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Ry Montgomery

Biographic Data

ID6574595
NAMERy Montgomery
GIVEN NAMESRy
FAMILY NAMEMontgomery
SIGNATUREMONTGOMERY R
AFFILIATIONSUniversity of Cambridge
ORCID0009-0002-3796-7883
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2024
LATEST PUBLICATION YEAR2026
H-INDEX0
  • « On s’en fout de la loi »

    Open Access•Ry Montgomery•ARTICLE•Convergences francophones•2026

    Cet article propose une lecture de A Good Man (2020) de Marie-Castille Mention-Schaar. Dans ce film à la fois didactique et réaliste, il s’agit de l’histoire d’un jeune couple marié, Benjamin et Aude, qui rêvent de devenir parents. Aude ne peut pas porter un enfant ; Benjamin, homme trans, décide de le faire lui-même. Le film intervient alors dans le débat houleux autour de la transparentalité et de l’accès à la procréation médicalement assistée …

  • Megan Burke , Becoming a Woman

    Ry Montgomery•ARTICLE•French Studies•2026

    This article was published open access under a CC BY-ND licence: https://creativecommons.org/licenses/by-nd/4.0/ .

  • Reports on Conferences and Other Activities

    Ry Montgomery, Emma Claussen et al.•ARTICLE•French Studies Bulletin•2025

  • Soukaz in space

    Open Access•Ry Montgomery•ARTICLE•Modern & Contemporary France•2024•References: 9

    Since the 1970s, Lionel Soukaz has deployed his camera as a sledgehammer against the limits of bourgeois pseudo-toleration and its normative models of identity and citizenship. Yet the relatively disparate nature of scholarly and curatorial engagement with his œuvre has largely occluded analysis of the evolutions in his filmic practice, and, notably, his engagement with the politics of space. Bringing his films into dialogue with the writings of …

No prominent works on this page.

  • Soukaz in space

    Open Access•Ry Montgomery•ARTICLE•Modern & Contemporary France•2024•References: 9

    Since the 1970s, Lionel Soukaz has deployed his camera as a sledgehammer against the limits of bourgeois pseudo-toleration and its normative models of identity and citizenship. Yet the relatively disparate nature of scholarly and curatorial engagement with his œuvre has largely occluded analysis of the evolutions in his filmic practice, and, notably, his engagement with the politics of space. Bringing his films into dialogue with the writings of …

  • Reports on Conferences and Other Activities

    Ry Montgomery, Emma Claussen et al.•ARTICLE•French Studies Bulletin•2025

  • « On s’en fout de la loi »

    Open Access•Ry Montgomery•ARTICLE•Convergences francophones•2026

    Cet article propose une lecture de A Good Man (2020) de Marie-Castille Mention-Schaar. Dans ce film à la fois didactique et réaliste, il s’agit de l’histoire d’un jeune couple marié, Benjamin et Aude, qui rêvent de devenir parents. Aude ne peut pas porter un enfant ; Benjamin, homme trans, décide de le faire lui-même. Le film intervient alors dans le débat houleux autour de la transparentalité et de l’accès à la procréation médicalement assistée …

  • Megan Burke , Becoming a Woman

    Ry Montgomery•ARTICLE•French Studies•2026

    This article was published open access under a CC BY-ND licence: https://creativecommons.org/licenses/by-nd/4.0/ .

Philosophy (2 works) · Politics (2 works) · Aesthetics (1 work) · African Sexualities and LGBTQ+ Issues (1 work) · Appropriation (1 work) · Art (1 work) · Bourgeoisie (1 work) · Capital (architecture (1 work) · Cinema and Media Studies (1 work) · Citizenship (1 work)

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