George L Starks

Biographic Data

ID	653478
NAME	George L Starks
GIVEN NAMES	George L
FAMILY NAME	Starks
SIGNATURE	STARKS G L
AFFILIATIONS	University of Virginia
ORCID	0000-0002-7374-4540
VERIFIED	Yes
TOTAL WORKS	21
TOTAL CITATIONS	0
AUTHOR COUNT	21
EDITOR COUNT	0
FIRST PUBLICATION YEAR	1975
LATEST PUBLICATION YEAR	2022
H-INDEX	0

Explaining Antithetical Movements to the Black Lives Matter Movement Based on Relative Deprivation Theory
Open AccessGeorge L StarksARTICLEJournal of Black Studies2022
The Black Lives Matter (BLM) movement has galvanized citizens of all races, ethnicities, genders and ideologies in a common cause to protest racism. Its central focus is protesting continued racism against African Americans, but it has spurred a broader ideological demand for equality for all Americans. The movement does not seek Black dominance, but equal treatment in the justice system and general society. In opposition to this movement are ant…
Focus on Jazz
George L Starks, Peter Gamble et al.ARTICLEThe Black Perspective in Music1990
Yardbird Suite: A Compendium of the Music and Life of Charlie Parker
George L Starks, Lawrence O Koch et al.ARTICLEThe Black Perspective in Music1989
Bebop saxophonist Charlie Yardbird Parker (1920-1955), a man of extremes in his personal life, was a disciplined musical genius who expanded and transformed the boundaries of jazz. Richly illustrated with extensive musical notations, this in-depth study of hundreds of works in the Parker discography takes into account newly discovered recordings and CD reissues. Koch meticulously documents each recording session and provides an array of musical d…
Swing to Bop
George L Starks, Ira Gitler et al.ARTICLEThe Black Perspective in Music1988
Talking Jazz
George L Starks, Max Jones et al.ARTICLEThe Black Perspective in Music1988
Paris without Regret: James Baldwin, Kenny Clarke, Chester Himes, and Donald Byrd
George L Starks, Ursula Broschke Davis et al.ARTICLEThe Black Perspective in Music1987
A Moment's Notice: Portraits of American Jazz Musicians
George L Starks, Carol Friedman et al.ARTICLEThe Black Perspective in Music1986
Rhythm-A-Ning: Jazz Tradition and Innovation in the 80's
George L Starks, Gary Giddins et al.ARTICLEThe Black Perspective in Music1986
John Crow Say… Jamaican Music of Faith, Work and Play
George L Starks, John Storm RobertsARTICLEEthnomusicology1984
A Pictorial History of Jazz: People and Places from New Orleans to the Sixties
George L Starks, Orrin Keepnews et al.ARTICLEThe Black Perspective in Music1984
Afro-American Religious Music: A Study in Musical Diversity
George L Starks, George L Starks Jr et al.ARTICLEAmerican Music1983
The Literature of Jazz: A Critical Guide
George L Starks, Donald Kennington et al.ARTICLEThe Black Perspective in Music1983
As Serious As Your Life. The Story of the New Jazz
George L Starks, Valerie Wilmer et al.ARTICLEThe Black Perspective in Music1982
Jazz Reference and Research Materials: A Bibliography
George L Starks, Eddie S Meadows et al.ARTICLEThe Black Perspective in Music1982
Sam Chatmon and His Barbecue Boys
George L Starks, Sam Chatmon et al.ARTICLEThe Black Perspective in Music1982
The Best of Jazz
George L Starks, Humphrey Lyttleton et al.ARTICLEThe Black Perspective in Music1981
Singing 'Bout a Good Time: Sea Island Religious Music
Open AccessGeorge L StarksARTICLEJournal of Black Studies1980
Music has traditionally played an important role in life on the Sea Islands and nowhere can this be better seen than in connection with religious activities. The words quoted above from a favorite spiritual sung on the Sea Islands express the important role that music plays in the worship service. If one asks a Sea Island resident how he or she enjoyed a church service, the most likely response is, We had a good time. In an early printed collecti…
The Jazz Text
George L Starks, Charles Nanry et al.ARTICLEThe Black Perspective in Music1980
A Jazz Retrospect
George L Starks, Max HarrisonARTICLEEthnomusicology1978
Big Band Jazz
George L Starks, Albert MccarthyARTICLEThe Black Perspective in Music1976
Jazz Masters of the Twenties
George L Starks, Richard Hadlock et al.ARTICLEThe Black Perspective in Music1975

Jazz Masters of the Twenties
George L Starks, Richard Hadlock et al.ARTICLEThe Black Perspective in Music1975
Big Band Jazz
George L Starks, Albert MccarthyARTICLEThe Black Perspective in Music1976
A Jazz Retrospect
George L Starks, Max HarrisonARTICLEEthnomusicology1978
Singing 'Bout a Good Time: Sea Island Religious Music
Open AccessGeorge L StarksARTICLEJournal of Black Studies1980
Music has traditionally played an important role in life on the Sea Islands and nowhere can this be better seen than in connection with religious activities. The words quoted above from a favorite spiritual sung on the Sea Islands express the important role that music plays in the worship service. If one asks a Sea Island resident how he or she enjoyed a church service, the most likely response is, We had a good time. In an early printed collecti…
The Jazz Text
George L Starks, Charles Nanry et al.ARTICLEThe Black Perspective in Music1980
The Best of Jazz
George L Starks, Humphrey Lyttleton et al.ARTICLEThe Black Perspective in Music1981
As Serious As Your Life. The Story of the New Jazz
George L Starks, Valerie Wilmer et al.ARTICLEThe Black Perspective in Music1982
Jazz Reference and Research Materials: A Bibliography
George L Starks, Eddie S Meadows et al.ARTICLEThe Black Perspective in Music1982
Sam Chatmon and His Barbecue Boys
George L Starks, Sam Chatmon et al.ARTICLEThe Black Perspective in Music1982
Afro-American Religious Music: A Study in Musical Diversity
George L Starks, George L Starks Jr et al.ARTICLEAmerican Music1983
The Literature of Jazz: A Critical Guide
George L Starks, Donald Kennington et al.ARTICLEThe Black Perspective in Music1983
John Crow Say… Jamaican Music of Faith, Work and Play
George L Starks, John Storm RobertsARTICLEEthnomusicology1984
A Pictorial History of Jazz: People and Places from New Orleans to the Sixties
George L Starks, Orrin Keepnews et al.ARTICLEThe Black Perspective in Music1984
A Moment's Notice: Portraits of American Jazz Musicians
George L Starks, Carol Friedman et al.ARTICLEThe Black Perspective in Music1986
Rhythm-A-Ning: Jazz Tradition and Innovation in the 80's
George L Starks, Gary Giddins et al.ARTICLEThe Black Perspective in Music1986
Paris without Regret: James Baldwin, Kenny Clarke, Chester Himes, and Donald Byrd
George L Starks, Ursula Broschke Davis et al.ARTICLEThe Black Perspective in Music1987
Swing to Bop
George L Starks, Ira Gitler et al.ARTICLEThe Black Perspective in Music1988
Talking Jazz
George L Starks, Max Jones et al.ARTICLEThe Black Perspective in Music1988
Yardbird Suite: A Compendium of the Music and Life of Charlie Parker
George L Starks, Lawrence O Koch et al.ARTICLEThe Black Perspective in Music1989
Bebop saxophonist Charlie Yardbird Parker (1920-1955), a man of extremes in his personal life, was a disciplined musical genius who expanded and transformed the boundaries of jazz. Richly illustrated with extensive musical notations, this in-depth study of hundreds of works in the Parker discography takes into account newly discovered recordings and CD reissues. Koch meticulously documents each recording session and provides an array of musical d…
Focus on Jazz
George L Starks, Peter Gamble et al.ARTICLEThe Black Perspective in Music1990
Explaining Antithetical Movements to the Black Lives Matter Movement Based on Relative Deprivation Theory
Open AccessGeorge L StarksARTICLEJournal of Black Studies2022
The Black Lives Matter (BLM) movement has galvanized citizens of all races, ethnicities, genders and ideologies in a common cause to protest racism. Its central focus is protesting continued racism against African Americans, but it has spurred a broader ideological demand for equality for all Americans. The movement does not seek Black dominance, but equal treatment in the justice system and general society. In opposition to this movement are ant…