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Avital Barak

Biographic Data

ID6558549
NAMEAvital Barak
GIVEN NAMESAvital
FAMILY NAMEBarak
SIGNATUREBARAK A
ORCID0009-0007-6177-1174
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS2
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Hyphenated Performance On-Site

    Open Access•Avital Barak, Daphna Ben-Shaul•ARTICLE•Third Text•2023

    This article contextualises and explores participatory site-specific walking performances created for the ‘hyphenated’ area between Tel Aviv and Jaffa in Israel – nowadays a space of trade and recreation, and which before the 1948 war was Manshiya, the northern quarter of Jaffa. In correlation with geopolitical hyphenation implemented through annexation and control, we suggest the concept of hyphenated performance. The performance embodies the ur…

  • Liquid Social Choreography

    Avital Barak•ARTICLE•Performance Research•2021

    For a few months, in 2020, the constant flow of people around the world stopped almost entirely because of the pandemic. Borders were closed, cities placed under blockade and various states of exception restricted or completely abrogated the right to move. The restrictions on movement created a new social choreography of daily movement in the urban public space that became a vast laboratory for political gestures based on movement. A new choreogr…

  • A Visual Genealogy of a Sacred Landscape

    Noa Hazan, Avital Barak•ARTICLE•Israeli Studies Review•2017•Cited by: 2•References: 2

    This article explores the role of the Temple Mount in the Israeli visual sphere before and after the 1967 Arab-Israeli War, whose fiftieth anniversary will be commemorated this June. Each of the four sections examines the dominant patterns of representation at key moments of Zionism, from the emergence of photography in the Middle East in the nineteenth century, to current representations of the Temple Mount. Analysis of the four periods demonstr…

  • A Visual Genealogy of a Sacred Landscape

    Noa Hazan, Avital Barak•ARTICLE•Israeli Studies Review•2017•Cited by: 2•References: 2

    This article explores the role of the Temple Mount in the Israeli visual sphere before and after the 1967 Arab-Israeli War, whose fiftieth anniversary will be commemorated this June. Each of the four sections examines the dominant patterns of representation at key moments of Zionism, from the emergence of photography in the Middle East in the nineteenth century, to current representations of the Temple Mount. Analysis of the four periods demonstr…

  • A Visual Genealogy of a Sacred Landscape

    Noa Hazan, Avital Barak•ARTICLE•Israeli Studies Review•2017•Cited by: 2•References: 2

    This article explores the role of the Temple Mount in the Israeli visual sphere before and after the 1967 Arab-Israeli War, whose fiftieth anniversary will be commemorated this June. Each of the four sections examines the dominant patterns of representation at key moments of Zionism, from the emergence of photography in the Middle East in the nineteenth century, to current representations of the Temple Mount. Analysis of the four periods demonstr…

  • Liquid Social Choreography

    Avital Barak•ARTICLE•Performance Research•2021

    For a few months, in 2020, the constant flow of people around the world stopped almost entirely because of the pandemic. Borders were closed, cities placed under blockade and various states of exception restricted or completely abrogated the right to move. The restrictions on movement created a new social choreography of daily movement in the urban public space that became a vast laboratory for political gestures based on movement. A new choreogr…

  • Hyphenated Performance On-Site

    Open Access•Avital Barak, Daphna Ben-Shaul•ARTICLE•Third Text•2023

    This article contextualises and explores participatory site-specific walking performances created for the ‘hyphenated’ area between Tel Aviv and Jaffa in Israel – nowadays a space of trade and recreation, and which before the 1948 war was Manshiya, the northern quarter of Jaffa. In correlation with geopolitical hyphenation implemented through annexation and control, we suggest the concept of hyphenated performance. The performance embodies the ur…

Law (3 works) · Political science (3 works) · Politics (3 works) · Aesthetics (2 works) · Art (2 works) · History (2 works) · History (2 works) · Law (2 works) · Sociology (2 works) · Annexation (1 work)

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