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Janice Cheddie

Biographic Data

ID6558523
NAMEJanice Cheddie
GIVEN NAMESJanice
FAMILY NAMECheddie
SIGNATURECHEDDIE J
AFFILIATIONSGoldsmiths College, University of London,
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS3
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Listening to Trauma in the Art of Everlyn Nicodemus

    Janice Cheddie•CHAPTER•Third Text•2020

    Nicodemus’s work presents an opportunity to explore the ways in which trauma as a subject of contemporary art and its relationship to notions of diaspora emerge as a series of complex narratives and visual, discursive and political imaginings. This chapter explores how Nicodemus in Beyond Depiction has engaged the audience in a dialogue concerning the nature and importance of ‘listening’ as structural and interpretive responses and processes in t…

  • Sasha Huber's Rentyhorn

    Janice Cheddie•ARTICLE•Third Text•2016

    Sasha Huber's Rentyhorn (2008), Switzerland, was a component of the Swiss Demounting Louis Agassiz campaign. The campaign sought to rename Agassizhorn, a peak bearing the name of Swiss-born scientist Louis Agassiz (1807–1873) a proponent of scientific racism. The article examines Rentyhorn, an intervention, by the Swiss/Haitian artist Huber (b 1975, Zurich), through concepts of re-mapping. Within Rentyhorn, the Swiss landscape is exposed through …

  • Troubling Subcultural Theories on Race, Gender, the Street, and Resistance

    Janice Cheddie•ARTICLE•Fashion Theory•2010•Cited by: 1•References: 3

    The article examines the linkage made between the urban street, racial authenticity, resistance, and black style within fashion and subcultural theories. A conceptualization that has located the urban street as a site of racial and political authenticity for the black subject; making a series of political and visual associations between the urban street, formations of race and resistance and concepts of black style. This article traces the develo…

  • Listening to Trauma in the Art of Everlyn Nicodemus

    Janice Cheddie•ARTICLE•Third Text•2007

    Approaching the huge and growing literature on ‘trauma’ both within psychoanalysis and in the field of the humanities is a daunting task. Even a brief survey of the field will reveal its vastness a

  • Books

    Open Access•Janice Cheddie•ARTICLE•Journal of Visual Culture•2005

  • The Politics of the First

    Janice Cheddie•ARTICLE•Fashion Theory•2002•Cited by: 2•References: 3

    (2002). The Politics of the First: The Emergence of the Black Model in the Civil Rights Era. Fashion Theory: Vol. 6, No. 1, pp. 61-81

  • A Note

    Janice Cheddie, Janice M Cheddie•ARTICLE•Fashion Theory•2000•References: 1

    (2000). A Note: Yinka Shonibare: Dress Tells the Woman's Story. Fashion Theory: Vol. 4, No. 3, pp. 349-357

  • Rita Keegan

    Janice Cheddie•ARTICLE•Third Text•1998

  • The Politics of the First

    Janice Cheddie•ARTICLE•Fashion Theory•2002•Cited by: 2•References: 3

    (2002). The Politics of the First: The Emergence of the Black Model in the Civil Rights Era. Fashion Theory: Vol. 6, No. 1, pp. 61-81

  • Troubling Subcultural Theories on Race, Gender, the Street, and Resistance

    Janice Cheddie•ARTICLE•Fashion Theory•2010•Cited by: 1•References: 3

    The article examines the linkage made between the urban street, racial authenticity, resistance, and black style within fashion and subcultural theories. A conceptualization that has located the urban street as a site of racial and political authenticity for the black subject; making a series of political and visual associations between the urban street, formations of race and resistance and concepts of black style. This article traces the develo…

  • Rita Keegan

    Janice Cheddie•ARTICLE•Third Text•1998

  • A Note

    Janice Cheddie, Janice M Cheddie•ARTICLE•Fashion Theory•2000•References: 1

    (2000). A Note: Yinka Shonibare: Dress Tells the Woman's Story. Fashion Theory: Vol. 4, No. 3, pp. 349-357

  • The Politics of the First

    Janice Cheddie•ARTICLE•Fashion Theory•2002•Cited by: 2•References: 3

    (2002). The Politics of the First: The Emergence of the Black Model in the Civil Rights Era. Fashion Theory: Vol. 6, No. 1, pp. 61-81

  • Books

    Open Access•Janice Cheddie•ARTICLE•Journal of Visual Culture•2005

  • Listening to Trauma in the Art of Everlyn Nicodemus

    Janice Cheddie•ARTICLE•Third Text•2007

    Approaching the huge and growing literature on ‘trauma’ both within psychoanalysis and in the field of the humanities is a daunting task. Even a brief survey of the field will reveal its vastness a

  • Troubling Subcultural Theories on Race, Gender, the Street, and Resistance

    Janice Cheddie•ARTICLE•Fashion Theory•2010•Cited by: 1•References: 3

    The article examines the linkage made between the urban street, racial authenticity, resistance, and black style within fashion and subcultural theories. A conceptualization that has located the urban street as a site of racial and political authenticity for the black subject; making a series of political and visual associations between the urban street, formations of race and resistance and concepts of black style. This article traces the develo…

  • Sasha Huber's Rentyhorn

    Janice Cheddie•ARTICLE•Third Text•2016

    Sasha Huber's Rentyhorn (2008), Switzerland, was a component of the Swiss Demounting Louis Agassiz campaign. The campaign sought to rename Agassizhorn, a peak bearing the name of Swiss-born scientist Louis Agassiz (1807–1873) a proponent of scientific racism. The article examines Rentyhorn, an intervention, by the Swiss/Haitian artist Huber (b 1975, Zurich), through concepts of re-mapping. Within Rentyhorn, the Swiss landscape is exposed through …

  • Listening to Trauma in the Art of Everlyn Nicodemus

    Janice Cheddie•CHAPTER•Third Text•2020

    Nicodemus’s work presents an opportunity to explore the ways in which trauma as a subject of contemporary art and its relationship to notions of diaspora emerge as a series of complex narratives and visual, discursive and political imaginings. This chapter explores how Nicodemus in Beyond Depiction has engaged the audience in a dialogue concerning the nature and importance of ‘listening’ as structural and interpretive responses and processes in t…

Art (6 works) · History (4 works) · History (4 works) · Art, Politics, and Modernism (3 works) · Crafts, Textile, and Design (3 works) · Fashion and Cultural Textiles (3 works) · Law (3 works) · Law (3 works) · Political science (3 works) · Politics (3 works)

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