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Esiaba Irobi

Biographic Data

ID652950
NAMEEsiaba Irobi
GIVEN NAMESEsiaba
FAMILY NAMEIrobi
SIGNATUREIROBI E
AFFILIATIONSOhio University
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS0
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2013
H-INDEX0
  • What They Came With

    Esiaba Irobi•OTHER•The Anthropology of Performance:…•2013

  • Special Issue on Wole Soyinka

    Esiaba Irobi, Philosophia Africana et al.•ARTICLE•Philosophia Africana•2008

  • The Six Blindfolded Men and the Elephants

    Esiaba Irobi, Philosophia Africana et al.•ARTICLE•Philosophia Africana•2008

  • What They Came With

    Open Access•Esiaba Irobi•ARTICLE•Journal of Black Studies•2007

    This article identifies what was on the continent as festival and ritual performance forms before the Europeans arrived and what the Africans who survived the Atlantic sea crossing came with as “performative literacies” to the Brave New World. The article then examines how these cultural texts and phenomenological deposits have given us hybridized and syncretized aesthetic infrastructures that interrogate the theologies of supremacy often associa…

  • Wole Soyinka

    Esiaba Irobi•ARTICLE•Theatre Journal•2006

    Reviewed by: Wole Soyinka: Politics, Poetics, Postcolonialism Esiaba Irobi Wole Soyinka: Politics, Poetics, Postcolonialism. By Biodun Jeyifo. Cambridge: Cambridge University Press, 2004; pp. x + 332. $70.00 cloth. Biodun Jeyifo's book differs from earlier attempts by both African and Western scholars to explore the sophistication of Soyinka's writing in various genres such as fiction, drama, poetry, polemics, and literary criticism; Jeyifo ancho…

  • Elegy for Ezenwa–Ohaeto

    Esiaba Irobi•ARTICLE•Matatu•2006

  • Theatre of Images

    Esiaba Irobi•ARTICLE•South African Theatre Journal•2005

    The study of indigenous African Community Drama can be argued to have gone through three predominant phases of theatre scholarship namely: Denial, Validation and Descriptive Analysis. In this essay I want to go beyond these primary forms of academic discourse and theorize the artform from a semiotic perspective

  • African Drama and Performance (review)

    Esiaba Irobi•ARTICLE•Theatre Journal•2005

    Reviewed by: African Drama and Performance Esiaba Irobi African Drama and Performance. Edited by John Conteh Morgan and Tejumolan Olaniyan. Bloomington: Indiana University Press, 2004; pp. xiv + 274. $49.95 cloth, $21.95 paper. This collection of essays is a welcome relief for scholars and professors of African descent who feel that they are treated like invisible acrobats by the academic majority in the US. The book, apart from reconfiguring the…

No prominent works on this page.

  • Theatre of Images

    Esiaba Irobi•ARTICLE•South African Theatre Journal•2005

    The study of indigenous African Community Drama can be argued to have gone through three predominant phases of theatre scholarship namely: Denial, Validation and Descriptive Analysis. In this essay I want to go beyond these primary forms of academic discourse and theorize the artform from a semiotic perspective

  • African Drama and Performance (review)

    Esiaba Irobi•ARTICLE•Theatre Journal•2005

    Reviewed by: African Drama and Performance Esiaba Irobi African Drama and Performance. Edited by John Conteh Morgan and Tejumolan Olaniyan. Bloomington: Indiana University Press, 2004; pp. xiv + 274. $49.95 cloth, $21.95 paper. This collection of essays is a welcome relief for scholars and professors of African descent who feel that they are treated like invisible acrobats by the academic majority in the US. The book, apart from reconfiguring the…

  • Wole Soyinka

    Esiaba Irobi•ARTICLE•Theatre Journal•2006

    Reviewed by: Wole Soyinka: Politics, Poetics, Postcolonialism Esiaba Irobi Wole Soyinka: Politics, Poetics, Postcolonialism. By Biodun Jeyifo. Cambridge: Cambridge University Press, 2004; pp. x + 332. $70.00 cloth. Biodun Jeyifo's book differs from earlier attempts by both African and Western scholars to explore the sophistication of Soyinka's writing in various genres such as fiction, drama, poetry, polemics, and literary criticism; Jeyifo ancho…

  • Elegy for Ezenwa–Ohaeto

    Esiaba Irobi•ARTICLE•Matatu•2006

  • What They Came With

    Open Access•Esiaba Irobi•ARTICLE•Journal of Black Studies•2007

    This article identifies what was on the continent as festival and ritual performance forms before the Europeans arrived and what the Africans who survived the Atlantic sea crossing came with as “performative literacies” to the Brave New World. The article then examines how these cultural texts and phenomenological deposits have given us hybridized and syncretized aesthetic infrastructures that interrogate the theologies of supremacy often associa…

  • Special Issue on Wole Soyinka

    Esiaba Irobi, Philosophia Africana et al.•ARTICLE•Philosophia Africana•2008

  • The Six Blindfolded Men and the Elephants

    Esiaba Irobi, Philosophia Africana et al.•ARTICLE•Philosophia Africana•2008

  • What They Came With

    Esiaba Irobi•OTHER•The Anthropology of Performance:…•2013

Sociology (7 works) · History (6 works) · Art (5 works) · Literature (4 works) · Philosophy (4 works) · Aesthetics (3 works) · Drama (3 works) · Gender Studies (3 works) · Politics (3 works) · Theatre and Performance Studies (3 works)

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