Ashley Harris
Biographic Data
| ID | 6562406 |
|---|---|
| NAME | Ashley Harris |
| GIVEN NAMES | Ashley |
| FAMILY NAME | Harris |
| SIGNATURE | HARRIS A |
| AFFILIATIONS | University of Surrey |
| ORCID | 0000-0002-0863-2956 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Visual Cultures of the Banlieues: Precarious Peripheries or Creative Centres
The Parisian banlieues have long been depicted through harmful stereotypes in political speeches, the press and mainstream film as places of violence, crime and poverty, and of social, racial and religious divisions. In this article, Ashley Harris demonstrates the impact of different modes of visual culture upon the thousands of communities in the banlieues and, more broadly, to examine the significance of visual representations for their potenti…
From the spectacle to the striptease: Beigbeder, Houellebecq and media ambivalence
This article addresses the media ambivalence of contemporary authors Frédéric Beigbeder and Michel Houellebecq who voice concern for the purported diminishing status of literature and the author within a mass media marketized context, while concurrently engaging in highly visible ways with the very media and commercialization at the core of their criticisms. Analysing their works and interviews, and employing a theoretical framework that includes…
On the return of the (media) author: Michel Houellebecq, écrivain médiatique
This article argues that Michel Houellebecq is an écrivain médiatique, and it examines how and why he engages in an authorial strategy that relies on more than the text and presents the author as a visible, multimedia, and culturally relevant figure. From an epistemological need to reassess authorship in the digital age, this article defines media authorship before analysing Houellebecq through a critical framework including Meizoz’s concept of p…
On the return of the (media) author: Michel Houellebecq, écrivain médiatique
This article argues that Michel Houellebecq is an écrivain médiatique, and it examines how and why he engages in an authorial strategy that relies on more than the text and presents the author as a visible, multimedia, and culturally relevant figure. From an epistemological need to reassess authorship in the digital age, this article defines media authorship before analysing Houellebecq through a critical framework including Meizoz’s concept of p…
From the spectacle to the striptease: Beigbeder, Houellebecq and media ambivalence
This article addresses the media ambivalence of contemporary authors Frédéric Beigbeder and Michel Houellebecq who voice concern for the purported diminishing status of literature and the author within a mass media marketized context, while concurrently engaging in highly visible ways with the very media and commercialization at the core of their criticisms. Analysing their works and interviews, and employing a theoretical framework that includes…
On the return of the (media) author: Michel Houellebecq, écrivain médiatique
This article argues that Michel Houellebecq is an écrivain médiatique, and it examines how and why he engages in an authorial strategy that relies on more than the text and presents the author as a visible, multimedia, and culturally relevant figure. From an epistemological need to reassess authorship in the digital age, this article defines media authorship before analysing Houellebecq through a critical framework including Meizoz’s concept of p…
From the spectacle to the striptease: Beigbeder, Houellebecq and media ambivalence
This article addresses the media ambivalence of contemporary authors Frédéric Beigbeder and Michel Houellebecq who voice concern for the purported diminishing status of literature and the author within a mass media marketized context, while concurrently engaging in highly visible ways with the very media and commercialization at the core of their criticisms. Analysing their works and interviews, and employing a theoretical framework that includes…
Visual Cultures of the Banlieues: Precarious Peripheries or Creative Centres
The Parisian banlieues have long been depicted through harmful stereotypes in political speeches, the press and mainstream film as places of violence, crime and poverty, and of social, racial and religious divisions. In this article, Ashley Harris demonstrates the impact of different modes of visual culture upon the thousands of communities in the banlieues and, more broadly, to examine the significance of visual representations for their potenti…
Aesthetics (3 works) · Art (3 works) · Media studies (3 works) · Political science (3 works) · Sociology (3 works) · Context (archaeology (2 works) · French Literature and Critical Theory (2 works) · History (2 works) · History (2 works) · Law (2 works)