Stephen R Millar
Biographic Data
| ID | 648780 |
|---|---|
| NAME | Stephen R Millar |
| GIVEN NAMES | Stephen R |
| FAMILY NAME | Millar |
| SIGNATURE | MILLAR S R |
| AFFILIATIONS | Cardiff University |
| ORCID | 0000-0002-8247-0529 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 19 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 3 |
Let us entertain you
From the Shankill Defence Association’s Orange-Loyalist Songbook to the UDA’s appropriation of ‘Simply the Best’, music has long been used to celebrate loyalist paramilitaries in Northern Ireland. During the Troubles, loyalist songs served a variety of functions, from community fundraising and entertainment to the transmission of loyalist cultural memory and the articulation of political perspectives ignored by the mainstream media. Yet, in addit…
Football, Politics and Identity
Sounding Dissent
The signing of the Good Friday Agreement on April 10, 1998, marked the beginning of a new era of peace and stability in Northern Ireland. As the public overwhelmingly rejected a return to the violence of the Troubles, loyalist and republican groups sought other outlets to continue their struggle. Music, which has long been used to celebrate cultural identity in the North of Ireland, became a key means of facilitating the continuation of pre-Agree…
The impact of a community‐based music intervention on the health and well‐being of young people
In recent years, music-based interventions have been utilised as a tool for improving public health, reducing inequalities and promoting well-being of young people. Although some researchers have begun to draw links between music-related interventions and positive health outcomes, there is little understanding as to how such effects are produced. Realist evaluations-understanding what works, for whom and under what circumstances-are a particularl…
Irish Republican Music and (Post)colonial Schizophrenia
Northern Ireland remains part of the United Kingdom, yet its postcolonial position is subject to fierce debate amongst British loyalists and Irish republicans.Using Tommy Skelly's 1972 "Go On Home British Soldiers" as its central focus, this article unpicks the various (post)colonial narratives played out through republican music in the North of Ireland, challenging the parameters of the postcolonial, and demonstrating how Irish rebel songs conti…
Music is my AK-47
This article examines how some Irish republicans have used 'rebel songs' as a means to resist the hegemonic power of the British state, and how militant republicanism is invoked musically, through sonic and physical references to gunfire. It explores how the use of rebel songs has changed, the inherent tensions within today's scene, and how republicans attempt to co-opt other conflicts as a means to strengthen their claim as resistance fighters. …
Irish Republican Music and (Post)colonial Schizophrenia
Northern Ireland remains part of the United Kingdom, yet its postcolonial position is subject to fierce debate among British loyalists and Irish republicans. Using Tommy Skelly’s 1972 “Go on Home British Soldiers” as its central focus, this article unpicks the various (post)colonial narratives played out through republican music in the North of Ireland, challenging the parameters of the postcolonial, and demonstrating how Irish rebel songs contin…
Let the people sing? Irish rebel songs, sectarianism, and Scotland's Offensive Behaviour Act
Irish rebel songs afford Scotland's Irish diaspora a means to assert, experience and perform their alterity free from the complexities of the Irish language. Yet this benign intent can be offset by how the music is perceived by elements of Scotland's majority Protestant population. The Scottish Government's Offensive Behaviour Act (2012) has been used to prosecute those singing Irish rebel songs and there is continuing debate as to how this alleg…
Sectarianism in Scotland
Drawing on research carried out for the Scottish Government in 2014, this article explores how people experience sectarianism in Scotland today. For some, sectarianism is manifestly part of their everyday experience, but for others it is almost invisible in their social world. The article sets out a metaphor of sectarianism experienced like a cobweb in Scotland; running strongly down the generations and across masculine culture particularly, but …
Let the people sing? Irish rebel songs, sectarianism, and Scotland's Offensive Behaviour Act
Irish rebel songs afford Scotland's Irish diaspora a means to assert, experience and perform their alterity free from the complexities of the Irish language. Yet this benign intent can be offset by how the music is perceived by elements of Scotland's majority Protestant population. The Scottish Government's Offensive Behaviour Act (2012) has been used to prosecute those singing Irish rebel songs and there is continuing debate as to how this alleg…
Sectarianism in Scotland
Drawing on research carried out for the Scottish Government in 2014, this article explores how people experience sectarianism in Scotland today. For some, sectarianism is manifestly part of their everyday experience, but for others it is almost invisible in their social world. The article sets out a metaphor of sectarianism experienced like a cobweb in Scotland; running strongly down the generations and across masculine culture particularly, but …
The impact of a community‐based music intervention on the health and well‐being of young people
In recent years, music-based interventions have been utilised as a tool for improving public health, reducing inequalities and promoting well-being of young people. Although some researchers have begun to draw links between music-related interventions and positive health outcomes, there is little understanding as to how such effects are produced. Realist evaluations-understanding what works, for whom and under what circumstances-are a particularl…
Irish Republican Music and (Post)colonial Schizophrenia
Northern Ireland remains part of the United Kingdom, yet its postcolonial position is subject to fierce debate among British loyalists and Irish republicans. Using Tommy Skelly’s 1972 “Go on Home British Soldiers” as its central focus, this article unpicks the various (post)colonial narratives played out through republican music in the North of Ireland, challenging the parameters of the postcolonial, and demonstrating how Irish rebel songs contin…
Music is my AK-47
This article examines how some Irish republicans have used 'rebel songs' as a means to resist the hegemonic power of the British state, and how militant republicanism is invoked musically, through sonic and physical references to gunfire. It explores how the use of rebel songs has changed, the inherent tensions within today's scene, and how republicans attempt to co-opt other conflicts as a means to strengthen their claim as resistance fighters. …
Sectarianism in Scotland
Drawing on research carried out for the Scottish Government in 2014, this article explores how people experience sectarianism in Scotland today. For some, sectarianism is manifestly part of their everyday experience, but for others it is almost invisible in their social world. The article sets out a metaphor of sectarianism experienced like a cobweb in Scotland; running strongly down the generations and across masculine culture particularly, but …
Irish Republican Music and (Post)colonial Schizophrenia
Northern Ireland remains part of the United Kingdom, yet its postcolonial position is subject to fierce debate among British loyalists and Irish republicans. Using Tommy Skelly’s 1972 “Go on Home British Soldiers” as its central focus, this article unpicks the various (post)colonial narratives played out through republican music in the North of Ireland, challenging the parameters of the postcolonial, and demonstrating how Irish rebel songs contin…
Let the people sing? Irish rebel songs, sectarianism, and Scotland's Offensive Behaviour Act
Irish rebel songs afford Scotland's Irish diaspora a means to assert, experience and perform their alterity free from the complexities of the Irish language. Yet this benign intent can be offset by how the music is perceived by elements of Scotland's majority Protestant population. The Scottish Government's Offensive Behaviour Act (2012) has been used to prosecute those singing Irish rebel songs and there is continuing debate as to how this alleg…
Irish Republican Music and (Post)colonial Schizophrenia
Northern Ireland remains part of the United Kingdom, yet its postcolonial position is subject to fierce debate amongst British loyalists and Irish republicans.Using Tommy Skelly's 1972 "Go On Home British Soldiers" as its central focus, this article unpicks the various (post)colonial narratives played out through republican music in the North of Ireland, challenging the parameters of the postcolonial, and demonstrating how Irish rebel songs conti…
Music is my AK-47
This article examines how some Irish republicans have used 'rebel songs' as a means to resist the hegemonic power of the British state, and how militant republicanism is invoked musically, through sonic and physical references to gunfire. It explores how the use of rebel songs has changed, the inherent tensions within today's scene, and how republicans attempt to co-opt other conflicts as a means to strengthen their claim as resistance fighters. …
The impact of a community‐based music intervention on the health and well‐being of young people
In recent years, music-based interventions have been utilised as a tool for improving public health, reducing inequalities and promoting well-being of young people. Although some researchers have begun to draw links between music-related interventions and positive health outcomes, there is little understanding as to how such effects are produced. Realist evaluations-understanding what works, for whom and under what circumstances-are a particularl…
Sounding Dissent
The signing of the Good Friday Agreement on April 10, 1998, marked the beginning of a new era of peace and stability in Northern Ireland. As the public overwhelmingly rejected a return to the violence of the Troubles, loyalist and republican groups sought other outlets to continue their struggle. Music, which has long been used to celebrate cultural identity in the North of Ireland, became a key means of facilitating the continuation of pre-Agree…
Football, Politics and Identity
Let us entertain you
From the Shankill Defence Association’s Orange-Loyalist Songbook to the UDA’s appropriation of ‘Simply the Best’, music has long been used to celebrate loyalist paramilitaries in Northern Ireland. During the Troubles, loyalist songs served a variety of functions, from community fundraising and entertainment to the transmission of loyalist cultural memory and the articulation of political perspectives ignored by the mainstream media. Yet, in addit…
Law (7 works) · Political science (7 works) · Sociology (7 works) · Art (6 works) · History (6 works) · Media studies (6 works) · Politics (6 works) · Irish (5 works) · Gender Studies (4 works) · Irish and British Studies (4 works)