Agata Lulkowska
Biographic Data
| ID | 6560579 |
|---|---|
| NAME | Agata Lulkowska |
| GIVEN NAMES | Agata |
| FAMILY NAME | Lulkowska |
| SIGNATURE | LULKOWSKA A |
| AFFILIATIONS | Birkbeck, University of London |
| ORCID | 0000-0003-1685-1275 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Taming your inner artist – creative practice research as a form of conceptual art (of jazz players of academia)
Creative practice research has been a prolific and promising marriage of arts and academia, and it has produced a great number of quality work from across disciplines. Still, seen as a bit of an eccentric entity by more traditional research communities, which often leads to a slight confusion or misunderstanding of what it stands for and how it’s to be managed.Questions that keep coming back are: what exactly is creative practice research, where …
Rebellious academia – the potential of creative practice research
Creative practice research sits on a fascinating, albeit sometimes challenging, border between research (understood as knowledge production) and creative practice (individual ways to express oneself using artistic methods). An exciting journey as it is, it sometimes results in confused identities of the makers and, potentially, misaligned expectations of the audiences. Not adhering to existing templates, creative practice research requires a slig…
Whose impact is it? A decolonised approach in intercultural communication and creative methods in practice-based research
This project report focuses on the complexities, dynamics and impacts of intercultural communication, with the example of indigenous video productions by the Zhigoneshi Collective from the Arhuaco community in Colombia. A decade-long filmmaking journey undertaken by the collective targeted the violent political situation in the region and challenged some of the past films made about the community by external filmmakers. A collaborative self-refle…
Decolonising Local Knowledge – Arhuaco Filmmaking as a Form of Cultural Opposition
Can filmmaking as a form of intercultural communication serve as an apparatus for selfidentification and cultural opposition to established North/West knowledge pro- duction hubs? Based on extensive fieldwork in the Sierra Nevada and detailed analysis of the Arhucao films and their production and distribution strategies, this article explores the possibility of utilising film and audio-visual communication as a way to decolonise local knowledge. …
The Voice of the Sierra Nevada
Pondering on the power of cultural preconceptions, this article examines the tension between self-representation and ‘representation from the outside’. Using the indigenous filmmaking practices of the Arhuaco community from Colombia as a case study, this article proposes that, thanks to the universal qualities of storytelling and narrative, film as a medium has the potential to bridge the intercultural gap and initiate an efficient knowledge exch…
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The Voice of the Sierra Nevada
Pondering on the power of cultural preconceptions, this article examines the tension between self-representation and ‘representation from the outside’. Using the indigenous filmmaking practices of the Arhuaco community from Colombia as a case study, this article proposes that, thanks to the universal qualities of storytelling and narrative, film as a medium has the potential to bridge the intercultural gap and initiate an efficient knowledge exch…
Decolonising Local Knowledge – Arhuaco Filmmaking as a Form of Cultural Opposition
Can filmmaking as a form of intercultural communication serve as an apparatus for selfidentification and cultural opposition to established North/West knowledge pro- duction hubs? Based on extensive fieldwork in the Sierra Nevada and detailed analysis of the Arhucao films and their production and distribution strategies, this article explores the possibility of utilising film and audio-visual communication as a way to decolonise local knowledge. …
Whose impact is it? A decolonised approach in intercultural communication and creative methods in practice-based research
This project report focuses on the complexities, dynamics and impacts of intercultural communication, with the example of indigenous video productions by the Zhigoneshi Collective from the Arhuaco community in Colombia. A decade-long filmmaking journey undertaken by the collective targeted the violent political situation in the region and challenged some of the past films made about the community by external filmmakers. A collaborative self-refle…
Rebellious academia – the potential of creative practice research
Creative practice research sits on a fascinating, albeit sometimes challenging, border between research (understood as knowledge production) and creative practice (individual ways to express oneself using artistic methods). An exciting journey as it is, it sometimes results in confused identities of the makers and, potentially, misaligned expectations of the audiences. Not adhering to existing templates, creative practice research requires a slig…
Taming your inner artist – creative practice research as a form of conceptual art (of jazz players of academia)
Creative practice research has been a prolific and promising marriage of arts and academia, and it has produced a great number of quality work from across disciplines. Still, seen as a bit of an eccentric entity by more traditional research communities, which often leads to a slight confusion or misunderstanding of what it stands for and how it’s to be managed.Questions that keep coming back are: what exactly is creative practice research, where …
Sociology (4 works) · Artistic and Creative Research (3 works) · Visual arts (3 works) · Art (2 works) · Creativity in Education and Neuroscience (2 works) · Filmmaking (2 works) · Indigenous (2 works) · Law (2 works) · Media studies (2 works) · Political science (2 works)