Sriyadi Sriyadi
Biographic Data
| ID | 6525058 |
|---|---|
| NAME | Sriyadi Sriyadi |
| GIVEN NAMES | Sriyadi |
| FAMILY NAME | Sriyadi |
| SIGNATURE | SRIYADI S |
| AFFILIATIONS | Institut Seni Indonesia Surakarta |
| ORCID | 0000-0001-5581-3090 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Gender Symbolism in Sampur and Samparan of Surakarta-Style Javanese Dance Costume Design
Sampur and samparan are essential elements in the costume design of Surakarta-style female dance, serving as primary visual markers that distinguish the aesthetic characteristics of this dance style. Their presence extends beyond mere costume design in court dances such as bedhaya and srimpi; they also function as properties that must be animated by the dancer to harmonize with the movement patterns employed. This study aims to describe the form,…
Costume Design of Beksan Wireng Bambangan Cakil Mangkunegaran Style
The Beksan Wireng Bambangan Cakil in the Mangkunegaran style is performed by two dancers, each portraying characters with opposing traits and natures. These two characters symbolize the contrast between good and evil. The character Bambangan represents goodness or intellect, while Cakil represents evil or uncontrolled desires. The costume design plays a significant position in visualizing these two characters with their contrasting traits. This a…
Transformation Bedhaya Dance in Java Society
Bedhaya is a dance genre that lives and develops in Javanese society. This dance is a legacy of the times of the Hindu Buddha. In the course of the bedhaya dance era, it changed. This article aims to reveal the changes in the dance function of bedhaya and to examine its existence in Javanese society. The research used is qualitative with a historical approach. The data collection technique used is the archival studies method. The result showed be…
Innovative Adaptations of Dance Performances at the Yogyakarta Palace during the Covid-19 Pandemic
The Covid-19 pandemic poses challenges to the world of performing arts, especially dance performances. Dance events that gather crowds were halted due to adherence to government recommendations to prevent the spread of the Covid-19 virus. Nevertheless, the Yogyakarta Palace managed to persist in showcasing their dances during the pandemic. Therefore, this article seeks to describe the response of the Yogyakarta Palace in addressing the challenges…
Costume Design and Social Status Visualization in Javanese Dance at Pura Mangkunegaran
The design of costumes holds a crucial role in visualizing the characters’ social status in Javanese dance. By employing symbolic systems, costume design conveys this status to the audience. This study investigates the relationship between costume design and the depiction of social status in Javanese dance at Pura Mangkunegaran. Utilizing a qualitative method with an ethnocoreological approach, this research draws on a literature review as its pr…
Music Interaction and Movement in Javanese Dance
The music and movement patterns in Javanese dance occupy a significant position, which both of them have an integral relationship in forming the construction of a dance. It represented through the relationship between dance music and the technique of composing and executing movement patterns. This article examines the integral relationship between dance music and movement patterns to determine the importance of these two components in the formati…
Tayub Dance at Tambakromo Gunung Kidul Regency
Tayub is an old dance form in the Javanese cultural tradition. The value of Tayub’s ties to Javanese agrarian culture is associated with the form of village rituals. A village that still preserves the ritual of Village Purification is Tambakromo Village, Ponjong District in Gunung Kidul Regency, Yogyakarta. Tayub at Tambakromo Village is one of the rituals performed for extracting groundwater, referred to as Sendhang Milodo, in the Tukluk area. T…
Presentation Style of Bedhaya Bedhah Madiun Dance in Pura Mangkunegaran
Bedhaya Bedhah Madiun dance in Mangkunegaran is a dance repertoire Yogyakarta style that successfully has absorbed from Krida Beksa Wirama during the reign of Mangkunegara VII. Though, based on observation, the presentation style in Mangkunegaran has a significant difference from the Yogyakarta style. This article aimed to study about presentation style of Bedhaya Bedhah Madiun dance in Mangkunegaran to determine the forming of its presentation t…
Absorpsi Tari Bedhaya Bedhah Madiun Gaya Yogyakarta di Mangkunegaran Masa Pemerintahan Mangkunegara VII
The history of dance in Mangkunegaran is basically using the Surakarta style. During the reign of Mangkunegara VII there was the dance called Bedhaya Bedhah Madiun dance with Yogyakarta style. This study tries to describe the factors of Yogyakarta dance style in Pura Mangkunegaran by choosing a specific dance called Bedhaya Bedhah Madiun. This is ethnochoreologiy research using the historical approach. The existence of the Bedhaya Bedhah Madiun d…
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Absorpsi Tari Bedhaya Bedhah Madiun Gaya Yogyakarta di Mangkunegaran Masa Pemerintahan Mangkunegara VII
The history of dance in Mangkunegaran is basically using the Surakarta style. During the reign of Mangkunegara VII there was the dance called Bedhaya Bedhah Madiun dance with Yogyakarta style. This study tries to describe the factors of Yogyakarta dance style in Pura Mangkunegaran by choosing a specific dance called Bedhaya Bedhah Madiun. This is ethnochoreologiy research using the historical approach. The existence of the Bedhaya Bedhah Madiun d…
Presentation Style of Bedhaya Bedhah Madiun Dance in Pura Mangkunegaran
Bedhaya Bedhah Madiun dance in Mangkunegaran is a dance repertoire Yogyakarta style that successfully has absorbed from Krida Beksa Wirama during the reign of Mangkunegara VII. Though, based on observation, the presentation style in Mangkunegaran has a significant difference from the Yogyakarta style. This article aimed to study about presentation style of Bedhaya Bedhah Madiun dance in Mangkunegaran to determine the forming of its presentation t…
Music Interaction and Movement in Javanese Dance
The music and movement patterns in Javanese dance occupy a significant position, which both of them have an integral relationship in forming the construction of a dance. It represented through the relationship between dance music and the technique of composing and executing movement patterns. This article examines the integral relationship between dance music and movement patterns to determine the importance of these two components in the formati…
Tayub Dance at Tambakromo Gunung Kidul Regency
Tayub is an old dance form in the Javanese cultural tradition. The value of Tayub’s ties to Javanese agrarian culture is associated with the form of village rituals. A village that still preserves the ritual of Village Purification is Tambakromo Village, Ponjong District in Gunung Kidul Regency, Yogyakarta. Tayub at Tambakromo Village is one of the rituals performed for extracting groundwater, referred to as Sendhang Milodo, in the Tukluk area. T…
Innovative Adaptations of Dance Performances at the Yogyakarta Palace during the Covid-19 Pandemic
The Covid-19 pandemic poses challenges to the world of performing arts, especially dance performances. Dance events that gather crowds were halted due to adherence to government recommendations to prevent the spread of the Covid-19 virus. Nevertheless, the Yogyakarta Palace managed to persist in showcasing their dances during the pandemic. Therefore, this article seeks to describe the response of the Yogyakarta Palace in addressing the challenges…
Costume Design and Social Status Visualization in Javanese Dance at Pura Mangkunegaran
The design of costumes holds a crucial role in visualizing the characters’ social status in Javanese dance. By employing symbolic systems, costume design conveys this status to the audience. This study investigates the relationship between costume design and the depiction of social status in Javanese dance at Pura Mangkunegaran. Utilizing a qualitative method with an ethnocoreological approach, this research draws on a literature review as its pr…
Gender Symbolism in Sampur and Samparan of Surakarta-Style Javanese Dance Costume Design
Sampur and samparan are essential elements in the costume design of Surakarta-style female dance, serving as primary visual markers that distinguish the aesthetic characteristics of this dance style. Their presence extends beyond mere costume design in court dances such as bedhaya and srimpi; they also function as properties that must be animated by the dancer to harmonize with the movement patterns employed. This study aims to describe the form,…
Costume Design of Beksan Wireng Bambangan Cakil Mangkunegaran Style
The Beksan Wireng Bambangan Cakil in the Mangkunegaran style is performed by two dancers, each portraying characters with opposing traits and natures. These two characters symbolize the contrast between good and evil. The character Bambangan represents goodness or intellect, while Cakil represents evil or uncontrolled desires. The costume design plays a significant position in visualizing these two characters with their contrasting traits. This a…
Transformation Bedhaya Dance in Java Society
Bedhaya is a dance genre that lives and develops in Javanese society. This dance is a legacy of the times of the Hindu Buddha. In the course of the bedhaya dance era, it changed. This article aims to reveal the changes in the dance function of bedhaya and to examine its existence in Javanese society. The research used is qualitative with a historical approach. The data collection technique used is the archival studies method. The result showed be…
Cultural and Artistic Studies (9 works) · Dance (9 works) · Art (8 works) · Visual arts (8 works) · Aesthetics (4 works) · Sociology (4 works) · Child Development and Education (3 works) · Anthropology (2 works) · Computer Science (2 works) · Costume design (2 works)