David J Vázquez
Biographic Data
| ID | 6543896 |
|---|---|
| NAME | David J Vázquez |
| GIVEN NAMES | David J |
| FAMILY NAME | Vázquez |
| SIGNATURE | VÁZQUEZ D J |
| AFFILIATIONS | University of California, Santa Barbara |
| ORCID | 0000-0002-9205-9178 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Introduction
Special Forum Editors
The Materials of Art and the Legacies of Colonization
A conversation with the artists Beatrice Glow and Sandy Rodriguez, whose work reckons with the imperial and colonial histories that underlie conventional materials of art and aesthetic experience. Glow and Rodriguez share insights about their artistic processes, their experiments with pigment-making, scent production, field research, and collaboration, and how they have reflected on and enacted alternatives to the transnational sourcing of pigmen…
Their Bones Kept Them Moving
Triangulations
"Triangulations" published on by University of Minnesota Press
Excerpt from Triangulations
Just as mariners use triangulation, mapping an imaginary triangle between two known positions and an unknown location, so, David J. Vázquez contends, Latino authors in late twentieth-century America employ the coordinates of familiar ideas of self to find their way to new, complex identities. Through this metaphor, Vázquez reveals how Latino autobiographical texts, written after the rise of cultural nationalism in the 1960s, challenge mainstream …
Postmodern Cross-culturalism and Politicization in U.S. Latina Literature
I Can't be me without my people
Introduction
Special Forum Editors
The Materials of Art and the Legacies of Colonization
A conversation with the artists Beatrice Glow and Sandy Rodriguez, whose work reckons with the imperial and colonial histories that underlie conventional materials of art and aesthetic experience. Glow and Rodriguez share insights about their artistic processes, their experiments with pigment-making, scent production, field research, and collaboration, and how they have reflected on and enacted alternatives to the transnational sourcing of pigmen…
I Can't be me without my people
I Can't be me without my people
Postmodern Cross-culturalism and Politicization in U.S. Latina Literature
Triangulations
"Triangulations" published on by University of Minnesota Press
Excerpt from Triangulations
Just as mariners use triangulation, mapping an imaginary triangle between two known positions and an unknown location, so, David J. Vázquez contends, Latino authors in late twentieth-century America employ the coordinates of familiar ideas of self to find their way to new, complex identities. Through this metaphor, Vázquez reveals how Latino autobiographical texts, written after the rise of cultural nationalism in the 1960s, challenge mainstream …
Their Bones Kept Them Moving
Introduction
Special Forum Editors
The Materials of Art and the Legacies of Colonization
A conversation with the artists Beatrice Glow and Sandy Rodriguez, whose work reckons with the imperial and colonial histories that underlie conventional materials of art and aesthetic experience. Glow and Rodriguez share insights about their artistic processes, their experiments with pigment-making, scent production, field research, and collaboration, and how they have reflected on and enacted alternatives to the transnational sourcing of pigmen…
Art (5 works) · Sociology (5 works) · History (4 works) · Latin American and Latino Studies (4 works) · Philosophy (4 works) · Aesthetics (3 works) · Anthropology (3 works) · Gender Studies (3 works) · History (3 works) · Law (3 works)