Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Katrinka Somdahl‐Sands

Biographic Data

ID6467154
NAMEKatrinka Somdahl‐Sands
GIVEN NAMESKatrinka
FAMILY NAMESomdahl‐Sands
SIGNATURESANDS K S
AFFILIATIONSRowan University
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS19
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2015
H-INDEX3
  • Media, performance, and pastpresents: Authenticity in the digital age

    Open Access•Katrinka Somdahl-Sands, Katrinka Somdahl‐Sands et al.•ARTICLE•GeoJournal•2015•Cited by: 1•References: 3

  • Comic Book Geographies

    Open Access•Katrinka Somdahl‐sand, Katrinka Somdahl‐Sands•ARTICLE•Geographical Review•2015•Cited by: 6

    COMIC BOOK GEOGRAPHIES. Edited by Jason Dittmer. 227 pp.; 47 ills. Mainz, Germany: Franz Steiner Verlag, 2014. $71.00 (cloth), ISBN 9783515102698. Comic cross many disciplines, including geography. Comic Book Geographies, edited by Jason Dittmer, is intended to bring geography and the interdisciplinary field of comic into dialogue. For this alone, this book is an important addition to the emerging genre of geohumanities. However, in speaking to w…

  • On Dittmer's Popular Culture, Geopolitics, and Identity as a classroom resource

    Reecia Orzeck, James Craine et al.•ARTICLE•Journal of Geography in Higher…•2014•Cited by: 1•References: 6

    In this intervention, four geographers, all of whom have used Jason Dittmer's book, Popular Culture, Geopolitics, and Identity, in their classes, assess its status as a teaching resource. All have had considerable success using Dittmer's book, alongside other resources, to cultivate critical thinking and critical knowledge production in a wide range of classes

  • Non-Representational Theory for the Uninitiated: Come Jump with me

    Open Access•Katrinka Somdahl‐sand, Katrinka Somdahl‐Sands•ARTICLE•Geography Compass•2013•References: 6

    The article/performance is a 13 minute performance/presentation/film investigating the role of the subject in nonrepresentational theory. The piece is a discussion of Non-Representational Theory, identity and dance. In particular, it I describe how I, as a feminist/political geographer who writes about dance, (so I fell in with Non-Representational Theory by association), came to understand what all the fuss was about with NRT by finally placing …

  • Citizenship, Civic Memory and Urban Performance: Mission Wall Dances

    Katrinka Somdahl-Sands, Katrinka Somdahl‐Sands•ARTICLE•Space and Polity•2008•Cited by: 6•References: 19

    The meaning of art changes in various contexts. This article examines how an outdoor performance transformed an urban street in the Mission District of San Francisco into a site of citizenship and political communication. This is the story of how choreographer Jo Kreiter and her small group of dancers used the power of memory, the social narratives about her San Franciscan performance site and symbolism to enhance the political message about gent…

  • Cultural Geographies in Practice: Triptych: dancing in Thirdspace

    Open Access•Katrinka Somdahl-Sands, Katrinka Somdahl‐sand et al.•ARTICLE•Cultural Geographies•2006•Cited by: 5

    Hereyou will be introduced to the BodyCarto-graphy Project, an explicitly political andgeographical ongoing dance project. TheBodyCartography Project, led by OliveBieringa and Otto Ramstad, chooses pub-lic places that convey particular meaningsand through engagement with the sitediscover the innate potential of thatspace. In so doing, the performanceallows the spectators to create their ownmeanings. The relationship of the public to the company s…

  • Comic Book Geographies

    Open Access•Katrinka Somdahl‐sand, Katrinka Somdahl‐Sands•ARTICLE•Geographical Review•2015•Cited by: 6

    COMIC BOOK GEOGRAPHIES. Edited by Jason Dittmer. 227 pp.; 47 ills. Mainz, Germany: Franz Steiner Verlag, 2014. $71.00 (cloth), ISBN 9783515102698. Comic cross many disciplines, including geography. Comic Book Geographies, edited by Jason Dittmer, is intended to bring geography and the interdisciplinary field of comic into dialogue. For this alone, this book is an important addition to the emerging genre of geohumanities. However, in speaking to w…

  • Citizenship, Civic Memory and Urban Performance: Mission Wall Dances

    Katrinka Somdahl-Sands, Katrinka Somdahl‐Sands•ARTICLE•Space and Polity•2008•Cited by: 6•References: 19

    The meaning of art changes in various contexts. This article examines how an outdoor performance transformed an urban street in the Mission District of San Francisco into a site of citizenship and political communication. This is the story of how choreographer Jo Kreiter and her small group of dancers used the power of memory, the social narratives about her San Franciscan performance site and symbolism to enhance the political message about gent…

  • Cultural Geographies in Practice: Triptych: dancing in Thirdspace

    Open Access•Katrinka Somdahl-Sands, Katrinka Somdahl‐sand et al.•ARTICLE•Cultural Geographies•2006•Cited by: 5

    Hereyou will be introduced to the BodyCarto-graphy Project, an explicitly political andgeographical ongoing dance project. TheBodyCartography Project, led by OliveBieringa and Otto Ramstad, chooses pub-lic places that convey particular meaningsand through engagement with the sitediscover the innate potential of thatspace. In so doing, the performanceallows the spectators to create their ownmeanings. The relationship of the public to the company s…

  • Media, performance, and pastpresents: Authenticity in the digital age

    Open Access•Katrinka Somdahl-Sands, Katrinka Somdahl‐Sands et al.•ARTICLE•GeoJournal•2015•Cited by: 1•References: 3

  • On Dittmer's Popular Culture, Geopolitics, and Identity as a classroom resource

    Reecia Orzeck, James Craine et al.•ARTICLE•Journal of Geography in Higher…•2014•Cited by: 1•References: 6

    In this intervention, four geographers, all of whom have used Jason Dittmer's book, Popular Culture, Geopolitics, and Identity, in their classes, assess its status as a teaching resource. All have had considerable success using Dittmer's book, alongside other resources, to cultivate critical thinking and critical knowledge production in a wide range of classes

  • Cultural Geographies in Practice: Triptych: dancing in Thirdspace

    Open Access•Katrinka Somdahl-Sands, Katrinka Somdahl‐sand et al.•ARTICLE•Cultural Geographies•2006•Cited by: 5

    Hereyou will be introduced to the BodyCarto-graphy Project, an explicitly political andgeographical ongoing dance project. TheBodyCartography Project, led by OliveBieringa and Otto Ramstad, chooses pub-lic places that convey particular meaningsand through engagement with the sitediscover the innate potential of thatspace. In so doing, the performanceallows the spectators to create their ownmeanings. The relationship of the public to the company s…

  • Citizenship, Civic Memory and Urban Performance: Mission Wall Dances

    Katrinka Somdahl-Sands, Katrinka Somdahl‐Sands•ARTICLE•Space and Polity•2008•Cited by: 6•References: 19

    The meaning of art changes in various contexts. This article examines how an outdoor performance transformed an urban street in the Mission District of San Francisco into a site of citizenship and political communication. This is the story of how choreographer Jo Kreiter and her small group of dancers used the power of memory, the social narratives about her San Franciscan performance site and symbolism to enhance the political message about gent…

  • Non-Representational Theory for the Uninitiated: Come Jump with me

    Open Access•Katrinka Somdahl‐sand, Katrinka Somdahl‐Sands•ARTICLE•Geography Compass•2013•References: 6

    The article/performance is a 13 minute performance/presentation/film investigating the role of the subject in nonrepresentational theory. The piece is a discussion of Non-Representational Theory, identity and dance. In particular, it I describe how I, as a feminist/political geographer who writes about dance, (so I fell in with Non-Representational Theory by association), came to understand what all the fuss was about with NRT by finally placing …

  • On Dittmer's Popular Culture, Geopolitics, and Identity as a classroom resource

    Reecia Orzeck, James Craine et al.•ARTICLE•Journal of Geography in Higher…•2014•Cited by: 1•References: 6

    In this intervention, four geographers, all of whom have used Jason Dittmer's book, Popular Culture, Geopolitics, and Identity, in their classes, assess its status as a teaching resource. All have had considerable success using Dittmer's book, alongside other resources, to cultivate critical thinking and critical knowledge production in a wide range of classes

  • Media, performance, and pastpresents: Authenticity in the digital age

    Open Access•Katrinka Somdahl-Sands, Katrinka Somdahl‐Sands et al.•ARTICLE•GeoJournal•2015•Cited by: 1•References: 3

  • Comic Book Geographies

    Open Access•Katrinka Somdahl‐sand, Katrinka Somdahl‐Sands•ARTICLE•Geographical Review•2015•Cited by: 6

    COMIC BOOK GEOGRAPHIES. Edited by Jason Dittmer. 227 pp.; 47 ills. Mainz, Germany: Franz Steiner Verlag, 2014. $71.00 (cloth), ISBN 9783515102698. Comic cross many disciplines, including geography. Comic Book Geographies, edited by Jason Dittmer, is intended to bring geography and the interdisciplinary field of comic into dialogue. For this alone, this book is an important addition to the emerging genre of geohumanities. However, in speaking to w…

Art (6 works) · Sociology (6 works) · Aesthetics (4 works) · Visual arts (4 works) · Computer Science (3 works) · Dance (3 works) · Media studies (3 works) · Political science (3 works) · Diversity and Impact of Dance (2 works) · Epistemology (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae