Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Linda Freedman

Biographic Data

ID6468933
NAMELinda Freedman
GIVEN NAMESLinda
FAMILY NAMEFreedman
SIGNATUREFREEDMAN L
AFFILIATIONSMonash University
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1993
LATEST PUBLICATION YEAR2018
H-INDEX1
  • William Blake and the Myth of America

    Linda Freedman•BOOK•William Blake and the Myth of…•2018

    This book tells the story of William Blake’s literary reception in America and suggests that ideas about Blake’s poetry and personality helped shape mythopoeic visions of America from the abolitionists to the counterculture. It links high and low culture and covers poetry, music, theology, and the novel. American writers have turned to Blake in times of cataclysmic change, terror, and hope to rediscover the symbolic meaning of their country. Blak…

  • Romanticism after Auschwitz

    Linda Freedman•BOOK•William Blake and the Myth of…•2018

    Saul Bellow’s interest in Blake provides a counterpoint to Blake’s standing in psychedelic counterculture. Bellow despised what he perceived to be the thoughtless sham Romanticism of contemporary youth. For Bellow, as for Blake, imaginative thought was the quintessential moral force in the fight against totalitarianism because it was the sign of the ‘real Man’, the creative individual whose mind is always active. The Blake that Bellow admired was…

  • Titian's Ruggiero and Angelica

    Open Access•Linda Freedman•ARTICLE•Renaissance Studies•2001

    Titian's drawing (25 × 40 cm) in Musée Bonnat (Bayonne), showing a recumbent voluptuous nuda in a lush landscape, depicts an episode from Ariosto's Orlando Furioso (×, 94–107). It conveys the very essence of the romance, proclaimed in the famous first lines of the poem. The episode about Ruggiero's rescue of Angelica that Ariosto described and that Titian rendered with acclaimed ‘verisimilitude’ occurred in an imaginary place, in the ‘olden days’…

  • When the White System doesn't fit

    Linda Freedman, Lorraine Stark•ARTICLE•Australian Social Work•1993•Cited by: 1•References: 1

    ‘Practice Forum' is intended to provide a forum for social work practitioners to share their practice with others; to describe what they are doing and assess its effectiveness. We extend an invitation to all social work practitioners to submit articles for ‘Practice Forum' and we look forward to receiving your contribution. This paper describes a response to Koorie concerns about the inappro-priateness of the white foster care system in meeting t…

  • When the White System doesn't fit

    Linda Freedman, Lorraine Stark•ARTICLE•Australian Social Work•1993•Cited by: 1•References: 1

    ‘Practice Forum' is intended to provide a forum for social work practitioners to share their practice with others; to describe what they are doing and assess its effectiveness. We extend an invitation to all social work practitioners to submit articles for ‘Practice Forum' and we look forward to receiving your contribution. This paper describes a response to Koorie concerns about the inappro-priateness of the white foster care system in meeting t…

  • When the White System doesn't fit

    Linda Freedman, Lorraine Stark•ARTICLE•Australian Social Work•1993•Cited by: 1•References: 1

    ‘Practice Forum' is intended to provide a forum for social work practitioners to share their practice with others; to describe what they are doing and assess its effectiveness. We extend an invitation to all social work practitioners to submit articles for ‘Practice Forum' and we look forward to receiving your contribution. This paper describes a response to Koorie concerns about the inappro-priateness of the white foster care system in meeting t…

  • Titian's Ruggiero and Angelica

    Open Access•Linda Freedman•ARTICLE•Renaissance Studies•2001

    Titian's drawing (25 × 40 cm) in Musée Bonnat (Bayonne), showing a recumbent voluptuous nuda in a lush landscape, depicts an episode from Ariosto's Orlando Furioso (×, 94–107). It conveys the very essence of the romance, proclaimed in the famous first lines of the poem. The episode about Ruggiero's rescue of Angelica that Ariosto described and that Titian rendered with acclaimed ‘verisimilitude’ occurred in an imaginary place, in the ‘olden days’…

  • William Blake and the Myth of America

    Linda Freedman•BOOK•William Blake and the Myth of…•2018

    This book tells the story of William Blake’s literary reception in America and suggests that ideas about Blake’s poetry and personality helped shape mythopoeic visions of America from the abolitionists to the counterculture. It links high and low culture and covers poetry, music, theology, and the novel. American writers have turned to Blake in times of cataclysmic change, terror, and hope to rediscover the symbolic meaning of their country. Blak…

  • Romanticism after Auschwitz

    Linda Freedman•BOOK•William Blake and the Myth of…•2018

    Saul Bellow’s interest in Blake provides a counterpoint to Blake’s standing in psychedelic counterculture. Bellow despised what he perceived to be the thoughtless sham Romanticism of contemporary youth. For Bellow, as for Blake, imaginative thought was the quintessential moral force in the fight against totalitarianism because it was the sign of the ‘real Man’, the creative individual whose mind is always active. The Blake that Bellow admired was…

Art (2 works) · Literature (2 works) · Psychology (2 works) · Romance (2 works) · American Jewish Fiction Analysis (1 work) · American literature (1 work) · Antislavery movements (1 work) · Antislavery movements in literature (1 work) · Art history (1 work) · Byzantine Studies and History (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae