Tatiana A Kasatkina
Biographic Data
| ID | 6549002 |
|---|---|
| NAME | Tatiana A Kasatkina |
| GIVEN NAMES | Tatiana A |
| FAMILY NAME | Kasatkina |
| SIGNATURE | KASATKINA T A |
| AFFILIATIONS | Gorky Institute of World Literature |
| ORCID | 0000-0002-0875-067X |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
“Digression in Praise of the Ass” by Heinrich Cornelius Agrippa von Nettesheim in Dostoevsky’s The Idiot
In his early youth, Dostoevsky recognized a single life purpose for himself: to comprehend the mystery of man and the mystery of God. Such a life’s task inevitably presupposed an engagement with the books of the European esoteric tradition and, consequently, their functional presence in the writer’s works. In particular, the writings of Heinrich Cornelius Agrippa von Nettesheim played a significant role in the formation of both the conceptual fra…
The Philosophy of Book Culture in Russia
In December 2025, the journal Voprosy Filosofii hosted a round table discussion titled Philosophy of Book Culture in Russia: History, Problems, and Trends. The discussion was initiated by members of the research project No. 25-28-01315, “The ‘Archive of the Era’ of Pavel Khristoforovich Kananov in the Context of Modern Methodology in the Humanities”, which is supported by the Russian Science Foundation. The impetus for the discussion was the disc…
Space Beyond Time
The article examines the central metaphysical scene of The Idiot, marked by events from the strange “capture” of a knife lying on the table by Myshkin, which Rogozhin takes away from him twice, becoming increasingly irritated, to the moment when this knife in Rogozhin’s hand falls on the prince — and does not reach him. The central part of this scene contains a direct reference to chapter 10 of the Revelation of John the Theologian, the only chap…
Paintings That Did Not Become Icons
Dostoevsky’s philosophy and theology cannot be extracted from his work in the form of explicit statements; instead, they manifest themselves via a complexly structured figurative text; the author’s strategy consists in stepping back in order to implicitly involve the reader in a process of personal discoveries and personal change. This article focuses on philosophical and theological thoughts in Dostoevsky’s works that are associated with the nar…
The two-fold image and philosophy of personality in the works of F. M. Dostoevsky
"Mujique Marei"
“Mujique Marei” é um texto único de F. M. Dostoiévski, em que ao longo de quatro páginas o escritor apresenta de modo evidente ao leitor a sua estrutura da imagem (a estrutura que reproduz cada coisa do mundo da forma como ela se revela ao olhar profundo do artista), seu método criativo e sua maneira de discutir temas teológicos. O método de close readinge contextual permitem analisar e descrever a estrutura da imagem, o método criativo e as form…
No prominent works on this page.
"Mujique Marei"
“Mujique Marei” é um texto único de F. M. Dostoiévski, em que ao longo de quatro páginas o escritor apresenta de modo evidente ao leitor a sua estrutura da imagem (a estrutura que reproduz cada coisa do mundo da forma como ela se revela ao olhar profundo do artista), seu método criativo e sua maneira de discutir temas teológicos. O método de close readinge contextual permitem analisar e descrever a estrutura da imagem, o método criativo e as form…
The two-fold image and philosophy of personality in the works of F. M. Dostoevsky
Paintings That Did Not Become Icons
Dostoevsky’s philosophy and theology cannot be extracted from his work in the form of explicit statements; instead, they manifest themselves via a complexly structured figurative text; the author’s strategy consists in stepping back in order to implicitly involve the reader in a process of personal discoveries and personal change. This article focuses on philosophical and theological thoughts in Dostoevsky’s works that are associated with the nar…
Space Beyond Time
The article examines the central metaphysical scene of The Idiot, marked by events from the strange “capture” of a knife lying on the table by Myshkin, which Rogozhin takes away from him twice, becoming increasingly irritated, to the moment when this knife in Rogozhin’s hand falls on the prince — and does not reach him. The central part of this scene contains a direct reference to chapter 10 of the Revelation of John the Theologian, the only chap…
“Digression in Praise of the Ass” by Heinrich Cornelius Agrippa von Nettesheim in Dostoevsky’s The Idiot
In his early youth, Dostoevsky recognized a single life purpose for himself: to comprehend the mystery of man and the mystery of God. Such a life’s task inevitably presupposed an engagement with the books of the European esoteric tradition and, consequently, their functional presence in the writer’s works. In particular, the writings of Heinrich Cornelius Agrippa von Nettesheim played a significant role in the formation of both the conceptual fra…
The Philosophy of Book Culture in Russia
In December 2025, the journal Voprosy Filosofii hosted a round table discussion titled Philosophy of Book Culture in Russia: History, Problems, and Trends. The discussion was initiated by members of the research project No. 25-28-01315, “The ‘Archive of the Era’ of Pavel Khristoforovich Kananov in the Context of Modern Methodology in the Humanities”, which is supported by the Russian Science Foundation. The impetus for the discussion was the disc…
Philosophy (4 works) · Art (3 works) · Computer Science (3 works) · Epistemology (3 works) · Russian Literature and Bakhtin Studies (3 works) · Aesthetics (2 works) · Discourse Analysis and Cultural Communication (2 works) · Education, Literature, Philosophy Research (2 works) · Literature (2 works) · Revelation (2 works)