Alfredo Cramerotti
Biographic Data
| ID | 6558532 |
|---|---|
| NAME | Alfredo Cramerotti |
| GIVEN NAMES | Alfredo |
| FAMILY NAME | Cramerotti |
| SIGNATURE | CRAMEROTTI A |
| AFFILIATIONS | Lund University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Conflict Reporting
In 2001, artists Broomberg and Chanarin documented a day in the Iraq war. The result was a visual yet non-descript narrative, achieved with light and presence; a physical documentation of their journey titled The Day Nobody Died. In 1968 photojournalist Eddie Adams captured Saigon Execution in Vietnam, also a war-time image but with the lens of reportage. The former is a rendition of their experience, not bound by the constraints and facets of ae…
Ubiquitous Photography
(2014). Ubiquitous Photography: Martin Hand. Photography and Culture: Vol. 7, No. 1, pp. 101-104
Contingency in Madagascar
Mediating spaces
Large-scale temporary art exhibitions such as biennials present special characteristics which in turn illuminate broader questions of art practice, curatorship and cultural management, as well as cultural and social affect. This article considers the third Berlin biennale for contemporary art, focusing its initial discussion on questions of exhibition space including hub forms that attempt to break from conventional art-viewing practices. The art…
No prominent works on this page.
Mediating spaces
Large-scale temporary art exhibitions such as biennials present special characteristics which in turn illuminate broader questions of art practice, curatorship and cultural management, as well as cultural and social affect. This article considers the third Berlin biennale for contemporary art, focusing its initial discussion on questions of exhibition space including hub forms that attempt to break from conventional art-viewing practices. The art…
Contingency in Madagascar
Ubiquitous Photography
(2014). Ubiquitous Photography: Martin Hand. Photography and Culture: Vol. 7, No. 1, pp. 101-104
Conflict Reporting
In 2001, artists Broomberg and Chanarin documented a day in the Iraq war. The result was a visual yet non-descript narrative, achieved with light and presence; a physical documentation of their journey titled The Day Nobody Died. In 1968 photojournalist Eddie Adams captured Saigon Execution in Vietnam, also a war-time image but with the lens of reportage. The former is a rendition of their experience, not bound by the constraints and facets of ae…
Art (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Geography (2 works) · Law (2 works) · Media studies (2 works) · Photography and Visual Culture (2 works) · Political science (2 works) · Sociology (2 works)