Piotr Piotrowski
Biographic Data
| ID | 6558668 |
|---|---|
| NAME | Piotr Piotrowski |
| GIVEN NAMES | Piotr |
| FAMILY NAME | Piotrowski |
| SIGNATURE | PIOTROWSKI P |
| ORCID | 0000-0001-9973-559X |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Circulation and Beyond—The Trajectories of Vision in Early Modern Eurasia
In 1971, the artist Jarosaw Kozowski and the art critic Andrzej Kostoowski invented the NETa global network of artists who wanted to exchange thoughts, artworks, letters, articles, books, catalogues, postcards, journals, pictures, photographs, photocopies, etc. This was the first endeavor of this type in the Eastern bloc. Over the course of more than a dozen years, a few hundred people from both Eastern and Western Europe, the US and Canada, Lati…
From Global to Alter-Globalist Art History
The author presents a recent discussion on „global art history,” posing some specific questions, whether and in what way it could be created, what is the role of art historical post-colonial studies in such a project, as well as the so called comparative art history, especially dealing with a history of East European art. However, in the concluding remarks he suggests an alternative approach to the issue, called the alter-globalist art history, w…
In the Shadow of Yalta
A comprehensive study of art and politics in Eastern Europe between the end of World War II and the fall of Communism, this title brings together a wide range of issues, including artistic problems, movements, attitudes, and kinds of expression, and compares and describes them to create a new art map of the region
How to Write a History of Central‐East European Art
On the one hand the ideology could serve (more or less) as a common platform for any comparative art studies in Central‐Eastern Europe, a common point of departure, a sort of framework of art historical narrative there between 1945 and 1989. On the other hand, however, such an instrument is useless if we would like to go deeper and draw a sort of map of Central‐Eastern Europe. Aiming at the above‐mentioned tasks, it is argued, we should take into…
Mapping the Legacy of the Political Change of 1956 in East European Art
How to Write a History of Central‐East European Art
On the one hand the ideology could serve (more or less) as a common platform for any comparative art studies in Central‐Eastern Europe, a common point of departure, a sort of framework of art historical narrative there between 1945 and 1989. On the other hand, however, such an instrument is useless if we would like to go deeper and draw a sort of map of Central‐Eastern Europe. Aiming at the above‐mentioned tasks, it is argued, we should take into…
Mapping the Legacy of the Political Change of 1956 in East European Art
In the Shadow of Yalta
A comprehensive study of art and politics in Eastern Europe between the end of World War II and the fall of Communism, this title brings together a wide range of issues, including artistic problems, movements, attitudes, and kinds of expression, and compares and describes them to create a new art map of the region
How to Write a History of Central‐East European Art
On the one hand the ideology could serve (more or less) as a common platform for any comparative art studies in Central‐Eastern Europe, a common point of departure, a sort of framework of art historical narrative there between 1945 and 1989. On the other hand, however, such an instrument is useless if we would like to go deeper and draw a sort of map of Central‐Eastern Europe. Aiming at the above‐mentioned tasks, it is argued, we should take into…
From Global to Alter-Globalist Art History
The author presents a recent discussion on „global art history,” posing some specific questions, whether and in what way it could be created, what is the role of art historical post-colonial studies in such a project, as well as the so called comparative art history, especially dealing with a history of East European art. However, in the concluding remarks he suggests an alternative approach to the issue, called the alter-globalist art history, w…
Circulation and Beyond—The Trajectories of Vision in Early Modern Eurasia
In 1971, the artist Jarosaw Kozowski and the art critic Andrzej Kostoowski invented the NETa global network of artists who wanted to exchange thoughts, artworks, letters, articles, books, catalogues, postcards, journals, pictures, photographs, photocopies, etc. This was the first endeavor of this type in the Eastern bloc. Over the course of more than a dozen years, a few hundred people from both Eastern and Western Europe, the US and Canada, Lati…
History (4 works) · Art (3 works) · Art, Politics, and Modernism (3 works) · Eastern European Communism and Reforms (3 works) · Law (3 works) · Political science (3 works) · Politics (3 works) · Aesthetics (2 works) · Historical Geopolitical and Social Dynamics (2 works) · Ideology (2 works)