Paolo Barbaro
Biographic Data
| ID | 6481027 |
|---|---|
| NAME | Paolo Barbaro |
| GIVEN NAMES | Paolo |
| FAMILY NAME | Barbaro |
| SIGNATURE | BARBARO P |
| AFFILIATIONS | Université Jean Moulin Lyon III |
| ORCID | 0000-0002-4310-9300 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Dicotomie identitarie
This paper focuses on the deconstruction of the Western tourist gaze on Japan, defining the tourist gaze not only as the set of expectations described by Urry, but also as exemplary of the construction of the Other’s identity. The analysis of tourist literature (guide-books, catalogues etc.) in different languages as well as the results of a field research show that, although clearly related to the more general definition of Japan(-ness) in the W…
The Senses, the Path, and the Bus. A Sensory Ethnography of the Saigoku Pilgrimage
This paper describes and analyzes the Saigoku pilgrimage in contemporary Japan from the point of view of the senses. The description of the most common sensescapes that pilgrims encounter and produce follows a general presentation of the pilgrimage and its broader context. The subsequent analysis of the modes of production and consumption of the sensescapes reveals the formation of similarly patterned clusters of perceptions around similar socio-…
Nino Migliori
When Nino Migliori (born in Bologna 1926, where he still lives and works) began his career in photography, ideas about visual art in Italy were divided into two main camps. From the end of the Second World War up to 1948, when Migliori's first photographs were produced, a bitter debate continued between those who championed the mirroring function of art and those who were more interested in the exploration of expression, which was made possible b…
No prominent works on this page.
Nino Migliori
When Nino Migliori (born in Bologna 1926, where he still lives and works) began his career in photography, ideas about visual art in Italy were divided into two main camps. From the end of the Second World War up to 1948, when Migliori's first photographs were produced, a bitter debate continued between those who championed the mirroring function of art and those who were more interested in the exploration of expression, which was made possible b…
The Senses, the Path, and the Bus. A Sensory Ethnography of the Saigoku Pilgrimage
This paper describes and analyzes the Saigoku pilgrimage in contemporary Japan from the point of view of the senses. The description of the most common sensescapes that pilgrims encounter and produce follows a general presentation of the pilgrimage and its broader context. The subsequent analysis of the modes of production and consumption of the sensescapes reveals the formation of similarly patterned clusters of perceptions around similar socio-…
Dicotomie identitarie
This paper focuses on the deconstruction of the Western tourist gaze on Japan, defining the tourist gaze not only as the set of expectations described by Urry, but also as exemplary of the construction of the Other’s identity. The analysis of tourist literature (guide-books, catalogues etc.) in different languages as well as the results of a field research show that, although clearly related to the more general definition of Japan(-ness) in the W…
Art (3 works) · Sociology (3 works) · Archaeology (2 works) · History (2 works) · Humanities (2 works) · Philosophy (2 works) · Philosophy (2 works) · Aesthetics (1 work) · Anthropology (1 work) · Art history (1 work)