Gannit Ankori
Biographic Data
| ID | 6558565 |
|---|---|
| NAME | Gannit Ankori |
| GIVEN NAMES | Gannit |
| FAMILY NAME | Ankori |
| SIGNATURE | ANKORI G |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1989 |
| LATEST PUBLICATION YEAR | 2006 |
| H-INDEX | 1 |
Living It Out
Response Gannit Ankori When Emily Culpepper's Period Piece was first screened in Harvard Divinity School's (HDS) Sperry lecture hall thirty-two years ago, I don't believe a single person in the audience could have foreseen that a Museum of Menstruation would be established on the World Wide Web in the mid-1990s.1 Or that by 2006, the visual art included in the museum's virtual collection—for example, Von Taylor's The Star-Tamponed Banner, a compo…
Re‐Visioning Faith
Contemporary Palestinian artists incorporate both Islamic and Christian components in their work. This article analyses how carefully chosen religious symbols intersect with a complex array of non
Imaging Her Selves
Preface Introduction: Frida Kahlo's Search for Self A Brief Biographical Outline The Nascent Self: Where Began The Matrix The Paternal Contribution The Genealogical Self The Child Self: Kahlo's Childhood Series My Nurse and I The Ousted Child: She Plays Alone The Body-Self The Broken Body, The Double Self Displaying the Wounded Self Revisioning the Female Bather The Social Self The Beloved and the Mexican Wife The Maternal Self Exploring Alternat…
Yocheved Weinfeld's Portraits of the Self
Re‐Visioning Faith
Contemporary Palestinian artists incorporate both Islamic and Christian components in their work. This article analyses how carefully chosen religious symbols intersect with a complex array of non
Yocheved Weinfeld's Portraits of the Self
Imaging Her Selves
Preface Introduction: Frida Kahlo's Search for Self A Brief Biographical Outline The Nascent Self: Where Began The Matrix The Paternal Contribution The Genealogical Self The Child Self: Kahlo's Childhood Series My Nurse and I The Ousted Child: She Plays Alone The Body-Self The Broken Body, The Double Self Displaying the Wounded Self Revisioning the Female Bather The Social Self The Beloved and the Mexican Wife The Maternal Self Exploring Alternat…
Living It Out
Response Gannit Ankori When Emily Culpepper's Period Piece was first screened in Harvard Divinity School's (HDS) Sperry lecture hall thirty-two years ago, I don't believe a single person in the audience could have foreseen that a Museum of Menstruation would be established on the World Wide Web in the mid-1990s.1 Or that by 2006, the visual art included in the museum's virtual collection—for example, Von Taylor's The Star-Tamponed Banner, a compo…
Re‐Visioning Faith
Contemporary Palestinian artists incorporate both Islamic and Christian components in their work. This article analyses how carefully chosen religious symbols intersect with a complex array of non
Art (4 works) · Aesthetics (3 works) · Art history (2 works) · Art, Politics, and Modernism (2 works) · Psychology (2 works) · Computer Science (1 work) · Engineering (1 work) · Epistemology (1 work) · Faith (1 work) · Historical Gender and Feminism Studies (1 work)