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Caroline Perret

Biographic Data

ID6562485
NAMECaroline Perret
GIVEN NAMESCaroline
FAMILY NAMEPerret
SIGNATUREPERRET C
AFFILIATIONSUniversity of Westminster
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Resistance politics of non-violence

    Caroline Perret•ARTICLE•European Review of History Revue…•2018•Cited by: 1•References: 1

    The idea of adequately ‘representing’ violence was an important point of discussion amongst Resistance artists and intellectuals at the time of the French Occupation. In particular, intellectual resistant Jean Paulhan had written on the subject in his text introducing Jean Fautrier’s retrospective exhibition of November and December 1943 in occupied Paris, ‘Fautrier the Enraged’. While the thematic of the exhibition proposed an academic and tradi…

  • Two Canadian films

    Caroline Perret•ARTICLE•Journal of War and Culture Studies•2012

    Children of Soldiers – Growing Up Under the Flag, Claire Corriveau (2010), Montreal: National Film Board of Canada, 52 min. This incisive portrait of the daily lives of children and teens from four military families reveals the particular circumstances of the life at an army base. Every day, each must come to grips with absence, an uncertain future and the looming prospect of death. In a world where giving expression to fear or grief is taboo, yo…

  • Dubuffet, Fautrier and Ponge

    Open Access•Caroline Perret•ARTICLE•French Cultural Studies•2011•References: 1

    The 1940s in France were marked by a constant tension between notions of ‘self and other’. While during the war, all enemies of fascist ideology were constructed as threatening ‘others’, at the liberation, ex-collaborators were subjected to the excesses of the épuration which further divided the French population. It is argued in this essay that Dubuffet and Fautrier — and Ponge, one of the Resistance intellectuals with whom both artists were clo…

  • Resistance politics of non-violence

    Caroline Perret•ARTICLE•European Review of History Revue…•2018•Cited by: 1•References: 1

    The idea of adequately ‘representing’ violence was an important point of discussion amongst Resistance artists and intellectuals at the time of the French Occupation. In particular, intellectual resistant Jean Paulhan had written on the subject in his text introducing Jean Fautrier’s retrospective exhibition of November and December 1943 in occupied Paris, ‘Fautrier the Enraged’. While the thematic of the exhibition proposed an academic and tradi…

  • Dubuffet, Fautrier and Ponge

    Open Access•Caroline Perret•ARTICLE•French Cultural Studies•2011•References: 1

    The 1940s in France were marked by a constant tension between notions of ‘self and other’. While during the war, all enemies of fascist ideology were constructed as threatening ‘others’, at the liberation, ex-collaborators were subjected to the excesses of the épuration which further divided the French population. It is argued in this essay that Dubuffet and Fautrier — and Ponge, one of the Resistance intellectuals with whom both artists were clo…

  • Two Canadian films

    Caroline Perret•ARTICLE•Journal of War and Culture Studies•2012

    Children of Soldiers – Growing Up Under the Flag, Claire Corriveau (2010), Montreal: National Film Board of Canada, 52 min. This incisive portrait of the daily lives of children and teens from four military families reveals the particular circumstances of the life at an army base. Every day, each must come to grips with absence, an uncertain future and the looming prospect of death. In a world where giving expression to fear or grief is taboo, yo…

  • Resistance politics of non-violence

    Caroline Perret•ARTICLE•European Review of History Revue…•2018•Cited by: 1•References: 1

    The idea of adequately ‘representing’ violence was an important point of discussion amongst Resistance artists and intellectuals at the time of the French Occupation. In particular, intellectual resistant Jean Paulhan had written on the subject in his text introducing Jean Fautrier’s retrospective exhibition of November and December 1943 in occupied Paris, ‘Fautrier the Enraged’. While the thematic of the exhibition proposed an academic and tradi…

History (3 works) · History (3 works) · Law (3 works) · Law (3 works) · Political science (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art (2 works) · Art history (2 works) · Context (archaeology (2 works)

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