Goran Tomka
Biographic Data
| ID | 6560654 |
|---|---|
| NAME | Goran Tomka |
| GIVEN NAMES | Goran |
| FAMILY NAME | Tomka |
| SIGNATURE | TOMKA G |
| AFFILIATIONS | Educons University |
| ORCID | 0000-0001-7646-7473 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 10 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 2 |
Milena Dragićević Šešić
In today’s integrated global capitalism and its neoliberal cosmovision, contemporary cultural policies have increasingly been mirroring this dominant way of global governing. Discourses and practices of economic impact measurements, precarity and austerity measures in the cultural sector, the push for profit-friendly creative industries, privatisation of public resources and increased commodification of cultural experiences have all normalised ca…
Reconceptualizing cultural participation in Europe
Cultural policies have been dealing with access and participation in culture for a long time. However, recent changes in digital technologies, in modes of media consumption and in the nature and structure of leisure-time activities, have changed the usual cultural audiences. On the other side, economic crisis and cuts in public spending on arts have put additional pressure on cultural organizations. Consequently, cultural professionals are urged …
Reconceptualizing cultural participation in Europe
Cultural policies have been dealing with access and participation in culture for a long time. However, recent changes in digital technologies, in modes of media consumption and in the nature and structure of leisure-time activities, have changed the usual cultural audiences. On the other side, economic crisis and cuts in public spending on arts have put additional pressure on cultural organizations. Consequently, cultural professionals are urged …
Milena Dragićević Šešić
In today’s integrated global capitalism and its neoliberal cosmovision, contemporary cultural policies have increasingly been mirroring this dominant way of global governing. Discourses and practices of economic impact measurements, precarity and austerity measures in the cultural sector, the push for profit-friendly creative industries, privatisation of public resources and increased commodification of cultural experiences have all normalised ca…
Reconceptualizing cultural participation in Europe
Cultural policies have been dealing with access and participation in culture for a long time. However, recent changes in digital technologies, in modes of media consumption and in the nature and structure of leisure-time activities, have changed the usual cultural audiences. On the other side, economic crisis and cuts in public spending on arts have put additional pressure on cultural organizations. Consequently, cultural professionals are urged …
Milena Dragićević Šešić
In today’s integrated global capitalism and its neoliberal cosmovision, contemporary cultural policies have increasingly been mirroring this dominant way of global governing. Discourses and practices of economic impact measurements, precarity and austerity measures in the cultural sector, the push for profit-friendly creative industries, privatisation of public resources and increased commodification of cultural experiences have all normalised ca…
Cultural Industries and Urban Development (2 works) · Cultural policy (2 works) · Political science (2 works) · Sociology (2 works) · Articulation (sociology (1 work) · Artistic and Creative Research (1 work) · Austerity (1 work) · Capitalism (1 work) · Commodification (1 work) · Consumption (sociology (1 work)