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Hugh M Flick

Biographic Data

ID6491017
NAMEHugh M Flick
GIVEN NAMESHugh M
FAMILY NAMEFlick
SIGNATUREFLICK H M
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS25
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR2002
H-INDEX2
  • Rethinking the Mahabharata

    Hugh M Flick, Hugh Flick et al.•ARTICLE•Asian Folklore Studies•2002•Cited by: 13

    The ancient Indian Sanskrit tradition produced no text more intriguing, or more persistently misunderstood or underappreciated, than the Mahabharata. Its intricacies have waylaid generations of scholars and ignited dozens of unresolved debates. In this text, Alf Hiltebeitel offers a unique model for understanding the great epic. Employing a range of literary and narrative theories, he draws on historical and comparative research in an attempt to …

  • Rethinking India's Oral and Classical Epics

    Hugh M Flick, Alf Hiltebeitel•ARTICLE•Asian Folklore Studies•2000•Cited by: 7

    Throughout India and Southeast Asia, ancient classical epics - the Mahabharata and the Ramayana - continue to exert considerable cultural influence. This work offers an exploration into South Asia's regional epic traditions. Using his own fieldwork as a starting point, Alf Hiltebeitel analyzes how the oral tradition of the south Indian cult of the goddess Draupadi and five regional martial oral epics compare with one another and tie in with the S…

  • Love Song of the Dark Lord

    Hugh M Flick, Barbara Stoler Miller•ARTICLE•Asian Folklore Studies•1998•Cited by: 1

    Foreword by John Stratton Hawley Preface A Note on Sanskrit Pronunciation Introduction 1. Jayadeva: The Wandering Poet 2. The Lyrical Structure of Jayadeva's Poem 3. Jayadeva's Language for Love 4. Krishna: Cosmic Cowherd Lover 5. Radha: Consort of Krishna's Springtime Passion Notes Gitagovinda: Translation

  • The Two-Headed Deer

    Hugh M Flick, Joanna Williams et al.•ARTICLE•Asian Folklore Studies•1997

    India's epic poem, the Ramayana, is a dramatic, ever-evolving tale of a prince and his bride, their adventures and dilemmas, and demons. Joanna Williams studies the art of the Ramayana in Orissa, a region known for its elegantly carved temples. There she researched both literary and visual art works, interviewed artists, and observed them at work. With depth and originality, Williams considers Indian art tells a story in distinctive ways. Her nar…

  • The Myths of Narasiṁha and Vāmana

    Hugh M Flick, Deborah A Soifer•ARTICLE•Asian Folklore Studies•1993•Cited by: 1

  • RgVeda as the Key to Folklore. An Imagery Experiment

    Hugh M Flick, Carsten Bregenhoj•ARTICLE•Asian Folklore Studies•1988

  • Folktales of India

    Hugh M Flick, Brenda E F Beck et al.•ARTICLE•Asian Folklore Studies•1987

  • Studies in Indian Folk Traditions

    Hugh M Flick, Ved Prakash Vatuk•ARTICLE•Asian Folklore Studies•1986•Cited by: 2

  • Ancient Indian Magic and Folklore. An Introduction

    Hugh M Flick, Margaret Stutley•ARTICLE•Asian Folklore Studies•1983•Cited by: 1

  • Rethinking the Mahabharata

    Hugh M Flick, Hugh Flick et al.•ARTICLE•Asian Folklore Studies•2002•Cited by: 13

    The ancient Indian Sanskrit tradition produced no text more intriguing, or more persistently misunderstood or underappreciated, than the Mahabharata. Its intricacies have waylaid generations of scholars and ignited dozens of unresolved debates. In this text, Alf Hiltebeitel offers a unique model for understanding the great epic. Employing a range of literary and narrative theories, he draws on historical and comparative research in an attempt to …

  • Rethinking India's Oral and Classical Epics

    Hugh M Flick, Alf Hiltebeitel•ARTICLE•Asian Folklore Studies•2000•Cited by: 7

    Throughout India and Southeast Asia, ancient classical epics - the Mahabharata and the Ramayana - continue to exert considerable cultural influence. This work offers an exploration into South Asia's regional epic traditions. Using his own fieldwork as a starting point, Alf Hiltebeitel analyzes how the oral tradition of the south Indian cult of the goddess Draupadi and five regional martial oral epics compare with one another and tie in with the S…

  • Studies in Indian Folk Traditions

    Hugh M Flick, Ved Prakash Vatuk•ARTICLE•Asian Folklore Studies•1986•Cited by: 2

  • Love Song of the Dark Lord

    Hugh M Flick, Barbara Stoler Miller•ARTICLE•Asian Folklore Studies•1998•Cited by: 1

    Foreword by John Stratton Hawley Preface A Note on Sanskrit Pronunciation Introduction 1. Jayadeva: The Wandering Poet 2. The Lyrical Structure of Jayadeva's Poem 3. Jayadeva's Language for Love 4. Krishna: Cosmic Cowherd Lover 5. Radha: Consort of Krishna's Springtime Passion Notes Gitagovinda: Translation

  • The Myths of Narasiṁha and Vāmana

    Hugh M Flick, Deborah A Soifer•ARTICLE•Asian Folklore Studies•1993•Cited by: 1

  • Ancient Indian Magic and Folklore. An Introduction

    Hugh M Flick, Margaret Stutley•ARTICLE•Asian Folklore Studies•1983•Cited by: 1

  • Ancient Indian Magic and Folklore. An Introduction

    Hugh M Flick, Margaret Stutley•ARTICLE•Asian Folklore Studies•1983•Cited by: 1

  • Studies in Indian Folk Traditions

    Hugh M Flick, Ved Prakash Vatuk•ARTICLE•Asian Folklore Studies•1986•Cited by: 2

  • Folktales of India

    Hugh M Flick, Brenda E F Beck et al.•ARTICLE•Asian Folklore Studies•1987

  • RgVeda as the Key to Folklore. An Imagery Experiment

    Hugh M Flick, Carsten Bregenhoj•ARTICLE•Asian Folklore Studies•1988

  • The Myths of Narasiṁha and Vāmana

    Hugh M Flick, Deborah A Soifer•ARTICLE•Asian Folklore Studies•1993•Cited by: 1

  • The Two-Headed Deer

    Hugh M Flick, Joanna Williams et al.•ARTICLE•Asian Folklore Studies•1997

    India's epic poem, the Ramayana, is a dramatic, ever-evolving tale of a prince and his bride, their adventures and dilemmas, and demons. Joanna Williams studies the art of the Ramayana in Orissa, a region known for its elegantly carved temples. There she researched both literary and visual art works, interviewed artists, and observed them at work. With depth and originality, Williams considers Indian art tells a story in distinctive ways. Her nar…

  • Love Song of the Dark Lord

    Hugh M Flick, Barbara Stoler Miller•ARTICLE•Asian Folklore Studies•1998•Cited by: 1

    Foreword by John Stratton Hawley Preface A Note on Sanskrit Pronunciation Introduction 1. Jayadeva: The Wandering Poet 2. The Lyrical Structure of Jayadeva's Poem 3. Jayadeva's Language for Love 4. Krishna: Cosmic Cowherd Lover 5. Radha: Consort of Krishna's Springtime Passion Notes Gitagovinda: Translation

  • Rethinking India's Oral and Classical Epics

    Hugh M Flick, Alf Hiltebeitel•ARTICLE•Asian Folklore Studies•2000•Cited by: 7

    Throughout India and Southeast Asia, ancient classical epics - the Mahabharata and the Ramayana - continue to exert considerable cultural influence. This work offers an exploration into South Asia's regional epic traditions. Using his own fieldwork as a starting point, Alf Hiltebeitel analyzes how the oral tradition of the south Indian cult of the goddess Draupadi and five regional martial oral epics compare with one another and tie in with the S…

  • Rethinking the Mahabharata

    Hugh M Flick, Hugh Flick et al.•ARTICLE•Asian Folklore Studies•2002•Cited by: 13

    The ancient Indian Sanskrit tradition produced no text more intriguing, or more persistently misunderstood or underappreciated, than the Mahabharata. Its intricacies have waylaid generations of scholars and ignited dozens of unresolved debates. In this text, Alf Hiltebeitel offers a unique model for understanding the great epic. Employing a range of literary and narrative theories, he draws on historical and comparative research in an attempt to …

Folklore, Mythology, and Literature Studies (5 works) · Art (4 works) · History (3 works) · History (3 works) · Indian History and Philosophy (3 works) · Literature (3 works) · Philosophy (3 works) · Philosophy (3 works) · Ancient history (2 works) · Computer Science (2 works)

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