Alexandre Dauge-Roth
Biographic Data
| ID | 6562486 |
|---|---|
| NAME | Alexandre Dauge-Roth |
| GIVEN NAMES | Alexandre |
| FAMILY NAME | Dauge-Roth |
| SIGNATURE | DAUGE-ROTH A |
| AFFILIATIONS | Bates College |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 1 |
Writing and Filming the Genocide of the Tutsis in Rwanda
Writing and Filming the Genocide of the Tutsis in Rwanda: Dismembering and Remembering Traumatic History is an innovative work in Francophone and African studies that examines a wide range of responses to the 1994 genocide of the Tutsis in Rwanda. From survivor testimonies, to novels by African authors, to films such as Hotel Rwanda and Sometimes in April, the arts of witnessing are varied, comprehensive, and compelling. Alexandre Dauge-Roth comp…
The Pertinence of Impertinent Storytelling in Gilbert Ndahayo's Documentary Rwanda
Testimonial Encounter
For the survivors of the genocide of the Tutsis, testifying to their traumatic past must be envisioned in relation to the political and ideological tensions that define the representations of Rwanda's national history. Bearing witness represents the possibility `of' and the call `for' a dialogic space where survivors seek to redefine the present meaning derived from the experience of the genocide and its haunting resonance. In their attempt to re…
Testimonial Encounter
For the survivors of the genocide of the Tutsis, testifying to their traumatic past must be envisioned in relation to the political and ideological tensions that define the representations of Rwanda's national history. Bearing witness represents the possibility `of' and the call `for' a dialogic space where survivors seek to redefine the present meaning derived from the experience of the genocide and its haunting resonance. In their attempt to re…
Testimonial Encounter
For the survivors of the genocide of the Tutsis, testifying to their traumatic past must be envisioned in relation to the political and ideological tensions that define the representations of Rwanda's national history. Bearing witness represents the possibility `of' and the call `for' a dialogic space where survivors seek to redefine the present meaning derived from the experience of the genocide and its haunting resonance. In their attempt to re…
Writing and Filming the Genocide of the Tutsis in Rwanda
Writing and Filming the Genocide of the Tutsis in Rwanda: Dismembering and Remembering Traumatic History is an innovative work in Francophone and African studies that examines a wide range of responses to the 1994 genocide of the Tutsis in Rwanda. From survivor testimonies, to novels by African authors, to films such as Hotel Rwanda and Sometimes in April, the arts of witnessing are varied, comprehensive, and compelling. Alexandre Dauge-Roth comp…
The Pertinence of Impertinent Storytelling in Gilbert Ndahayo's Documentary Rwanda
Genocide (3 works) · Law (3 works) · Political science (3 works) · Art (2 works) · History (2 works) · Law (2 works) · Middle East and Rwanda Conflicts (2 works) · Psychology (2 works) · Sociology (2 works) · 1994 (1 work)