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Olof Hedling

Biographic Data

ID6544975
NAMEOlof Hedling
GIVEN NAMESOlof
FAMILY NAMEHedling
SIGNATUREHEDLING O
AFFILIATIONSLund University
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2016
H-INDEX0
  • Why not make films for New York?’

    Olof Hedling, Per Vesterlund•ARTICLE•International Journal of Cultural…•2016•References: 5

    During the last two decades, film support, film policy and the public financing of audiovisual production in Scandinavia and particularly Sweden have undergone extensive change. These transformations may be seen as responses to globalisation, to increased sub-national regional independence as well as to the emergence of ideas related to the nurturing of the ‘creative industries’. They may also be seen to be a consequence of the increasing permeab…

  • Historical Dictionary of Scandinavian Cinema

    John Sundholm, Isak Thorsen et al.•BOOK•Historical Dictionary of…•2012

    Although relatively small, the northern countries of Scandinavia have made a disproportionately large contribution to world cinema. Indeed, some of their films are among the best known of all times, including The Seventh Seal, Dancer in the Dark, and The Girl with the Dragon Tattoo. And Scandinavian directors are also among the best known, just to mention Ingmar Bergman and Lars von Trier. But there is much more to the cinema of Denmark, Norway, …

  • A Film-friendly Town? Assessing a Decade at a Small Swedish Production Centre

    Olof Hedling•ARTICLE•Film International•2010

    An assessment of the workings and situation regarding the regional film fund Film i Skåne, located in Ystad, Sweden, during the last decade

  • A New Deal in European Film? Notes on the Swedish Regional Production Turn

    Olof Hedling•ARTICLE•Film International•2008

    Discussion of the regionalised film production setup in Sweden. Particular emphasis is on the long term possibilities of the setup

No prominent works on this page.

  • A New Deal in European Film? Notes on the Swedish Regional Production Turn

    Olof Hedling•ARTICLE•Film International•2008

    Discussion of the regionalised film production setup in Sweden. Particular emphasis is on the long term possibilities of the setup

  • A Film-friendly Town? Assessing a Decade at a Small Swedish Production Centre

    Olof Hedling•ARTICLE•Film International•2010

    An assessment of the workings and situation regarding the regional film fund Film i Skåne, located in Ystad, Sweden, during the last decade

  • Historical Dictionary of Scandinavian Cinema

    John Sundholm, Isak Thorsen et al.•BOOK•Historical Dictionary of…•2012

    Although relatively small, the northern countries of Scandinavia have made a disproportionately large contribution to world cinema. Indeed, some of their films are among the best known of all times, including The Seventh Seal, Dancer in the Dark, and The Girl with the Dragon Tattoo. And Scandinavian directors are also among the best known, just to mention Ingmar Bergman and Lars von Trier. But there is much more to the cinema of Denmark, Norway, …

  • Why not make films for New York?’

    Olof Hedling, Per Vesterlund•ARTICLE•International Journal of Cultural…•2016•References: 5

    During the last two decades, film support, film policy and the public financing of audiovisual production in Scandinavia and particularly Sweden have undergone extensive change. These transformations may be seen as responses to globalisation, to increased sub-national regional independence as well as to the emergence of ideas related to the nurturing of the ‘creative industries’. They may also be seen to be a consequence of the increasing permeab…

Cultural Industries and Urban Development (3 works) · Art (2 works) · Art history (2 works) · Economics (2 works) · Sociology (2 works) · Artistic and Creative Research (1 work) · Cinema and Media Studies (1 work) · Economic geography (1 work) · Environmentally Friendly (1 work) · European Cultural and National Identity (1 work)

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