Kelly D Wiltshire
Biographic Data
| ID | 6468266 |
|---|---|
| NAME | Kelly D Wiltshire |
| GIVEN NAMES | Kelly D |
| FAMILY NAME | Wiltshire |
| SIGNATURE | WILTSHIRE K D |
| AFFILIATIONS | Flinders University |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Actor Network Theory (ANT)
Assemblage Thinking
Indigenous Archaeologies: Australian Perspective
Indigenous Archaeologies: Australian Perspective
Following the Franklin: Using film footage ethnographically to study archaeological practice in Tasmania
When archaeologists Rhys Jones, Jim Allen and others undertook archaeological investigations in the newly proclaimed World Heritage Area in southwest Tasmania following the Franklin River Dam campaign, they were accompanied by a film-maker from the then Australian Institute of Aboriginal Studies (AIAS). A short archaeological report published within the same year gives a linear account of these investigations. The film footage—which lay unedited …
Actor Network Theory (ANT)
Assemblage Thinking
From Archaeologist to Archivist: Exploring the Research Potential, Content, and Management of a Moving Image Archive
Moving image archives—like many other archives—are considered a passive repository of knowledge extraction, rather than an active site of knowledge production. Following the premise that archives are indeed a source of knowledge production, this article explores how moving image archives have the potential to produce new and alternative knowledges by bringing to light factors that may have influenced archaeological practice, factors captured with…
From Archaeologist to Archivist: Exploring the Research Potential, Content, and Management of a Moving Image Archive
Moving image archives—like many other archives—are considered a passive repository of knowledge extraction, rather than an active site of knowledge production. Following the premise that archives are indeed a source of knowledge production, this article explores how moving image archives have the potential to produce new and alternative knowledges by bringing to light factors that may have influenced archaeological practice, factors captured with…
From Archaeologist to Archivist: Exploring the Research Potential, Content, and Management of a Moving Image Archive
Moving image archives—like many other archives—are considered a passive repository of knowledge extraction, rather than an active site of knowledge production. Following the premise that archives are indeed a source of knowledge production, this article explores how moving image archives have the potential to produce new and alternative knowledges by bringing to light factors that may have influenced archaeological practice, factors captured with…
Actor Network Theory (ANT)
Assemblage Thinking
Indigenous Archaeologies: Australian Perspective
Following the Franklin: Using film footage ethnographically to study archaeological practice in Tasmania
When archaeologists Rhys Jones, Jim Allen and others undertook archaeological investigations in the newly proclaimed World Heritage Area in southwest Tasmania following the Franklin River Dam campaign, they were accompanied by a film-maker from the then Australian Institute of Aboriginal Studies (AIAS). A short archaeological report published within the same year gives a linear account of these investigations. The film footage—which lay unedited …
Actor Network Theory (ANT)
Assemblage Thinking
Indigenous Archaeologies: Australian Perspective
Cultural Heritage Management and Preservation (6 works) · Geography (5 works) · Archaeology (4 works) · Art (4 works) · Visual arts (4 works) · Computer Science (3 works) · History (3 works) · Sociology (3 works) · Actor–network theory (2 works) · ANT (2 works)