Angel M Díaz-Dávalos
Biographic Data
| ID | 6511841 |
|---|---|
| NAME | Angel M Díaz-Dávalos |
| GIVEN NAMES | Angel M |
| FAMILY NAME | Díaz-Dávalos |
| SIGNATURE | DÍAZ-DÁVALOS A M |
| AFFILIATIONS | University of Pennsylvania |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Tales of (Self-)Destruction
Narconarratives often portray drug-trafficking culture through an “us versus them” or “friend versus enemy” Manicheism. This dichotomy erases the role of the government in the history of narcoviolence and reproduces a formulaic and a marketable “good versus evil” distinction commonly found throughout the Mexican literary field. In this article, I analyze two short stories that deconstruct this narrative, “Z” (Julián Herbert) and “Hombres armados”…
No prominent works on this page.
Tales of (Self-)Destruction
Narconarratives often portray drug-trafficking culture through an “us versus them” or “friend versus enemy” Manicheism. This dichotomy erases the role of the government in the history of narcoviolence and reproduces a formulaic and a marketable “good versus evil” distinction commonly found throughout the Mexican literary field. In this article, I analyze two short stories that deconstruct this narrative, “Z” (Julián Herbert) and “Hombres armados”…
Adversary (1 work) · Art (1 work) · Audience measurement (1 work) · Biopower (1 work) · Cognitive reframing (1 work) · Dystopia (1 work) · Gothic Literature and Media Analysis (1 work) · Hegemony (1 work) · History (1 work) · History (1 work)