Nevena Daković
Biographic Data
| ID | 6481037 |
|---|---|
| NAME | Nevena Daković |
| GIVEN NAMES | Nevena |
| FAMILY NAME | Daković |
| SIGNATURE | DAKOVIĆ N |
| AFFILIATIONS | Faculty of Dramatic Arts, Department of Theory and History, Belgrade |
| ORCID | 0000-0001-9704-0727 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Refugees and Migrants in Contemporary Film, Art and Media
The trauma of the others!? Yugoslav holocaust films of the 1960s
The aim of this paper is to map the reconfiguration and displacement of the emerging trauma of the Holocaust in the cinematic narratives of SFR Yugoslavia. The analysis of three nearly forgotten Yugoslav films of the 1960s - Killer on Leave (M?rder auf Urlaub/Ubica na odsustvu/Ubica je dosao iz proslosti, 1965, Bosko Boskovic), Witness Out of Hell (Bittere Kr?uter/Gorke trave, 1966, Zika Mitrovic) and Smoke (Dim, 1967, Slobodan Kosovalic) - follo…
Belgrade between the Wars
The aim of this article is to analyse the TV series Black Sun/Shadows over the Balkans ( Senke nad Balkanom , 2017, Dragan Bjelogrlić), understood as a reflection of the ways in which diverse imperial legacies, persisting differences and contrasting pasts shaped the (ambivalent) post-imperial traumatic history of the newly formed Kingdom of Serbs, Croats and Slovenes in 1918. The burden of imperial legacy – mostly manifested in ethnic, political,…
Encyclopedia of Romantic Nationalism in Europe
This encyclopedia documents the presence and impact of nationalized cultural consciousness in European nationalism. It tracks how intellectuals, historians, philologists, novelists, poets, painters, folklorists, and composers, in an intensely collaborative transnational network, articulated the national identities and aspirations that would go on to determine European history and politics, with effects that are still felt today. Edited by Joep Le…
Washington Postcard
Résume Les comédies de Frank Capra offrent l’image paradigmatique des années 1930 aux États-Unis. La séquence de montage Washington Postcard du film Mr. Smith Goes to Washington (1939) décrit la première rencontre du héros, rural et honnête idéaliste, avec la grande ville, centre de corruption et de déclin moral. L’analyse montre les significations diverses de la scène dans le contexte politique et historique (pamphlet populiste), dans l’histoire…
Documentaries From Post-Yugoslavia
Essay| February 01 2001 Documentaries From Post-Yugoslavia: Serbian War Discourse, 1999 Nevena Dakovic Nevena Dakovic Nevena Dakovic is professor of Film Theory at the University of Belgrade. She is the author of the book Melodrama is Not a Genre (1995) and the co-editor (with Deniz Derman and Karen Ross) of Gender and Media (1996) and Media(ted) Identities (2000). Search for other works by this author on: This Site PubMed Google Scholar Afterima…
No prominent works on this page.
Documentaries From Post-Yugoslavia
Essay| February 01 2001 Documentaries From Post-Yugoslavia: Serbian War Discourse, 1999 Nevena Dakovic Nevena Dakovic Nevena Dakovic is professor of Film Theory at the University of Belgrade. She is the author of the book Melodrama is Not a Genre (1995) and the co-editor (with Deniz Derman and Karen Ross) of Gender and Media (1996) and Media(ted) Identities (2000). Search for other works by this author on: This Site PubMed Google Scholar Afterima…
Washington Postcard
Résume Les comédies de Frank Capra offrent l’image paradigmatique des années 1930 aux États-Unis. La séquence de montage Washington Postcard du film Mr. Smith Goes to Washington (1939) décrit la première rencontre du héros, rural et honnête idéaliste, avec la grande ville, centre de corruption et de déclin moral. L’analyse montre les significations diverses de la scène dans le contexte politique et historique (pamphlet populiste), dans l’histoire…
Encyclopedia of Romantic Nationalism in Europe
This encyclopedia documents the presence and impact of nationalized cultural consciousness in European nationalism. It tracks how intellectuals, historians, philologists, novelists, poets, painters, folklorists, and composers, in an intensely collaborative transnational network, articulated the national identities and aspirations that would go on to determine European history and politics, with effects that are still felt today. Edited by Joep Le…
Belgrade between the Wars
The aim of this article is to analyse the TV series Black Sun/Shadows over the Balkans ( Senke nad Balkanom , 2017, Dragan Bjelogrlić), understood as a reflection of the ways in which diverse imperial legacies, persisting differences and contrasting pasts shaped the (ambivalent) post-imperial traumatic history of the newly formed Kingdom of Serbs, Croats and Slovenes in 1918. The burden of imperial legacy – mostly manifested in ethnic, political,…
Refugees and Migrants in Contemporary Film, Art and Media
The trauma of the others!? Yugoslav holocaust films of the 1960s
The aim of this paper is to map the reconfiguration and displacement of the emerging trauma of the Holocaust in the cinematic narratives of SFR Yugoslavia. The analysis of three nearly forgotten Yugoslav films of the 1960s - Killer on Leave (M?rder auf Urlaub/Ubica na odsustvu/Ubica je dosao iz proslosti, 1965, Bosko Boskovic), Witness Out of Hell (Bittere Kr?uter/Gorke trave, 1966, Zika Mitrovic) and Smoke (Dim, 1967, Slobodan Kosovalic) - follo…
Sociology (6 works) · History (5 works) · Art (4 works) · Law (4 works) · Political science (4 works) · Politics (4 works) · Eastern European Communism and Reforms (3 works) · Media studies (3 works) · Art history (2 works) · Balkans: History, Politics, Society (2 works)