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Kate Jordan

Biographic Data

ID6524514
NAMEKate Jordan
GIVEN NAMESKate
FAMILY NAMEJordan
SIGNATUREJORDAN K
AFFILIATIONSUniversity of Westminster
ORCID0000-0002-1648-4738
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS0
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Sacred, Spiritual, Secular

    Kate Jordan, Shahed Saleem•ARTICLE•Architecture and Culture•2022

    The starting point for this Special Issue of Architecture and Culture was a conference hosted by the University of Westminster in association with the Royal Institute of British Architects (RIBA) i

  • Between the Sacred and Secular

    Open Access•Kate Jordan•ARTICLE•Architecture and Culture•2022

    In his 1954 poem, “Church Going,” Phillip Larkin anticipated the end of religion and the ruination of Britain’s churches. “What remains,” Larkin asked “when disbelief has gone? Grass, weedy pavement, brambles, buttress, sky.” In one respect, Larkin was right: the decline of traditional worship in the West did produce scores of redundant churches. But he was also wrong: the tendency to view abandoned churches as proof that ultimately “belief must …

  • The Captains and Crews of Liverpool's Northern Whaling Trade

    Open Access•Kate Jordan•ARTICLE•International Journal of Maritime…•2010

No prominent works on this page.

  • The Captains and Crews of Liverpool's Northern Whaling Trade

    Open Access•Kate Jordan•ARTICLE•International Journal of Maritime…•2010

  • Sacred, Spiritual, Secular

    Kate Jordan, Shahed Saleem•ARTICLE•Architecture and Culture•2022

    The starting point for this Special Issue of Architecture and Culture was a conference hosted by the University of Westminster in association with the Royal Institute of British Architects (RIBA) i

  • Between the Sacred and Secular

    Open Access•Kate Jordan•ARTICLE•Architecture and Culture•2022

    In his 1954 poem, “Church Going,” Phillip Larkin anticipated the end of religion and the ruination of Britain’s churches. “What remains,” Larkin asked “when disbelief has gone? Grass, weedy pavement, brambles, buttress, sky.” In one respect, Larkin was right: the decline of traditional worship in the West did produce scores of redundant churches. But he was also wrong: the tendency to view abandoned churches as proof that ultimately “belief must …

Art (3 works) · Aesthetics (2 works) · Faith (2 works) · History (2 works) · Philosophy (2 works) · Religious studies (2 works) · Religious Tourism and Spaces (2 works) · Sociology (2 works) · Theology (2 works) · Ancient history (1 works)

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