Konstantin Zenkin
Biographic Data
| ID | 6549061 |
|---|---|
| NAME | Konstantin Zenkin |
| GIVEN NAMES | Konstantin |
| FAMILY NAME | Zenkin |
| SIGNATURE | ZENKIN K |
| AFFILIATIONS | Moscow Conservatory |
| ORCID | 0000-0002-2763-6282 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Periodicity and cyclic recurrence as a basis of musical time arrangement
The article is dedicated to the manifestations of symmetry in a musical composition, such as periodicity and cyclicity. The author also considers the partial manifestations of those principles, their expressive and compositional meaning, as well as their roots in various musical paradigms of different eras
An Aesthetic Deconstruction of R. Wagner’s Mythological Time in “Salome”, by R. Strauss
The article aims to indicate the roots of musical time and musical forms in various types of mythopoetical thought, of which we propose the consideration of musical time within an interdisciplinary context, engaging philosophical concepts and art history studies of mythology. Among the objectives is the necessity to reveal the implicit connections of typical compositional structures in the European opera of the modern era with mythological protot…
Cyclic Recurrence as a Basis of Musical Time Arrangement
Symmetry as a carrier and keeper of musical information
Music as a subject of discussion in A.F. Losev’s philosophical prose
On the Religious Foundations of A.F. Losev's Philosophy of Music
No prominent works on this page.
On the Religious Foundations of A.F. Losev's Philosophy of Music
Music as a subject of discussion in A.F. Losev’s philosophical prose
Symmetry as a carrier and keeper of musical information
Cyclic Recurrence as a Basis of Musical Time Arrangement
Periodicity and cyclic recurrence as a basis of musical time arrangement
The article is dedicated to the manifestations of symmetry in a musical composition, such as periodicity and cyclicity. The author also considers the partial manifestations of those principles, their expressive and compositional meaning, as well as their roots in various musical paradigms of different eras
An Aesthetic Deconstruction of R. Wagner’s Mythological Time in “Salome”, by R. Strauss
The article aims to indicate the roots of musical time and musical forms in various types of mythopoetical thought, of which we propose the consideration of musical time within an interdisciplinary context, engaging philosophical concepts and art history studies of mythology. Among the objectives is the necessity to reveal the implicit connections of typical compositional structures in the European opera of the modern era with mythological protot…
Musical (6 works) · Art (4 works) · Music and Audio Processing (3 works) · Geometry (2 works) · Literature (2 works) · Mathematics (2 works) · Music Technology and Sound Studies (2 works) · Musicology and Musical Analysis (2 works) · Mythology (2 works) · Philosophy (2 works)