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Ila Nicole Sheren

Biographic Data

ID6533091
NAMEIla Nicole Sheren
GIVEN NAMESIla Nicole
FAMILY NAMESheren
SIGNATURESHEREN I N
AFFILIATIONSAssistant Professor of Art History, Department of Art History and Archaeology, Washington University in St. Louis, Missouri, USA
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS2
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Standardization, Censorship, Systems, Surveillance

    Ila Nicole Sheren•ARTICLE•GeoHumanities•2018•References: 3

    This article analyzes the political implications of artists’ engagement with Google Earth. It considers Internet-based series from Clement Valla, Mishka Henner, Jenny Odell, and Jon Rafman that search for publicly available imagery within Google’s software. Taking into account Matthew Fuller and Andrew Goffey’s theorization of “evil media” and its power to shape politics on a large scale, I argue that this Google-enabled work constitutes a politi…

  • The San Diego Chicano Movement and the Origins of Border Art

    Ila Nicole Sheren•ARTICLE•Journal of Borderlands Studies•2016•Cited by: 2•References: 4

    This article analyzes how the complex and often contradictory immigration politics of the 1970s Chicano movement led to the development of Border Art in the San Diego region. Chicano leader Herman Baca insisted upon the importance of resolving the immigration debate, but cast the question in terms of a global system of inequity. Artists of the movement were forced to mediate between presenting the public with visions of a borderless world and cir…

  • Portable Borders

    Ila Nicole Sheren•BOOK•Portable Borders•2015

    After World War II, the concept of borders became unsettled, especially after the rise of subaltern and multicultural studies in the 1980s. Art at the U.S.-Mexico border came to a turning point at the beginning of that decade with the election of U.S. President Ronald Reagan. Beginning with a political history of the border, with an emphasis on the Chicano movement and its art production, Ila Sheren explores the forces behind the shift in thinkin…

  • Performing Migration

    Ila Nicole Sheren, Ila Sheren•ARTICLE•The International Journal of the…•2009

  • The San Diego Chicano Movement and the Origins of Border Art

    Ila Nicole Sheren•ARTICLE•Journal of Borderlands Studies•2016•Cited by: 2•References: 4

    This article analyzes how the complex and often contradictory immigration politics of the 1970s Chicano movement led to the development of Border Art in the San Diego region. Chicano leader Herman Baca insisted upon the importance of resolving the immigration debate, but cast the question in terms of a global system of inequity. Artists of the movement were forced to mediate between presenting the public with visions of a borderless world and cir…

  • Performing Migration

    Ila Nicole Sheren, Ila Sheren•ARTICLE•The International Journal of the…•2009

  • Portable Borders

    Ila Nicole Sheren•BOOK•Portable Borders•2015

    After World War II, the concept of borders became unsettled, especially after the rise of subaltern and multicultural studies in the 1980s. Art at the U.S.-Mexico border came to a turning point at the beginning of that decade with the election of U.S. President Ronald Reagan. Beginning with a political history of the border, with an emphasis on the Chicano movement and its art production, Ila Sheren explores the forces behind the shift in thinkin…

  • The San Diego Chicano Movement and the Origins of Border Art

    Ila Nicole Sheren•ARTICLE•Journal of Borderlands Studies•2016•Cited by: 2•References: 4

    This article analyzes how the complex and often contradictory immigration politics of the 1970s Chicano movement led to the development of Border Art in the San Diego region. Chicano leader Herman Baca insisted upon the importance of resolving the immigration debate, but cast the question in terms of a global system of inequity. Artists of the movement were forced to mediate between presenting the public with visions of a borderless world and cir…

  • Standardization, Censorship, Systems, Surveillance

    Ila Nicole Sheren•ARTICLE•GeoHumanities•2018•References: 3

    This article analyzes the political implications of artists’ engagement with Google Earth. It considers Internet-based series from Clement Valla, Mishka Henner, Jenny Odell, and Jon Rafman that search for publicly available imagery within Google’s software. Taking into account Matthew Fuller and Andrew Goffey’s theorization of “evil media” and its power to shape politics on a large scale, I argue that this Google-enabled work constitutes a politi…

Latin American and Latino Studies (3 works) · Political science (3 works) · Computer Science (2 works) · Law (2 works) · Law (2 works) · Politics (2 works) · Sociology (2 works) · Aesthetics (1 work) · American (1 work) · Anthropology (1 work)

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