Katherine Champion
Biographic Data
| ID | 6560671 |
|---|---|
| NAME | Katherine Champion |
| GIVEN NAMES | Katherine |
| FAMILY NAME | Champion |
| SIGNATURE | CHAMPION K |
| AFFILIATIONS | University of Stirling |
| ORCID | 0000-0002-9311-8221 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 12 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
“You felt that you had done something that was actually helping”
Grand designs?’ Investigating the cultural and spatial logics of Channel 4’s media hub workspaces in Leeds, Bristol and Glasgow
This article explores the evolving spatiality of media production through an analysis of recent developments in UK broadcaster Channel 4’s move to a multi-site operating model. Historically, media buildings have served as landmarks of power and influence, embodying the aspirations and identities of media organisations and, as such, offer a fruitful lens for the specific exploration of the spaces of contemporary media production. Through a detaile…
Relocation, relocation, relocation
Promotion of regional cultural production is seen as critically important both in ensuring a television content that reflects a diversity of voices and in strengthening regional production hubs to support sustainable creative economies across the UK (Ofcom. [19th December 2018]. Review of Regional TV Production and Programming Guidance Consultation. Accessed 8.12.20. Available from: https://www.ofcom.org.uk/__data/assets/pdf_file/0015/130911/Revi…
Crafting the local
National creative and cultural industries policy agendas tend to focus on the economic impact of the sector often favouring scalable digital activities based in global clusters, which underpin notions of growth. There has, however, been a re-emergence of craft, which may not be scalable in the same way, into public debate, with benefits linked to educational, cultural and economic policy agendas. Accordingly, policymakers have begun to view craft…
Craft, textiles, and cultural assets in the Northern Isles
This article explores design innovation approaches in the creative economy in the Northern Isles of Scotland, specifically, the Shetland archipelago, focusing on the textiles sector. Shetland has a rich history of craft work, including Fair Isle knitting and lace making. We contend that the value of cultural assets in contributing to the creative economy is underexamined and that there is a paucity of understanding of the innovative potential of …
Shaping screen talent
Together with “creativity”, the concept of “talent” has emerged within UK and global policy discussions as being central to unlocking economic success within the creative industries. At a crucial time of political and technological change, Scotland finds itself competing within a highly competitive global market to identify, attract and retain creative talent and strengthen its skills base. As such, developing “talent” is a key aspect of the Scot…
Small businesses in the new creative industries
Purpose This paper seeks to present findings from an SME case study situated in the computer games industry, the youngest and fastest growing of the new digital industries. The study aims to examine changing people management practices as the case company undergoes industry‐typical strategic change to embark on explorative innovation and it seeks to argue that maintaining an organisational context conducive to innovation over time risks turning i…
Hobson's choice? Constraints on accessing spaces of creative production in a transforming industrial conurbation
Successful creative production is often documented to occur in urban areas that are more likely to be diverse, a source of human capital and the site of dense interactions. These accounts chart how, historically, creative industries have clustered in areas where space was once cheap in the city centre fringe and inner city areas, often leading to the development of a creative milieu, and thereby stimulating further creative production. Historical…
Craft, textiles, and cultural assets in the Northern Isles
This article explores design innovation approaches in the creative economy in the Northern Isles of Scotland, specifically, the Shetland archipelago, focusing on the textiles sector. Shetland has a rich history of craft work, including Fair Isle knitting and lace making. We contend that the value of cultural assets in contributing to the creative economy is underexamined and that there is a paucity of understanding of the innovative potential of …
Crafting the local
National creative and cultural industries policy agendas tend to focus on the economic impact of the sector often favouring scalable digital activities based in global clusters, which underpin notions of growth. There has, however, been a re-emergence of craft, which may not be scalable in the same way, into public debate, with benefits linked to educational, cultural and economic policy agendas. Accordingly, policymakers have begun to view craft…
Shaping screen talent
Together with “creativity”, the concept of “talent” has emerged within UK and global policy discussions as being central to unlocking economic success within the creative industries. At a crucial time of political and technological change, Scotland finds itself competing within a highly competitive global market to identify, attract and retain creative talent and strengthen its skills base. As such, developing “talent” is a key aspect of the Scot…
Relocation, relocation, relocation
Promotion of regional cultural production is seen as critically important both in ensuring a television content that reflects a diversity of voices and in strengthening regional production hubs to support sustainable creative economies across the UK (Ofcom. [19th December 2018]. Review of Regional TV Production and Programming Guidance Consultation. Accessed 8.12.20. Available from: https://www.ofcom.org.uk/__data/assets/pdf_file/0015/130911/Revi…
Hobson's choice? Constraints on accessing spaces of creative production in a transforming industrial conurbation
Successful creative production is often documented to occur in urban areas that are more likely to be diverse, a source of human capital and the site of dense interactions. These accounts chart how, historically, creative industries have clustered in areas where space was once cheap in the city centre fringe and inner city areas, often leading to the development of a creative milieu, and thereby stimulating further creative production. Historical…
Small businesses in the new creative industries
Purpose This paper seeks to present findings from an SME case study situated in the computer games industry, the youngest and fastest growing of the new digital industries. The study aims to examine changing people management practices as the case company undergoes industry‐typical strategic change to embark on explorative innovation and it seeks to argue that maintaining an organisational context conducive to innovation over time risks turning i…
Shaping screen talent
Together with “creativity”, the concept of “talent” has emerged within UK and global policy discussions as being central to unlocking economic success within the creative industries. At a crucial time of political and technological change, Scotland finds itself competing within a highly competitive global market to identify, attract and retain creative talent and strengthen its skills base. As such, developing “talent” is a key aspect of the Scot…
Craft, textiles, and cultural assets in the Northern Isles
This article explores design innovation approaches in the creative economy in the Northern Isles of Scotland, specifically, the Shetland archipelago, focusing on the textiles sector. Shetland has a rich history of craft work, including Fair Isle knitting and lace making. We contend that the value of cultural assets in contributing to the creative economy is underexamined and that there is a paucity of understanding of the innovative potential of …
Crafting the local
National creative and cultural industries policy agendas tend to focus on the economic impact of the sector often favouring scalable digital activities based in global clusters, which underpin notions of growth. There has, however, been a re-emergence of craft, which may not be scalable in the same way, into public debate, with benefits linked to educational, cultural and economic policy agendas. Accordingly, policymakers have begun to view craft…
Relocation, relocation, relocation
Promotion of regional cultural production is seen as critically important both in ensuring a television content that reflects a diversity of voices and in strengthening regional production hubs to support sustainable creative economies across the UK (Ofcom. [19th December 2018]. Review of Regional TV Production and Programming Guidance Consultation. Accessed 8.12.20. Available from: https://www.ofcom.org.uk/__data/assets/pdf_file/0015/130911/Revi…
Grand designs?’ Investigating the cultural and spatial logics of Channel 4’s media hub workspaces in Leeds, Bristol and Glasgow
This article explores the evolving spatiality of media production through an analysis of recent developments in UK broadcaster Channel 4’s move to a multi-site operating model. Historically, media buildings have served as landmarks of power and influence, embodying the aspirations and identities of media organisations and, as such, offer a fruitful lens for the specific exploration of the spaces of contemporary media production. Through a detaile…
“You felt that you had done something that was actually helping”
Cultural Industries and Urban Development (7 works) · Political science (5 works) · Public relations (5 works) · Business (4 works) · Economics (4 works) · Sociology (4 works) · Craft (3 works) · Creativity (3 works) · Marketing (3 works) · Politics (3 works)