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Elise Foxworth

Biographic Data

ID6500928
NAMEElise Foxworth
GIVEN NAMESElise
FAMILY NAMEFoxworth
SIGNATUREFOXWORTH E
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS0
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2011
H-INDEX0
  • The Trope of the Ghost and Cultural Hybridity in Kim Sok Pom’s Mandogi Yūrei Kitan (The Extraordinary Ghost Story of Mandogi), (1971)

    Elise Foxworth•CHAPTER•Recentring Asia•2011

    Recentring Asia forces the reader to rethink the centre not as a single site towards which all is oriented, but as a zone of encounter, exchange and contestation

  • The personal is political in Kinuta o utsu onna [The cloth fuller]

    Elise Foxworth•ARTICLE•Contemporary Japan•2010•References: 4

    In 1971 Japan-based second-generation Korean writer Lee Hoe Sung became the first 'foreigner' in Japan to win the esteemed Akutagawa Prize for Belles Lettres for his semi-autobiographical novel Kinuta o utsu onna [The cloth fuller]. It recounts the life and death of a young Korean woman, Chang Suri, during the 1940s, as remembered by her son. Whilst fascism, democracy, and Korean nationalism constitute the meta-narratives that informed the lives …

  • The personal is political in Kinuta o utsu onna [The cloth fuller]

    Elise Foxworth•ARTICLE•Contemporary Japan•2010

    In 1971 Japan-based second-generation Korean writer Lee Hoe Sung became the first ‘foreigner’ in Japan to win the esteemed Akutagawa Prize for Belles Lettres for his semi-autobiographical novel Kinuta o utsu onna [The cloth fuller]. It recounts the life and death of a young Korean woman, Chang Suri, during the 1940s, as remembered by her son. Whilst fascism, democracy, and Korean nationalism constitute the meta-narratives that informed the lives …

No prominent works on this page.

  • The personal is political in Kinuta o utsu onna [The cloth fuller]

    Elise Foxworth•ARTICLE•Contemporary Japan•2010•References: 4

    In 1971 Japan-based second-generation Korean writer Lee Hoe Sung became the first 'foreigner' in Japan to win the esteemed Akutagawa Prize for Belles Lettres for his semi-autobiographical novel Kinuta o utsu onna [The cloth fuller]. It recounts the life and death of a young Korean woman, Chang Suri, during the 1940s, as remembered by her son. Whilst fascism, democracy, and Korean nationalism constitute the meta-narratives that informed the lives …

  • The personal is political in Kinuta o utsu onna [The cloth fuller]

    Elise Foxworth•ARTICLE•Contemporary Japan•2010

    In 1971 Japan-based second-generation Korean writer Lee Hoe Sung became the first ‘foreigner’ in Japan to win the esteemed Akutagawa Prize for Belles Lettres for his semi-autobiographical novel Kinuta o utsu onna [The cloth fuller]. It recounts the life and death of a young Korean woman, Chang Suri, during the 1940s, as remembered by her son. Whilst fascism, democracy, and Korean nationalism constitute the meta-narratives that informed the lives …

  • The Trope of the Ghost and Cultural Hybridity in Kim Sok Pom’s Mandogi Yūrei Kitan (The Extraordinary Ghost Story of Mandogi), (1971)

    Elise Foxworth•CHAPTER•Recentring Asia•2011

    Recentring Asia forces the reader to rethink the centre not as a single site towards which all is oriented, but as a zone of encounter, exchange and contestation

Art (3 works) · Asian Culture and Media Studies (3 works) · History (3 works) · Japanese History and Culture (3 works) · Literature (3 works) · Aesthetics (2 works) · Context (archaeology (2 works) · Democracy (2 works) · Gender Studies (2 works) · Gender Studies (2 works)

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