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Ben C Watson

Biographic Data

ID6468103
NAMEBen C Watson
GIVEN NAMESBen C
FAMILY NAMEWatson
SIGNATUREWATSON B C
AFFILIATIONSThe University of Melbourne
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS12
AUTHOR COUNT13
EDITOR COUNT0
FIRST PUBLICATION YEAR1994
LATEST PUBLICATION YEAR2013
H-INDEX2
  • A comparison study of children's independent mobility in England and Australia

    Ann Carver, Ben Watson et al.•ARTICLE•Children s Geographies•2013•Cited by: 6•References: 9

    We compared independent mobility (freedom to move around the neighbourhood â or similar â without adult accompaniment) among English and Australian schoolchildren. Parents reported mobility licences granted to their children (e.g. allowing them to cross main roads alone) and accompaniment on local trips. Children reported travel mode to school. We examined associations between mobility licences and independent school journeys, and accompaniment o…

  • Rock Art and the Neurovisual Bases of Subjective Visual Phenomena

    Ben Watson, Ben C Watson•ARTICLE•Time and Mind•2012

    (2012). Rock Art and the Neurovisual Bases of Subjective Visual Phenomena. Time and Mind: Vol. 5, No. 2, pp. 211-216

  • The eyes have it

    Open Access•Ben Watson, Ben C Watson•ARTICLE•Antiquity•2011•Cited by: 4•References: 45

    Why do early artists draw eyes? The author argues that they reflect the evolution of the brain in its expressions of fear, love and behaviour, and invites us to apply this ethological approach more widely to the study of early symbolism

  • The Creative Ice Age Brain

    Ben C Watson•ARTICLE•Time and Mind•2010

  • Frank Zappa's Legacy

    Open Access•Ben Watson, Ben C Watson•ARTICLE•Circuit Musiques contemporaines•2010

    In "Frank Zappa's Legacy: just another Hoover?", Ben Watson reveals that when Frank Zappa referred to his "oeuvre" towards the end of his life, he pronounced the French word like "Hoover", the world's most famous brand of vacuum cleaner. Watson's essay starts with the proposition that Zappa's oeuvre is indeed a Hoover, a critical manoeuvre appropriate for Zappa's Dadaist disdain for cultural values. Establishment critics currently praise Zappa's …

  • Thesis Abstracts

    Christine Bender, Melissa Johnson et al.•ARTICLE•Australian Archaeology•2009

  • Reply to JD Lewis-Williams

    Ben Watson, Ben C Watson•ARTICLE•Hunter Gatherer Research•2008

  • Dreaming phenomena and palaeoart

    Ben Watson, Ben C Watson•ARTICLE•Hunter Gatherer Research•2007•Cited by: 2•References: 17

    Dreaming phenomena provide an important means of inquiry into several aspects of palaeoart. This article proposes that dreaming phenomena provide a rationale and basis for the selection of certain images for depiction by cognitively modern humans in the past in contexts devoid of ethnographic insight. The relationship between dreaming phenomena and palaeoart is explored, including the significance of transitional states between sleep and wakefuln…

  • Fantasy and Judgement

    Ben Watson, Ben C Watson•ARTICLE•Historical Materialism•2002

    Ben Watson Fantasy and Judgement: Adorno, Tolkien, Burroughs Fantasy in Marx and Adorno Writing in 1951, expanding on the Frankfurt School’s c r it iq u e o f US p o s it i v is m an d U SSR M ar x is m , Theodor Adorno had nothing but good to say of fantasy. Fantasy alone, today consigned to the realm of the unconscious and proscribed from knowledge as a childish, injudicious rudiment, can establish tha t rela t io n b etw een o b jec t s whi c …

  • How Far Can Too Far Go?' Or, When Polemic Can't Be Born

    Ben Watson, Ben C Watson•ARTICLE•Parallax•1999

  • Adorno

    Ben Watson, Ben C Watson•ARTICLE•Historical Materialism•1998

    Adorno: A Crltlcallntrodudlon Simon Jarvis Cambridge: Polity Press, 1998 Adorno On Music Robert W. Witkin London and New York: Routledge, 1998 Adorno's Aesthetics Of Music Max Paddison Cambridge: Cambridge University Press, 1993 Reviewed by Ben Watson For those who believe that Marxism and academia can be productively combined, Theodor Adorno is a charismatic figure. Relentlessly on guard against anything that might ring of commercial duplicity, …

  • Frank Zappa as dadaist

    Ben Watson, Ben C Watson•ARTICLE•Contemporary Music Review•1996

  • Frank Zappa

    Steve Sweeney-Turner, Steve Sweeney‐Turner et al.•ARTICLE•The Musical Times•1994

  • A comparison study of children's independent mobility in England and Australia

    Ann Carver, Ben Watson et al.•ARTICLE•Children s Geographies•2013•Cited by: 6•References: 9

    We compared independent mobility (freedom to move around the neighbourhood â or similar â without adult accompaniment) among English and Australian schoolchildren. Parents reported mobility licences granted to their children (e.g. allowing them to cross main roads alone) and accompaniment on local trips. Children reported travel mode to school. We examined associations between mobility licences and independent school journeys, and accompaniment o…

  • The eyes have it

    Open Access•Ben Watson, Ben C Watson•ARTICLE•Antiquity•2011•Cited by: 4•References: 45

    Why do early artists draw eyes? The author argues that they reflect the evolution of the brain in its expressions of fear, love and behaviour, and invites us to apply this ethological approach more widely to the study of early symbolism

  • Dreaming phenomena and palaeoart

    Ben Watson, Ben C Watson•ARTICLE•Hunter Gatherer Research•2007•Cited by: 2•References: 17

    Dreaming phenomena provide an important means of inquiry into several aspects of palaeoart. This article proposes that dreaming phenomena provide a rationale and basis for the selection of certain images for depiction by cognitively modern humans in the past in contexts devoid of ethnographic insight. The relationship between dreaming phenomena and palaeoart is explored, including the significance of transitional states between sleep and wakefuln…

  • Frank Zappa

    Steve Sweeney-Turner, Steve Sweeney‐Turner et al.•ARTICLE•The Musical Times•1994

  • Frank Zappa as dadaist

    Ben Watson, Ben C Watson•ARTICLE•Contemporary Music Review•1996

  • Adorno

    Ben Watson, Ben C Watson•ARTICLE•Historical Materialism•1998

    Adorno: A Crltlcallntrodudlon Simon Jarvis Cambridge: Polity Press, 1998 Adorno On Music Robert W. Witkin London and New York: Routledge, 1998 Adorno's Aesthetics Of Music Max Paddison Cambridge: Cambridge University Press, 1993 Reviewed by Ben Watson For those who believe that Marxism and academia can be productively combined, Theodor Adorno is a charismatic figure. Relentlessly on guard against anything that might ring of commercial duplicity, …

  • How Far Can Too Far Go?' Or, When Polemic Can't Be Born

    Ben Watson, Ben C Watson•ARTICLE•Parallax•1999

  • Fantasy and Judgement

    Ben Watson, Ben C Watson•ARTICLE•Historical Materialism•2002

    Ben Watson Fantasy and Judgement: Adorno, Tolkien, Burroughs Fantasy in Marx and Adorno Writing in 1951, expanding on the Frankfurt School’s c r it iq u e o f US p o s it i v is m an d U SSR M ar x is m , Theodor Adorno had nothing but good to say of fantasy. Fantasy alone, today consigned to the realm of the unconscious and proscribed from knowledge as a childish, injudicious rudiment, can establish tha t rela t io n b etw een o b jec t s whi c …

  • Dreaming phenomena and palaeoart

    Ben Watson, Ben C Watson•ARTICLE•Hunter Gatherer Research•2007•Cited by: 2•References: 17

    Dreaming phenomena provide an important means of inquiry into several aspects of palaeoart. This article proposes that dreaming phenomena provide a rationale and basis for the selection of certain images for depiction by cognitively modern humans in the past in contexts devoid of ethnographic insight. The relationship between dreaming phenomena and palaeoart is explored, including the significance of transitional states between sleep and wakefuln…

  • Reply to JD Lewis-Williams

    Ben Watson, Ben C Watson•ARTICLE•Hunter Gatherer Research•2008

  • Thesis Abstracts

    Christine Bender, Melissa Johnson et al.•ARTICLE•Australian Archaeology•2009

  • The Creative Ice Age Brain

    Ben C Watson•ARTICLE•Time and Mind•2010

  • Frank Zappa's Legacy

    Open Access•Ben Watson, Ben C Watson•ARTICLE•Circuit Musiques contemporaines•2010

    In "Frank Zappa's Legacy: just another Hoover?", Ben Watson reveals that when Frank Zappa referred to his "oeuvre" towards the end of his life, he pronounced the French word like "Hoover", the world's most famous brand of vacuum cleaner. Watson's essay starts with the proposition that Zappa's oeuvre is indeed a Hoover, a critical manoeuvre appropriate for Zappa's Dadaist disdain for cultural values. Establishment critics currently praise Zappa's …

  • The eyes have it

    Open Access•Ben Watson, Ben C Watson•ARTICLE•Antiquity•2011•Cited by: 4•References: 45

    Why do early artists draw eyes? The author argues that they reflect the evolution of the brain in its expressions of fear, love and behaviour, and invites us to apply this ethological approach more widely to the study of early symbolism

  • Rock Art and the Neurovisual Bases of Subjective Visual Phenomena

    Ben Watson, Ben C Watson•ARTICLE•Time and Mind•2012

    (2012). Rock Art and the Neurovisual Bases of Subjective Visual Phenomena. Time and Mind: Vol. 5, No. 2, pp. 211-216

  • A comparison study of children's independent mobility in England and Australia

    Ann Carver, Ben Watson et al.•ARTICLE•Children s Geographies•2013•Cited by: 6•References: 9

    We compared independent mobility (freedom to move around the neighbourhood â or similar â without adult accompaniment) among English and Australian schoolchildren. Parents reported mobility licences granted to their children (e.g. allowing them to cross main roads alone) and accompaniment on local trips. Children reported travel mode to school. We examined associations between mobility licences and independent school journeys, and accompaniment o…

Art (8 works) · Psychology (7 works) · History (6 works) · Philosophy (5 works) · Archaeology (3 works) · Archaeology and Rock Art Studies (3 works) · Multisensory perception and integration (3 works) · Music Technology and Sound Studies (3 works) · Philosophy (3 works) · Action Observation and Synchronization (2 works)

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