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Joanna Hofer-Robinson

Biographic Data

ID6535934
NAMEJoanna Hofer-Robinson
GIVEN NAMESJoanna
FAMILY NAMEHofer-Robinson
SIGNATUREHOFER-ROBINSON J
AFFILIATIONSUniversity College Cork
ORCID0000-0003-2262-5506
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS0
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Beyond Breakdown

    Open Access•Áine O’brien, Joanna Hofer-Robinson et al.•ARTICLE•GeoHumanities•2025•References: 14

    Alternation between mundane invisibility and spectacular foregrounding is a critical touchstone of infrastructural aesthetics. Infrastructure failures, which often mediate between these states, therefore attract disproportionate attention despite focusing scholarly enquiry on things that no longer function as infrastructure. This article seeks to escape this impasse through analysing cultural artefacts for evidence of processes which are inconspi…

  • Repertoire

    Open Access•Joanna Hofer-Robinson•ARTICLE•Victorian Literature and Culture•2023•References: 3

    This keywords entry proposes that critical infrastructure studies allows us to better understand the cultural lives of nineteenth-century theatrical repertoires and asks: How would conceptualizing theatrical repertoire as an imaginative infrastructure help us understand its cultural legacies in our own day? Nineteenth-century theatrical repertoires functioned in analogous ways to material-technical infrastructure: on one hand, providing routine a…

  • Twin sisters”

    Beth Palmer, Joanna Hofer-Robinson•ARTICLE•Nineteenth Century Contexts•2019

    Dion Boucicault's The Colleen Bawn (1860) is typically considered a foundational text for the dramatic genre of sensation. 1 The famous "sensation scene," in which Myles na Coppaleen dives into a lake to save the heroine from drowning, began a trend to foreground elaborate, "specialeffects-driven" climaxes as the primary attraction for theatregoers (Daly 2009, 3).Boucicault continued to use sensation scenes to draw in audiences over the next two …

  • Dickens and Demolition

    Joanna Hofer-Robinson•BOOK•Dickens and Demolition•2018

  • Kaleidoscopes of Changing Pictures’

    Joanna Hofer-Robinson•ARTICLE•Journal of Victorian Culture•2018

    Toy theatre was an adjunct trade to London theatreland in the nineteenth century. Publishers produced miniature versions of popular productions on stage in contemporary playhouses. Consequently, toy theatre has typically been studied as a unique visual record of theatrical scenery and costumes. This article aims to question these assumptions, and to argue that these toys should be critically examined as performances in their own right. In 1854 th…

No prominent works on this page.

  • Dickens and Demolition

    Joanna Hofer-Robinson•BOOK•Dickens and Demolition•2018

  • Kaleidoscopes of Changing Pictures’

    Joanna Hofer-Robinson•ARTICLE•Journal of Victorian Culture•2018

    Toy theatre was an adjunct trade to London theatreland in the nineteenth century. Publishers produced miniature versions of popular productions on stage in contemporary playhouses. Consequently, toy theatre has typically been studied as a unique visual record of theatrical scenery and costumes. This article aims to question these assumptions, and to argue that these toys should be critically examined as performances in their own right. In 1854 th…

  • Twin sisters”

    Beth Palmer, Joanna Hofer-Robinson•ARTICLE•Nineteenth Century Contexts•2019

    Dion Boucicault's The Colleen Bawn (1860) is typically considered a foundational text for the dramatic genre of sensation. 1 The famous "sensation scene," in which Myles na Coppaleen dives into a lake to save the heroine from drowning, began a trend to foreground elaborate, "specialeffects-driven" climaxes as the primary attraction for theatregoers (Daly 2009, 3).Boucicault continued to use sensation scenes to draw in audiences over the next two …

  • Repertoire

    Open Access•Joanna Hofer-Robinson•ARTICLE•Victorian Literature and Culture•2023•References: 3

    This keywords entry proposes that critical infrastructure studies allows us to better understand the cultural lives of nineteenth-century theatrical repertoires and asks: How would conceptualizing theatrical repertoire as an imaginative infrastructure help us understand its cultural legacies in our own day? Nineteenth-century theatrical repertoires functioned in analogous ways to material-technical infrastructure: on one hand, providing routine a…

  • Beyond Breakdown

    Open Access•Áine O’brien, Joanna Hofer-Robinson et al.•ARTICLE•GeoHumanities•2025•References: 14

    Alternation between mundane invisibility and spectacular foregrounding is a critical touchstone of infrastructural aesthetics. Infrastructure failures, which often mediate between these states, therefore attract disproportionate attention despite focusing scholarly enquiry on things that no longer function as infrastructure. This article seeks to escape this impasse through analysing cultural artefacts for evidence of processes which are inconspi…

Art (3 works) · Aesthetics (2 works) · Art history (2 works) · Literature (2 works) · Sociology (2 works) · Anthropology (1 works) · Archaeology (1 works) · Battle (1 works) · charles Dickens (1812-1870) (1 works) · City planning (1 works)

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