Joyce A Joyce
Biographic Data
| ID | 653488 |
|---|---|
| NAME | Joyce A Joyce |
| GIVEN NAMES | Joyce A |
| FAMILY NAME | Joyce |
| SIGNATURE | JOYCE J A |
| AFFILIATIONS | Temple University, Philadelphia |
| ORCID | 0000-0002-6332-2598 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 12 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1981 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 2 |
Thadious Davis
Black Woman Scholar, Critic, and Teacher
Reflexions sur la condition feminine, la condition noire et la condition d'enseignante aux Etats-Unis
Who the Cap Fit
Joyce A. Joyce, "Who the Cap Fit": Unconsciousness and Unconscionableness in the Criticism of Houston A. Baker, Jr., and Henry Louis Gates, Jr., New Literary History, Vol. 18, No. 2, Literacy, Popular Culture, and the Writing of History (Winter, 1987), pp. 371-384
The Black Canon
Joyce A. Joyce, The Black Canon: Reconstructing Black American Literary Criticism, New Literary History, Vol. 18, No. 2, Literacy, Popular Culture, and the Writing of History (Winter, 1987), pp. 335-344
Semantic Development of the WordBlack
Both Ralph Ellison and his mentor, Richard Wright, use the word black metaphorically. Throughout Wright's canon, from Uncle Tom's Children to American Hunger, the word black figuratively means fear, dread, anxiety, and strife simultaneously. Ralph Ellison in his novel, Invisible Man, uses black as a synonym for invisibility. Interestingly enough, a study of the semantic developments of black reveals that both Ellison's and Wright's metaphorical u…
The Black Canon
Joyce A. Joyce, The Black Canon: Reconstructing Black American Literary Criticism, New Literary History, Vol. 18, No. 2, Literacy, Popular Culture, and the Writing of History (Winter, 1987), pp. 335-344
Who the Cap Fit
Joyce A. Joyce, "Who the Cap Fit": Unconsciousness and Unconscionableness in the Criticism of Houston A. Baker, Jr., and Henry Louis Gates, Jr., New Literary History, Vol. 18, No. 2, Literacy, Popular Culture, and the Writing of History (Winter, 1987), pp. 371-384
Semantic Development of the WordBlack
Both Ralph Ellison and his mentor, Richard Wright, use the word black metaphorically. Throughout Wright's canon, from Uncle Tom's Children to American Hunger, the word black figuratively means fear, dread, anxiety, and strife simultaneously. Ralph Ellison in his novel, Invisible Man, uses black as a synonym for invisibility. Interestingly enough, a study of the semantic developments of black reveals that both Ellison's and Wright's metaphorical u…
Who the Cap Fit
Joyce A. Joyce, "Who the Cap Fit": Unconsciousness and Unconscionableness in the Criticism of Houston A. Baker, Jr., and Henry Louis Gates, Jr., New Literary History, Vol. 18, No. 2, Literacy, Popular Culture, and the Writing of History (Winter, 1987), pp. 371-384
The Black Canon
Joyce A. Joyce, The Black Canon: Reconstructing Black American Literary Criticism, New Literary History, Vol. 18, No. 2, Literacy, Popular Culture, and the Writing of History (Winter, 1987), pp. 335-344
Black Woman Scholar, Critic, and Teacher
Reflexions sur la condition feminine, la condition noire et la condition d'enseignante aux Etats-Unis
Thadious Davis
Art (4 works) · Philosophy (4 works) · Art history (3 works) · Literature (3 works) · Criticism (2 works) · Epistemology (2 works) · Psychology (2 works) · Canon (1 works) · Class (philosophy) (1 works) · Critical Race Theory in Education (1 works)