Aida Audeh
Biographic Data
| ID | 6535843 |
|---|---|
| NAME | Aida Audeh |
| GIVEN NAMES | Aida |
| FAMILY NAME | Audeh |
| SIGNATURE | AUDEH A |
| AFFILIATIONS | Hamline University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 0 |
Dante's Ugolino and the School of Jacques-Louis David
Dante in the Long Nineteenth CenturyNationality, Identity, and Appropriation
This book offers an account of Dante's reception in a wide range of media: visual art, literature, theatre, cinema, and music, from the late eighteenth century through to the early twentieth. It thus explores various appropriations and interpretations of his works and persona during the era of modernization in Europe, the United States, and beyond. It includes work by internationally recognized experts and a new generation of scholars in the fiel…
Studies in Medievalism XVIII
Dante in the long nineteenth century
These essays provides an account of Dante's reception in a range of media-visual art, literature, theatre, cinema, and music-from the late 18th century through to the early 20th and explores various appropriations and interpretations of his works and persona during the era of modernization in Europe, the USA, and beyond.
Dufau’s La Mort d’Ugolin
The Salon was the primary venue for art exhibition in nineteenth-century France and the central point for state art purchases and commissions and concurrent published critical discourse. Even with the development during the Third Republic of the private art market and its network of independent art galleries, the Salon continued to exert considerable influence. This chapter examines the presence of Dante in the Salon around 1800: how his persona …
Studies in Medievalism XVIII Vol. XVIII
No prominent works on this page.
Studies in Medievalism XVIII Vol. XVIII
Dante in the Long Nineteenth CenturyNationality, Identity, and Appropriation
This book offers an account of Dante's reception in a wide range of media: visual art, literature, theatre, cinema, and music, from the late eighteenth century through to the early twentieth. It thus explores various appropriations and interpretations of his works and persona during the era of modernization in Europe, the United States, and beyond. It includes work by internationally recognized experts and a new generation of scholars in the fiel…
Studies in Medievalism XVIII
Dante in the long nineteenth century
These essays provides an account of Dante's reception in a range of media-visual art, literature, theatre, cinema, and music-from the late 18th century through to the early 20th and explores various appropriations and interpretations of his works and persona during the era of modernization in Europe, the USA, and beyond.
Dufau’s La Mort d’Ugolin
The Salon was the primary venue for art exhibition in nineteenth-century France and the central point for state art purchases and commissions and concurrent published critical discourse. Even with the development during the Third Republic of the private art market and its network of independent art galleries, the Salon continued to exert considerable influence. This chapter examines the presence of Dante in the Salon around 1800: how his persona …
Dante's Ugolino and the School of Jacques-Louis David
Art (4 works) · History (3 works) · Historical Art and Culture Studies (2 works) · Philosophy (2 works) · 1265-1321 (1 work) · 19th century (1 work) · Aesthetics (1 work) · Ancient history (1 work) · Appreciation (1 work) · Appropriation (1 work)