Edward Juler
Biographic Data
| ID | 6462908 |
|---|---|
| NAME | Edward Juler |
| GIVEN NAMES | Edward |
| FAMILY NAME | Juler |
| SIGNATURE | JULER E |
| AFFILIATIONS | Wested |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 0 |
A Bridge between Science and Art? The Artistic Reception of On Growth and Form in Interwar Britain, c. 1930–42
Taking Herbert Read’s 1942 review of the second edition of On Growth and Form as its starting point, this article explores the artistic response to the work of D’Arcy Wentworth Thompson during the 1930s and early 1940s through the frame of the culture of popular science and the powerful current of interest that artists directed towards science at the time. The role of Thomson’s work as a bridge between natural science and art, occupying the middl…
The Key to a Hidden World
Upon its publication in Britain, Karl Blossfeldt's photo-album, Art Forms in Nature, was something of a publishing phenomenon, striking a chord with the general public and going through no fewer than three print-runs between 1929 and 1935. Featuring a suite of magnified photographs of flower heads, seeds and plant tendrils, the book's success powerfully represented the current of interest in close-up nature photography contemporaneously experienc…
No prominent works on this page.
The Key to a Hidden World
Upon its publication in Britain, Karl Blossfeldt's photo-album, Art Forms in Nature, was something of a publishing phenomenon, striking a chord with the general public and going through no fewer than three print-runs between 1929 and 1935. Featuring a suite of magnified photographs of flower heads, seeds and plant tendrils, the book's success powerfully represented the current of interest in close-up nature photography contemporaneously experienc…
A Bridge between Science and Art? The Artistic Reception of On Growth and Form in Interwar Britain, c. 1930–42
Taking Herbert Read’s 1942 review of the second edition of On Growth and Form as its starting point, this article explores the artistic response to the work of D’Arcy Wentworth Thompson during the 1930s and early 1940s through the frame of the culture of popular science and the powerful current of interest that artists directed towards science at the time. The role of Thomson’s work as a bridge between natural science and art, occupying the middl…
Art (2 works) · Art history (2 works) · Computer Science (2 works) · History of Science and Natural History (2 works) · Visual arts (2 works) · Bridge (graph theory (1 work) · History and Theory of Mathematics (1 work) · Literature (1 work) · Photography (1 work) · Photography and Visual Culture (1 work)