Ming Tiampo
Biographic Data
| ID | 6558397 |
|---|---|
| NAME | Ming Tiampo |
| GIVEN NAMES | Ming |
| FAMILY NAME | Tiampo |
| SIGNATURE | TIAMPO M |
| AFFILIATIONS | Carleton University |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Roundtable on John Clark's The Asian Modern
The book, The Asian Modern, by John Clark (with an Introduction by the Manila-based critic and curator, Patrick Flores) seeks to construct a “cross-Asian” account through a detailed historical and empirical focus on 30 artists spanning Southeast, East, and South Asia, as well as Australia. At the core of the book is the premise that the given place, “Asia,” is the locus for a critique of the normative account of modernism tethered to another loca…
What is Radical
What does it mean to think and act radically, and how does this relate to forms of radicalism connected to earlier moments, for example, in the 20th century? What can be the role of radical art and scholarship under the conditions of late capitalism? More generally, how can art and artists serve the ongoing struggle for social justice and the agendas of emancipatory social change? Finally, what kinds of art criticism and art historical scholarshi…
Jinny Yu
Gutai Chain
This article is a theoretical investigation of the Gutai's collective enterprise, examining the creative process of Gutai Art Exhibitions from 1955 to 1962 and looking in particular at the Outdoor Exhibitions and Gutai Art on Stage. I will argue that the group's leader, Yoshihara Jiro, engendered a collective spirit of individualism that at once embraced utopian ideals of collectivism and was suspicious of any enterprise that encouraged a dissolu…
Create what has never been done before!’
Responding to Gutai leader Yoshihara Jirō’s exhortation, ‘Create what has never been done before!’ 1 artists at the First Gutai Art Exhibition (1955) placed a premium on originality. Stripping down
Create what has never been done before!’
Responding to Gutai leader Yoshihara Jirō’s exhortation, ‘Create what has never been done before!’ 1 artists at the First Gutai Art Exhibition (1955) placed a premium on originality. Stripping down
Create what has never been done before!’
Responding to Gutai leader Yoshihara Jirō’s exhortation, ‘Create what has never been done before!’ 1 artists at the First Gutai Art Exhibition (1955) placed a premium on originality. Stripping down
Gutai Chain
This article is a theoretical investigation of the Gutai's collective enterprise, examining the creative process of Gutai Art Exhibitions from 1955 to 1962 and looking in particular at the Outdoor Exhibitions and Gutai Art on Stage. I will argue that the group's leader, Yoshihara Jiro, engendered a collective spirit of individualism that at once embraced utopian ideals of collectivism and was suspicious of any enterprise that encouraged a dissolu…
Jinny Yu
What is Radical
What does it mean to think and act radically, and how does this relate to forms of radicalism connected to earlier moments, for example, in the 20th century? What can be the role of radical art and scholarship under the conditions of late capitalism? More generally, how can art and artists serve the ongoing struggle for social justice and the agendas of emancipatory social change? Finally, what kinds of art criticism and art historical scholarshi…
Roundtable on John Clark's The Asian Modern
The book, The Asian Modern, by John Clark (with an Introduction by the Manila-based critic and curator, Patrick Flores) seeks to construct a “cross-Asian” account through a detailed historical and empirical focus on 30 artists spanning Southeast, East, and South Asia, as well as Australia. At the core of the book is the premise that the given place, “Asia,” is the locus for a critique of the normative account of modernism tethered to another loca…
Art (4 works) · Japanese History and Culture (3 works) · Law (3 works) · Political science (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art history (2 works) · Creativity (2 works) · Epistemology (2 works) · Exhibition (2 works)