Mara Helmuth
Biographic Data
| ID | 6462403 |
|---|---|
| NAME | Mara Helmuth |
| GIVEN NAMES | Mara |
| FAMILY NAME | Helmuth |
| SIGNATURE | HELMUTH M |
| AFFILIATIONS | Center of Computer Music, College-Conservatory of Music, University of Cincinnati, Cincinnati, OH, USA |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Links between sonification and generative music
The authors investigate works by four composers who employed technology in the creation of music employing audification, sonification and algorithmic composition techniques. These compositions involve interdisciplinary collaborations either with scientific researchers, in the case of Annea Lockwood's Dusk and Carla Scaletti's hàgg, or artificial intelligence, in George Lewis's Voyager, and Bob Sturm's The Waters of Heanny. Each composer's choice …
Multidimensional representation of electroacoustic music
A five‐layered system of graphical representation has been created for the analysis of electroacoustic compositions. Electronic music often contains spectral changes and other timbral aspects that make traditional music notation inadequate. The sonogram is a useful representation of the frequency spectra and their evolutions. Additional layers have been included to clarify various aspects such as pitch relationships, phrasing, overall dynamic lev…
No prominent works on this page.
Multidimensional representation of electroacoustic music
A five‐layered system of graphical representation has been created for the analysis of electroacoustic compositions. Electronic music often contains spectral changes and other timbral aspects that make traditional music notation inadequate. The sonogram is a useful representation of the frequency spectra and their evolutions. Additional layers have been included to clarify various aspects such as pitch relationships, phrasing, overall dynamic lev…
Links between sonification and generative music
The authors investigate works by four composers who employed technology in the creation of music employing audification, sonification and algorithmic composition techniques. These compositions involve interdisciplinary collaborations either with scientific researchers, in the case of Annea Lockwood's Dusk and Carla Scaletti's hàgg, or artificial intelligence, in George Lewis's Voyager, and Bob Sturm's The Waters of Heanny. Each composer's choice …
Art (2 works) · Computer Science (2 works) · Music Technology and Sound Studies (2 works) · Musical (2 works) · Visual arts (2 works) · Architecture and Computational Design (1 work) · Artificial Intelligence (1 work) · Composition (language (1 work) · Electroacoustic music (1 work) · Generative grammar (1 work)