LaCharles Ward
Biographic Data
| ID | 6555480 |
|---|---|
| NAME | LaCharles Ward |
| GIVEN NAMES | LaCharles |
| FAMILY NAME | Ward |
| SIGNATURE | WARD L |
| AFFILIATIONS | , |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 29 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Somebody’s – Or Nothing
Why does visual evidence, when in defence of Black people, always fail to meet the proper evidentiary standards? This article suggests that one part of an answer to this question might be found in early legal debates about how to deal with ‘evidence’ that photography allegedly proffers to the trier of fact. These debates revealed how the introduction of visual culture in the courtroom challenged a legal culture that hinged on the spoken and writt…
Keep Runnin' Bro”
This essay considers our contemporary era of antiblack racial terror as well as the visual culture that has not only mourned the loss of black life (in this moment) but has also responded to our continual state of emergency. By visual culture, I mean to include, echoing Amelia Jones, everything from painting to photography, installation projects, video and film works, performances, and hybrid practices (i.e., mix of performance, photography, and …
Still flies in buttermilk
Driven by critical race theory, this essay employs composite counterstorytelling to narrate the experiences of black male faculty on traditionally white campuses. Situated at the intersections of race and gender, our composite counterstory is richly informed by 11 interviews with black male faculty alongside critical race scholarship that documents the omnipresence of black misandric ideology. Through our protagonist Dr Timesnow, a black male Ass…
Still flies in buttermilk
Driven by critical race theory, this essay employs composite counterstorytelling to narrate the experiences of black male faculty on traditionally white campuses. Situated at the intersections of race and gender, our composite counterstory is richly informed by 11 interviews with black male faculty alongside critical race scholarship that documents the omnipresence of black misandric ideology. Through our protagonist Dr Timesnow, a black male Ass…
Still flies in buttermilk
Driven by critical race theory, this essay employs composite counterstorytelling to narrate the experiences of black male faculty on traditionally white campuses. Situated at the intersections of race and gender, our composite counterstory is richly informed by 11 interviews with black male faculty alongside critical race scholarship that documents the omnipresence of black misandric ideology. Through our protagonist Dr Timesnow, a black male Ass…
Keep Runnin' Bro”
This essay considers our contemporary era of antiblack racial terror as well as the visual culture that has not only mourned the loss of black life (in this moment) but has also responded to our continual state of emergency. By visual culture, I mean to include, echoing Amelia Jones, everything from painting to photography, installation projects, video and film works, performances, and hybrid practices (i.e., mix of performance, photography, and …
Somebody’s – Or Nothing
Why does visual evidence, when in defence of Black people, always fail to meet the proper evidentiary standards? This article suggests that one part of an answer to this question might be found in early legal debates about how to deal with ‘evidence’ that photography allegedly proffers to the trier of fact. These debates revealed how the introduction of visual culture in the courtroom challenged a legal culture that hinged on the spoken and writt…
Sociology (3 works) · Aesthetics (2 works) · Art (2 works) · Epistemology (2 works) · Law (2 works) · Philosophy (2 works) · Photography and Visual Culture (2 works) · Political science (2 works) · Visual arts (2 works) · Visual culture (2 works)