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Lindsay Bywood

Biographic Data

ID6545850
NAMELindsay Bywood
GIVEN NAMESLindsay
FAMILY NAMEBywood
SIGNATUREBYWOOD L
AFFILIATIONSUniversity of Westminster
ORCID0000-0002-1860-6647
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS1
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2025
H-INDEX1
  • The W‐ Icad model

    Open Access•Alison F Eardley, Vanessa E Jones et al.•ARTICLE•Curator The Museum Journal•2025

    This research describes the development of the Workshop for Inclusive Co‐created Audio Description (W‐ICAD) model. Research from psychology and neuroscience explains why the assumption that vision is necessarily sufficient to be able to engage with collections is problematic, and why inclusive museum audio description (AD) (referred to as visual or verbal description in the United States) might begin to provide a solution to this problem. At the …

  • Experiencing a historic garden online

    Open Access•Lindsay Bywood, Rachael Hutchinson et al.•ARTICLE•Museum Management and Curatorship•2025•References: 37

    Historic gardens can promote social inclusion and engender a sense of wellbeing. Since the pandemic, many cultural institutions have sought to enhance their online provision. However, content inevitably assume sight. An inclusive audio descriptive online tour of the Chelsea Physic Garden was created for people who were blind and partially blind (BPB) and sighted. Sixty-two participants completed an evaluation questionnaire directly after experien…

  • Testing the retranslation hypothesis for audiovisual translation

    Lindsay Bywood•ARTICLE•Perspectives•2019•References: 4

    This article uses the Descriptive Translation Studies framework to examine the English subtitles for two German films directed by Volker Schlöndorff: Die verlorene Ehre der Katharina Blum [The Lost Honour of Katharina Blum], directed in 1975, and Die Blechtrommel [The Tin Drum], from 1979, with a view to testing the earliest formulation of the retranslation hypothesis. Using the concept of translational norms as one of its main heuristic tools, t…

  • Embracing the threat

    Lindsay Bywood, Panayota Georgakopoulou et al.•ARTICLE•Perspectives•2017•Cited by: 1•References: 1

    Recent decades have brought significant changes in the subtitling industry, both in terms of workflow and in the context of the market for audiovisual translation (AVT). Machine translation (MT), whilst in regular use in the traditional localisation industry, has not seen a significant uptake in the subtitling arena. The SUMAT project, an EU-funded project which ran from 2011 to 2014, had as its aim the building and evaluation of viable MT soluti…

  • Parallel subtitle corpora and their applications in machine translation and translatology

    Lindsay Bywood, Martin Volk et al.•ARTICLE•Perspectives•2013•References: 2

    SUMAT is a project funded through the EU ICT Policy Support Programme (2011–2014). It involves four subtitling companies (InVision, DDS, Titelbild, VSI) and five technical partners (ALS, ATC, TextShuttle, University of Maribor, Vicomtech).For the SUMAT project, translated subtitles for seven language pairs have been collected. Four subtitling companies have contributed to this effort, which has so far resulted in collections numbering between 200…

  • Embracing the threat

    Lindsay Bywood, Panayota Georgakopoulou et al.•ARTICLE•Perspectives•2017•Cited by: 1•References: 1

    Recent decades have brought significant changes in the subtitling industry, both in terms of workflow and in the context of the market for audiovisual translation (AVT). Machine translation (MT), whilst in regular use in the traditional localisation industry, has not seen a significant uptake in the subtitling arena. The SUMAT project, an EU-funded project which ran from 2011 to 2014, had as its aim the building and evaluation of viable MT soluti…

  • Parallel subtitle corpora and their applications in machine translation and translatology

    Lindsay Bywood, Martin Volk et al.•ARTICLE•Perspectives•2013•References: 2

    SUMAT is a project funded through the EU ICT Policy Support Programme (2011–2014). It involves four subtitling companies (InVision, DDS, Titelbild, VSI) and five technical partners (ALS, ATC, TextShuttle, University of Maribor, Vicomtech).For the SUMAT project, translated subtitles for seven language pairs have been collected. Four subtitling companies have contributed to this effort, which has so far resulted in collections numbering between 200…

  • Embracing the threat

    Lindsay Bywood, Panayota Georgakopoulou et al.•ARTICLE•Perspectives•2017•Cited by: 1•References: 1

    Recent decades have brought significant changes in the subtitling industry, both in terms of workflow and in the context of the market for audiovisual translation (AVT). Machine translation (MT), whilst in regular use in the traditional localisation industry, has not seen a significant uptake in the subtitling arena. The SUMAT project, an EU-funded project which ran from 2011 to 2014, had as its aim the building and evaluation of viable MT soluti…

  • Testing the retranslation hypothesis for audiovisual translation

    Lindsay Bywood•ARTICLE•Perspectives•2019•References: 4

    This article uses the Descriptive Translation Studies framework to examine the English subtitles for two German films directed by Volker Schlöndorff: Die verlorene Ehre der Katharina Blum [The Lost Honour of Katharina Blum], directed in 1975, and Die Blechtrommel [The Tin Drum], from 1979, with a view to testing the earliest formulation of the retranslation hypothesis. Using the concept of translational norms as one of its main heuristic tools, t…

  • The W‐ Icad model

    Open Access•Alison F Eardley, Vanessa E Jones et al.•ARTICLE•Curator The Museum Journal•2025

    This research describes the development of the Workshop for Inclusive Co‐created Audio Description (W‐ICAD) model. Research from psychology and neuroscience explains why the assumption that vision is necessarily sufficient to be able to engage with collections is problematic, and why inclusive museum audio description (AD) (referred to as visual or verbal description in the United States) might begin to provide a solution to this problem. At the …

  • Experiencing a historic garden online

    Open Access•Lindsay Bywood, Rachael Hutchinson et al.•ARTICLE•Museum Management and Curatorship•2025•References: 37

    Historic gardens can promote social inclusion and engender a sense of wellbeing. Since the pandemic, many cultural institutions have sought to enhance their online provision. However, content inevitably assume sight. An inclusive audio descriptive online tour of the Chelsea Physic Garden was created for people who were blind and partially blind (BPB) and sighted. Sixty-two participants completed an evaluation questionnaire directly after experien…

Computer Science (4 works) · Artificial Intelligence (2 works) · History (2 works) · History (2 works) · Linguistics (2 works) · Machine translation (2 works) · Natural Language Processing Techniques (2 works) · Subtitle (2 works) · Subtitles and Audiovisual Media (2 works) · Topic Modeling (2 works)

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