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Joshua Bastian Cole

Biographic Data

ID6557363
NAMEJoshua Bastian Cole
GIVEN NAMESJoshua Bastian
FAMILY NAMECole
SIGNATURECOLE J B
AFFILIATIONSCornell University
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS0
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1994
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Changing the reflection

    Joshua Bastian Cole•ARTICLE•New Review of Film and Television…•2022

    The mirror scene that produces an eerily mismatched reflection is a staple of both trans and speculative films. Jay Prosser and Jack Halberstam have examined this trope, the latter asserting trans mirror scenes allow a disruptive ‘trans look’ for a non-trans audience. This essay takes up the trans gaze, but the process reverses. Rather, non-trans characters can become readably trans by way of a new trans look, one that takes account of asymmetric…

  • Passing Glances

    Open Access•Joshua Bastian Cole•ARTICLE•Somatechnics•2018•References: 3

    In a quick but disorienting visual exchange at the end of David Lynch's Mulholland Drive (2001), two unacquainted characters, Dan and Diane, encounter each other at a diner called Winkie's. The film's queer temporal and spatial logics invite these two to recognize each other – a shared recognition into which I am also drawn. Already a part of the queer film canon because a lesbian relationship drives Mulholland's plot, my trans reading adds a new…

  • The chaos of particular facts

    Open Access•Joshua Cole, Joshua Bastian Cole•ARTICLE•History of the Human Sciences•1994•References: 4

No prominent works on this page.

  • The chaos of particular facts

    Open Access•Joshua Cole, Joshua Bastian Cole•ARTICLE•History of the Human Sciences•1994•References: 4

  • Passing Glances

    Open Access•Joshua Bastian Cole•ARTICLE•Somatechnics•2018•References: 3

    In a quick but disorienting visual exchange at the end of David Lynch's Mulholland Drive (2001), two unacquainted characters, Dan and Diane, encounter each other at a diner called Winkie's. The film's queer temporal and spatial logics invite these two to recognize each other – a shared recognition into which I am also drawn. Already a part of the queer film canon because a lesbian relationship drives Mulholland's plot, my trans reading adds a new…

  • Changing the reflection

    Joshua Bastian Cole•ARTICLE•New Review of Film and Television…•2022

    The mirror scene that produces an eerily mismatched reflection is a staple of both trans and speculative films. Jay Prosser and Jack Halberstam have examined this trope, the latter asserting trans mirror scenes allow a disruptive ‘trans look’ for a non-trans audience. This essay takes up the trans gaze, but the process reverses. Rather, non-trans characters can become readably trans by way of a new trans look, one that takes account of asymmetric…

Aesthetics (3 works) · Art (2 works) · Cinema and Media Studies (2 works) · Computer Science (2 works) · Literature (2 works) · Philosophy (2 works) · Psychology (2 works) · Artificial Intelligence (1 work) · Census and Population Estimation (1 work) · CHAOS (operating system (1 work)

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