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Britta C Dwyer

Biographic Data

ID6492971
NAMEBritta C Dwyer
GIVEN NAMESBritta C
FAMILY NAMEDwyer
SIGNATUREDWYER B C
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS0
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1994
LATEST PUBLICATION YEAR2011
H-INDEX0
  • Klumpke, Anna

    Britta C Dwyer•CHAPTER•2011

  • The Shaping of American Art

    Open Access•Britta C Dwyer•ARTICLE•The Art Book•2009

  • Artists' Self‐portraits From the Uffizi by Antonio Paolucci Et Al

    Open Access•Britta C Dwyer•ARTICLE•The Art Book•2008

  • Seeing Ourselves

    Britta C Dwyer, Frances Borzello et al.•ARTICLE•Woman s Art Journal•2002

    For centuries, the art world was a male preserve. Exceptionally talented and ambitious women became successful artists, only to be written out of the history of Western art. But how have women really seen themselves? What can self-portraits tell us about the way women have lived and worked? This book examines the subject, revealing a vibrant, colourful but largely overlooked genre. two earliest self-portraits come from 12th-century manuscripts in…

  • A Chacun sa grace

    Britta C Dwyer, Katlijne Van Der Stighelen et al.•ARTICLE•Woman s Art Journal•2001

  • Rosa Bonheur

    Diane Radycki, Gabriel Weisberg et al.•ARTICLE•Woman s Art Journal•2000

  • Anna Klumpke

    Robert A Rice, Robin Rice et al.•ARTICLE•Woman s Art Journal•2000

  • The Jew in the Text

    Britta C Dwyer, Linda Nochlin et al.•ARTICLE•Woman s Art Journal•1998

    Semitism, race and Empire in Victorian and English literature Dicken's Oliver Twist - Fagin as a sign Toulouse Lautrec, Victor Joze, Georges Clemenceau and French anti-Semitism representing - John Singer Sargent's portaits of the Wertheimer family Salome, syphilis, Sarah Bernhardt and the modern Jewess performing Jewishness - the cases of Sarah Bernhardt and Sandra Bernhard Marcel Proust - in search of identity Camille Mauclair Lucien Rebatet - a…

  • Anna Elizabeth Klumpke

    Britta C Dwyer•ARTICLE•Revue française d’études…•1994

    Anna Elizabeth Klumpke (1856-1942), parfois connue en France pour avoir été l'Américaine, compagne, biographe et légataire de la femme peintre française Rosa Bonheur (1822-1899), fut elle-même une artiste importante, aujourd'hui oubliée comme telle. Or grâce à sa production et à sa participation suivie et active aux « Salons » de la Société des artistes français, on peut étudier l'évolution de sa peinture, de l'académisme — légué par ses maîtres …

No prominent works on this page.

  • Anna Elizabeth Klumpke

    Britta C Dwyer•ARTICLE•Revue française d’études…•1994

    Anna Elizabeth Klumpke (1856-1942), parfois connue en France pour avoir été l'Américaine, compagne, biographe et légataire de la femme peintre française Rosa Bonheur (1822-1899), fut elle-même une artiste importante, aujourd'hui oubliée comme telle. Or grâce à sa production et à sa participation suivie et active aux « Salons » de la Société des artistes français, on peut étudier l'évolution de sa peinture, de l'académisme — légué par ses maîtres …

  • The Jew in the Text

    Britta C Dwyer, Linda Nochlin et al.•ARTICLE•Woman s Art Journal•1998

    Semitism, race and Empire in Victorian and English literature Dicken's Oliver Twist - Fagin as a sign Toulouse Lautrec, Victor Joze, Georges Clemenceau and French anti-Semitism representing - John Singer Sargent's portaits of the Wertheimer family Salome, syphilis, Sarah Bernhardt and the modern Jewess performing Jewishness - the cases of Sarah Bernhardt and Sandra Bernhard Marcel Proust - in search of identity Camille Mauclair Lucien Rebatet - a…

  • Rosa Bonheur

    Diane Radycki, Gabriel Weisberg et al.•ARTICLE•Woman s Art Journal•2000

  • Anna Klumpke

    Robert A Rice, Robin Rice et al.•ARTICLE•Woman s Art Journal•2000

  • A Chacun sa grace

    Britta C Dwyer, Katlijne Van Der Stighelen et al.•ARTICLE•Woman s Art Journal•2001

  • Seeing Ourselves

    Britta C Dwyer, Frances Borzello et al.•ARTICLE•Woman s Art Journal•2002

    For centuries, the art world was a male preserve. Exceptionally talented and ambitious women became successful artists, only to be written out of the history of Western art. But how have women really seen themselves? What can self-portraits tell us about the way women have lived and worked? This book examines the subject, revealing a vibrant, colourful but largely overlooked genre. two earliest self-portraits come from 12th-century manuscripts in…

  • Artists' Self‐portraits From the Uffizi by Antonio Paolucci Et Al

    Open Access•Britta C Dwyer•ARTICLE•The Art Book•2008

  • The Shaping of American Art

    Open Access•Britta C Dwyer•ARTICLE•The Art Book•2009

  • Klumpke, Anna

    Britta C Dwyer•CHAPTER•2011

Art (9 works) · Art history (5 works) · Historical Art and Culture Studies (4 works) · Art History and Market Analysis (3 works) · Humanities (3 works) · Aesthetics (2 works) · Art, Politics, and Modernism (2 works) · Citation (2 works) · Computer Science (2 works) · Library science (2 works)

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