Brecht de Groote
Biographic Data
| ID | 6535738 |
|---|---|
| NAME | Brecht de Groote |
| GIVEN NAMES | Brecht |
| FAMILY NAME | de Groote |
| SIGNATURE | DE GROOTE B |
| AFFILIATIONS | Ghent University |
| ORCID | 0000-0003-3339-8687 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Keats’s ‘On First Looking into Chapman’s Homer’ and romantic (in)visibility
The Romantic period redefined translation in a way that is epochal; that is, its reconfiguration of translation betokened a shift from the early modern period to a fully experienced modernity. In British Romanticism, in particular, this redefinition paradoxically combines a marginalisation and a celebration of translation. This article examines this paradox and shows that even as many British Romantic writers rhetorically carved out a space for t…
Translation as cultural technique
Even though studies at the intersection of translation and media are a burgeoning subfield within Translation Studies, the integration of media theory into the scholarship on translation remains underdeveloped. Joining a recent surge of interest in adapting media theory to a broad analysis of the impacts of the technologies that organise and support translation, this article takes up the concept of cultural technique to argue that, just as techno…
Romanticism in the Age of World Wars
status: Published
Change time
Acting on recently surging critical interest in late Romanticism, a subperiod taken to range roughly from the later 1810s through the 1840s, the present article reviews past and current work in this burgeoning field, particularly highlighting developing avenues for future research. Two competing accounts of late Romanticism are contrasted: a long‐dominant take which regards the subperiod as fundamentally secondary, derived, and inferior; and a re…
Below the line
Science for All, and Sense for Some
This article studies two representative late-Romantic texts in which discourses of aesthetics and economics are opposed and ultimately brought into convergence, arguing that these texts aim to document and to contribute to widespread contemporary attempts to ensure the continued viability of Romantic-era social hierarchies by reinforcing the aesthetic ideology supporting the commercial state. The article provides a brief overview of the fractured…
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Science for All, and Sense for Some
This article studies two representative late-Romantic texts in which discourses of aesthetics and economics are opposed and ultimately brought into convergence, arguing that these texts aim to document and to contribute to widespread contemporary attempts to ensure the continued viability of Romantic-era social hierarchies by reinforcing the aesthetic ideology supporting the commercial state. The article provides a brief overview of the fractured…
Romanticism in the Age of World Wars
status: Published
Change time
Acting on recently surging critical interest in late Romanticism, a subperiod taken to range roughly from the later 1810s through the 1840s, the present article reviews past and current work in this burgeoning field, particularly highlighting developing avenues for future research. Two competing accounts of late Romanticism are contrasted: a long‐dominant take which regards the subperiod as fundamentally secondary, derived, and inferior; and a re…
Below the line
Translation as cultural technique
Even though studies at the intersection of translation and media are a burgeoning subfield within Translation Studies, the integration of media theory into the scholarship on translation remains underdeveloped. Joining a recent surge of interest in adapting media theory to a broad analysis of the impacts of the technologies that organise and support translation, this article takes up the concept of cultural technique to argue that, just as techno…
Keats’s ‘On First Looking into Chapman’s Homer’ and romantic (in)visibility
The Romantic period redefined translation in a way that is epochal; that is, its reconfiguration of translation betokened a shift from the early modern period to a fully experienced modernity. In British Romanticism, in particular, this redefinition paradoxically combines a marginalisation and a celebration of translation. This article examines this paradox and shows that even as many British Romantic writers rhetorically carved out a space for t…
Art (5 works) · Literature (4 works) · Romance (4 works) · Aesthetics (3 works) · History (3 works) · Literature: history, themes, analysis (3 works) · Poetry Analysis and Criticism (3 works) · Political science (3 works) · Romanticism (3 works) · Art history (2 works)