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Katrina Hazzard-Gordon

Biographic Data

ID653553
NAMEKatrina Hazzard-Gordon
GIVEN NAMESKatrina
FAMILY NAMEHazzard-Gordon
SIGNATUREHAZZARD-GORDON K
AFFILIATIONSPhiladelphia
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS4
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR1985
H-INDEX1
  • African-American Vernacular Dance: Core Culture and Meaning Operatives

    Open Access•Katrina Hazzard-Gordon•ARTICLE•Journal of Black Studies•1985

    Most scholarly work on Afro-American social dance has been concerned with its structural aspects, primarily the question of African retentions. The work of Herskovits (1941), Kealiinohomoku (1975), Wharton and Daniel (1977), Hansen (1967), Thompson (1966), Anderson (1960), Kurath (1965), Hertzberg (1977), Parrish (1942), and others has touched on this issue. Although this approach to the study of Afro-American vernacular dance is far from exhaust…

  • Afro-American Core Culture Social Dance: An Examination of Four Aspects of Meaning

    Open Access•Katrina Hazzard-Gordon•ARTICLE•Dance Research Journal•1983•Cited by: 4•References: 1

    Most scholarly work on Afro-American social dance has been concerned with its structural aspects, primarily the question of African retentions. The work of Melville Herskovits, Joann Kealiinohomoku, Linda Wharton and Jack L. Daniel, Chadwick Hansen, Robert Farris Thompson, John Q. Anderson, Gertrude P. Kurath, Jan Hertzberg, Lydia Parrish, and others has touched on this issue. Though this approach to the study of Afro-American vernacular dance is…

  • Afro-American Core Culture Social Dance: An Examination of Four Aspects of Meaning

    Open Access•Katrina Hazzard-Gordon•ARTICLE•Dance Research Journal•1983•Cited by: 4•References: 1

    Most scholarly work on Afro-American social dance has been concerned with its structural aspects, primarily the question of African retentions. The work of Melville Herskovits, Joann Kealiinohomoku, Linda Wharton and Jack L. Daniel, Chadwick Hansen, Robert Farris Thompson, John Q. Anderson, Gertrude P. Kurath, Jan Hertzberg, Lydia Parrish, and others has touched on this issue. Though this approach to the study of Afro-American vernacular dance is…

  • Afro-American Core Culture Social Dance: An Examination of Four Aspects of Meaning

    Open Access•Katrina Hazzard-Gordon•ARTICLE•Dance Research Journal•1983•Cited by: 4•References: 1

    Most scholarly work on Afro-American social dance has been concerned with its structural aspects, primarily the question of African retentions. The work of Melville Herskovits, Joann Kealiinohomoku, Linda Wharton and Jack L. Daniel, Chadwick Hansen, Robert Farris Thompson, John Q. Anderson, Gertrude P. Kurath, Jan Hertzberg, Lydia Parrish, and others has touched on this issue. Though this approach to the study of Afro-American vernacular dance is…

  • African-American Vernacular Dance: Core Culture and Meaning Operatives

    Open Access•Katrina Hazzard-Gordon•ARTICLE•Journal of Black Studies•1985

    Most scholarly work on Afro-American social dance has been concerned with its structural aspects, primarily the question of African retentions. The work of Herskovits (1941), Kealiinohomoku (1975), Wharton and Daniel (1977), Hansen (1967), Thompson (1966), Anderson (1960), Kurath (1965), Hertzberg (1977), Parrish (1942), and others has touched on this issue. Although this approach to the study of Afro-American vernacular dance is far from exhaust…

Aesthetics (2 works) · Anthropology (2 works) · Art (2 works) · Contemporary dance (2 works) · Dance (2 works) · Diversity and Impact of Dance (2 works) · Gender Studies (2 works) · Literature (2 works) · Modern dance (2 works) · Sociology (2 works)

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