camera acted both as witness to, and abettor in, this imperial project of US capitalist expansion and exploitation of South America. Although Merrill was not employed to document the transnational clothing culture…
Time in Fashion
Review of: Time in Fashion: Industrial, Antilinear and Uchronic Temporalities , Caroline Evans and Alessandra Vaccari (eds) (2020) London: Bloomsbury, 187 pp., ISBN 978-1-35014-693-8, p/bk, £22.25
Passing to Be Noticed
This special edition of Fashion Theory explores the theme of Passing, a term generally used to designate an individual’s ability to enter a new group, by employing performative techniques that enable him, her or them to pass as a member of the crowd. It is a performance that invariably applies dress —referred to here in its broadest possible sense as “all body modifications and/or supplements” (Eicher 1995, 5) — to disguise elements of identity p…
Fashioning Brazil
As a popular “scientific” and educational journal, National Geographic, since its founding in 1888, has positioned itself as a voice of authority within mainstream American print media, offering what purports to be an unprejudiced “window onto the world.” Previous scholarship has been quick to call attention to the magazine’s participation in an imperialist representational regime. Tamar Rothenberg, Linda Steet, and Catherine A. Lutz and Jane L. …
No prominent works on this page.
Fashioning Brazil
As a popular “scientific” and educational journal, National Geographic, since its founding in 1888, has positioned itself as a voice of authority within mainstream American print media, offering what purports to be an unprejudiced “window onto the world.” Previous scholarship has been quick to call attention to the magazine’s participation in an imperialist representational regime. Tamar Rothenberg, Linda Steet, and Catherine A. Lutz and Jane L. …
Passing to Be Noticed
This special edition of Fashion Theory explores the theme of Passing, a term generally used to designate an individual’s ability to enter a new group, by employing performative techniques that enable him, her or them to pass as a member of the crowd. It is a performance that invariably applies dress —referred to here in its broadest possible sense as “all body modifications and/or supplements” (Eicher 1995, 5) — to disguise elements of identity p…
Time in Fashion
Review of: Time in Fashion: Industrial, Antilinear and Uchronic Temporalities , Caroline Evans and Alessandra Vaccari (eds) (2020) London: Bloomsbury, 187 pp., ISBN 978-1-35014-693-8, p/bk, £22.25
Moda na Fronteira
Em 1910, no auge do ciclo da borracha na América do Sul, o fotógrafo nova-iorquino Dana Bertran Merrill foi contratado para documentar a construção transnacional da ferrovia Madeira-Mamoré, construída nas profundezas da Amazônia brasileira. A sua câmera atuou tanto como testemunha quanto cúmplice deste projeto imperialista de expansão capitalista americana e exploração da América do Sul. Merrill não foi contratado com o intuito de documentar a cu…
Fashion on the Frontier
In 1910, on the cusp of the rubber fever that gripped South America, New York photographer Dana Bertran Merrill was hired to document the transnational construction of the Madeira-Mamoré railroad, built deep in the Brazilian Amazon. His camera acted both as witness to, and abettor in, this imperial project of US capitalist expansion and exploitation of South America. Although Merrill was not employed to document the transnational clothing culture…
Fashion and Cultural Textiles (4 works) · Art (3 works) · History (3 works) · History (2 works) · Philosophy (2 works) · Philosophy (2 works) · Sociology (2 works) · Aesthetics (1 work) · Anthropological Studies and Insights (1 work) · Anthropology (1 work)