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Maria Pini

Biographic Data

ID6567776
NAMEMaria Pini
GIVEN NAMESMaria
FAMILY NAMEPini
SIGNATUREPINI M
AFFILIATIONSGoldsmiths College, London SE14 6NW, UK.
ORCID0000-0002-9995-5370
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS2
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR1996
LATEST PUBLICATION YEAR2025
H-INDEX1
  • If we ask, we must act”: Co-designing the implementation of the EQ-5D-Y-5L as a Paediatric Patient Reported Outcome Measure in Routine hospital Outpatient Care for Kids to meaningfully impact clinical…

    Open Access•Renee Jones, Kim Dalziel et al.•ARTICLE•Quality of Life Research•2025

    Consumer engagement produced important insights that would've otherwise been missed, ensuring the P-PROM ROCK Program empowers patients. For generic P-PROMs to meaningfully impact patient-clinician visits, supports and resources are required to ensure clinical review and action

  • Home Truths: Video Production and Domestic Life

    Open Access•David Buckingham, Maria Pini et al.•BOOK•Home truths?•2011

    Over the past decade, the video camera has become a commonplace household technology. With falling prices on compact and easy-to-use cameras, as well as mobile phones and digital still cameras with video recording capabilities, access to moving image production technology is becoming virtually universal. Home Truths? represents one of the few academic research studies exploring this everyday, popular use of video production technology, looking pa…

  • ‘Take back the tube!’: The discursive construction of amateur film and video making

    David Buckingham, Maria Pini et al.•ARTICLE•Journal of Media Practice•2007

    This article focuses on the discursive construction of amateur film- and video-making within popular books, manuals and magazines, dating from 1921 to the present day. The theoretical approach derives primarily from Pierre Bourdieu's analysis of ‘cultural fields’, as developed particularly in his work on photography. We begin by exploring the broad rhetoric of ‘democratisation’ that characterises popular discussions of the potential of amateur fi…

  • Dance Classes-Dancing between Classifications

    Open Access•Maria Pini•ARTICLE•Feminism & Psychology•1996•Cited by: 2•References: 1

    Women's involvement within both performance and social dance has long been trivialized by cultural analysts and social historians alike. Dance has tended then, to be dismissed as `meaningless'. However, as Angela McRobbie's work has shown, dance can take on particular significance within the context of working-class femininity. This trivialization, or regulated ignoring of social dance, can then be located as part of the wider tendency which Caro…

  • Dance Classes-Dancing between Classifications

    Open Access•Maria Pini•ARTICLE•Feminism & Psychology•1996•Cited by: 2•References: 1

    Women's involvement within both performance and social dance has long been trivialized by cultural analysts and social historians alike. Dance has tended then, to be dismissed as `meaningless'. However, as Angela McRobbie's work has shown, dance can take on particular significance within the context of working-class femininity. This trivialization, or regulated ignoring of social dance, can then be located as part of the wider tendency which Caro…

  • Dance Classes-Dancing between Classifications

    Open Access•Maria Pini•ARTICLE•Feminism & Psychology•1996•Cited by: 2•References: 1

    Women's involvement within both performance and social dance has long been trivialized by cultural analysts and social historians alike. Dance has tended then, to be dismissed as `meaningless'. However, as Angela McRobbie's work has shown, dance can take on particular significance within the context of working-class femininity. This trivialization, or regulated ignoring of social dance, can then be located as part of the wider tendency which Caro…

  • ‘Take back the tube!’: The discursive construction of amateur film and video making

    David Buckingham, Maria Pini et al.•ARTICLE•Journal of Media Practice•2007

    This article focuses on the discursive construction of amateur film- and video-making within popular books, manuals and magazines, dating from 1921 to the present day. The theoretical approach derives primarily from Pierre Bourdieu's analysis of ‘cultural fields’, as developed particularly in his work on photography. We begin by exploring the broad rhetoric of ‘democratisation’ that characterises popular discussions of the potential of amateur fi…

  • Home Truths: Video Production and Domestic Life

    Open Access•David Buckingham, Maria Pini et al.•BOOK•Home truths?•2011

    Over the past decade, the video camera has become a commonplace household technology. With falling prices on compact and easy-to-use cameras, as well as mobile phones and digital still cameras with video recording capabilities, access to moving image production technology is becoming virtually universal. Home Truths? represents one of the few academic research studies exploring this everyday, popular use of video production technology, looking pa…

  • If we ask, we must act”: Co-designing the implementation of the EQ-5D-Y-5L as a Paediatric Patient Reported Outcome Measure in Routine hospital Outpatient Care for Kids to meaningfully impact clinical…

    Open Access•Renee Jones, Kim Dalziel et al.•ARTICLE•Quality of Life Research•2025

    Consumer engagement produced important insights that would've otherwise been missed, ensuring the P-PROM ROCK Program empowers patients. For generic P-PROMs to meaningfully impact patient-clinician visits, supports and resources are required to ensure clinical review and action

Art (3 works) · Political science (3 works) · Psychology (3 works) · Sociology (3 works) · Aesthetics (2 works) · Business (2 works) · Law (2 works) · Subjectivity (2 works) · Visual arts (2 works) · Advertising (1 works)

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