Assimina Kaniari
Biographic Data
| ID | 6462496 |
|---|---|
| NAME | Assimina Kaniari |
| GIVEN NAMES | Assimina |
| FAMILY NAME | Kaniari |
| SIGNATURE | KANIARI A |
| AFFILIATIONS | Athens School of Fine Arts |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Brutalist image as humanist form
Assimina Kaniari Punctum, 2(1): 60-68, 2016 DOI: 10.18680/hss.2016.0006 The term New brutalism often echoes an architecturally specific discourse, yet the introduction of the term in Britain in the 50s, looking at the example of Banham’s writings from the Architectural Review, seems to take architecture as a starting point only to discuss a variety of art [...]
D’Arcy Thompson’s On Growth and Form and the Concept of Dynamic Form in Postwar Avant-Garde Art Theory
The impact is considered of D’Arcy Thompson’s notion of biological form as set out in On Growth and Form on postwar avant-garde experimental art practices associated with the Independent Group, Nigel Henderson’s photography, and László Moholy-Nagy’s post-Bauhaus art theory. How Thompson’s insistence on the importance of physical forces in shaping biological form, and of distortion as a component of symmetrical systems, influenced the writings and…
Art, Science and Intuition from Leonardo to the Hubble Telescope
D’Arcy Thompson’s On Growth and Form and the Concept of Dynamic Form in Postwar Avant-Garde Art Theory
The impact is considered of D’Arcy Thompson’s notion of biological form as set out in On Growth and Form on postwar avant-garde experimental art practices associated with the Independent Group, Nigel Henderson’s photography, and László Moholy-Nagy’s post-Bauhaus art theory. How Thompson’s insistence on the importance of physical forces in shaping biological form, and of distortion as a component of symmetrical systems, influenced the writings and…
Art, Science and Intuition from Leonardo to the Hubble Telescope
D’Arcy Thompson’s On Growth and Form and the Concept of Dynamic Form in Postwar Avant-Garde Art Theory
The impact is considered of D’Arcy Thompson’s notion of biological form as set out in On Growth and Form on postwar avant-garde experimental art practices associated with the Independent Group, Nigel Henderson’s photography, and László Moholy-Nagy’s post-Bauhaus art theory. How Thompson’s insistence on the importance of physical forces in shaping biological form, and of distortion as a component of symmetrical systems, influenced the writings and…
Brutalist image as humanist form
Assimina Kaniari Punctum, 2(1): 60-68, 2016 DOI: 10.18680/hss.2016.0006 The term New brutalism often echoes an architecturally specific discourse, yet the introduction of the term in Britain in the 50s, looking at the example of Banham’s writings from the Architectural Review, seems to take architecture as a starting point only to discuss a variety of art [...]
Art (3 works) · Philosophy (3 works) · Aesthetics (2 works) · Art, Technology, and Culture (2 works) · Epistemology (2 works) · Abstraction (1 work) · Advanced Theoretical and Applied Studies in Material Sciences and Geometry (1 work) · Aesthetic Perception and Analysis (1 work) · Architecture and Computational Design (1 work) · Art history (1 work)