Maciej Szatkowski
Biographic Data
| ID | 6541918 |
|---|---|
| NAME | Maciej Szatkowski |
| GIVEN NAMES | Maciej |
| FAMILY NAME | Szatkowski |
| SIGNATURE | SZATKOWSKI M |
| AFFILIATIONS | Nicolaus Copernicus University |
| ORCID | 0000-0002-6540-4140 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Cultural Institution and Institutional Culture from the Transcultural Perspective
This article presents the profile of the East Asian theatre artist Danny Yung, director of the acclaimed Zuni Icosachedron theatre in Hong Kong. In the first part, Maciej Szatkowski offers a synthesis of his artistic biography, from his early years as a theatre maker in Hong Kong in the 1980s to the creation of a transnational Chinese theatre, which provides a space for artistic encounters of established and emerging artists from the Sinosphere a…
Nie ma jednych Chin
Artykuł omawia książkę Rosselli Ferrari Transnational Chinese Theatres: Intercultural Performance Networks in East Asia. Monografia badaczki chińskich teatrów koncentruje się charakterystyce sieci artystycznych powiązań transnarodowych w Azji Wschodniej. Ferrari, badając współpracę teatralną twórców z Chin, Tajwanu czy Hongkongu, proponuje ponadnarodowy i rizomatyczny model analizowania kultury sinofonicznej. W książce wykorzystano liczne nieprz…
Mao Zedong’s Bakhtinian laughter
The Chinese pop avant-garde and its origins C hinese painting of the late 1980s and early 1990s, both traditional and modern, is deeply rooted in the context of Chinese culture and proudly employs elements of local aesthetics.Chinese art is a reflection of the historical and social circumstances of the time when it was created, and it is through those circumstances, therefore, that it should be interpreted and evaluated.Understanding the conditio…
Mao Zedong’s Bakhtinian laughter The Chinese pop avant-garde and its origins
B oth China and Japan fascinated citizens of the Second Polish Republic as their cultures were so different from those of Europe. Therefore, the Polish press printed in the interwar period tried to introduce readers to matters connected with the heritage of the Far East. Special attention was given to both the Chinese and Japanese writing systems, which were only known to a select few in the Second Polish Republic Such people were usually diploma…
Elegia o rzece” – próba dekonstrukcji chińskiej utopii
W sierpniu 1988 roku w chińskiej telewizji centralnej (CCTV) będącej pod kontrolą rządu i cenzury pojawił się sześcioodcinkowy serial dokumentalny pt. Elegia o rzece. Serial zgromadził przed telewizorami sporą publiczność, co mogło być spowodowane rewolucyjnymi tezami postawionymi w filmie. Po raz pierwszy w drugiej połowie XX wieku w tak szeroko dostępnym medium postawiono tezy o tym, że kultura chińska jest wsobna, a jedynie korzystanie z rozwi…
Staging the new romantic hero in the old cynical theatre
Poland is undergoing a major systemic shift from a centrally-planned toward a market economy. All dimensions of societal life are involved in the change. The paper discusses the current role of Polish managers against the background of what it used to be like under communism from a social constructivist perspective. The role is considered from the point of view of the actors; how they construct their role
No prominent works on this page.
Staging the new romantic hero in the old cynical theatre
Poland is undergoing a major systemic shift from a centrally-planned toward a market economy. All dimensions of societal life are involved in the change. The paper discusses the current role of Polish managers against the background of what it used to be like under communism from a social constructivist perspective. The role is considered from the point of view of the actors; how they construct their role
Mao Zedong’s Bakhtinian laughter
The Chinese pop avant-garde and its origins C hinese painting of the late 1980s and early 1990s, both traditional and modern, is deeply rooted in the context of Chinese culture and proudly employs elements of local aesthetics.Chinese art is a reflection of the historical and social circumstances of the time when it was created, and it is through those circumstances, therefore, that it should be interpreted and evaluated.Understanding the conditio…
Mao Zedong’s Bakhtinian laughter The Chinese pop avant-garde and its origins
B oth China and Japan fascinated citizens of the Second Polish Republic as their cultures were so different from those of Europe. Therefore, the Polish press printed in the interwar period tried to introduce readers to matters connected with the heritage of the Far East. Special attention was given to both the Chinese and Japanese writing systems, which were only known to a select few in the Second Polish Republic Such people were usually diploma…
Elegia o rzece” – próba dekonstrukcji chińskiej utopii
W sierpniu 1988 roku w chińskiej telewizji centralnej (CCTV) będącej pod kontrolą rządu i cenzury pojawił się sześcioodcinkowy serial dokumentalny pt. Elegia o rzece. Serial zgromadził przed telewizorami sporą publiczność, co mogło być spowodowane rewolucyjnymi tezami postawionymi w filmie. Po raz pierwszy w drugiej połowie XX wieku w tak szeroko dostępnym medium postawiono tezy o tym, że kultura chińska jest wsobna, a jedynie korzystanie z rozwi…
Cultural Institution and Institutional Culture from the Transcultural Perspective
This article presents the profile of the East Asian theatre artist Danny Yung, director of the acclaimed Zuni Icosachedron theatre in Hong Kong. In the first part, Maciej Szatkowski offers a synthesis of his artistic biography, from his early years as a theatre maker in Hong Kong in the 1980s to the creation of a transnational Chinese theatre, which provides a space for artistic encounters of established and emerging artists from the Sinosphere a…
Nie ma jednych Chin
Artykuł omawia książkę Rosselli Ferrari Transnational Chinese Theatres: Intercultural Performance Networks in East Asia. Monografia badaczki chińskich teatrów koncentruje się charakterystyce sieci artystycznych powiązań transnarodowych w Azji Wschodniej. Ferrari, badając współpracę teatralną twórców z Chin, Tajwanu czy Hongkongu, proponuje ponadnarodowy i rizomatyczny model analizowania kultury sinofonicznej. W książce wykorzystano liczne nieprz…
Art (5 works) · Philosophy (4 works) · Art history (3 works) · History (3 works) · Literature (3 works) · Aesthetics (2 works) · Asian Culture and Media Studies (2 works) · Avant garde (2 works) · Laughter (2 works) · Sociology (2 works)